Choral Collection. Arranged by Philip Lawson. De Haske Choral Music. Octavo. 72 pages. Published by De Haske Publications

Choral TTBB choir

SKU: PR.312416820

Men's Chorus (10 Copies). Composed by Chen Yi. Choral part(s). With Standard notation. 480 pages. Duration 17 minutes. Theodore Presser Company #312-41682. Published by Theodore Presser Company (PR.312416820).

UPC: 680160050376. 8.5 x 11 inches.

Chen Yi’s most performed and most beloved choral music is a series of 10 Chinese folk songs adapted for S.A.T.B. Chorus (published in 3 volumes: 312-41731, 312-41732, 312-41733). This special version is a setting of the familiar collection, adapted for children’s chorus and strings.
Remembering when I studied composition in the Central Conservatory of Music in Beijing, I learned to sing hundreds of Chinese folk songs collected from more than twenty provinces and fifty ethnic groups, and went to countryside to collect original folk music every year.  I got to know that the folk songs are a mirror of people’s daily lives, their thoughts and sentiments, local customs and manners.  They are sung in regional dialects and use the idioms of everyday speech with their particular intonations, accents and cadences.  This correlation between speech and music distinguishes folk songs of one region from another.  I learned all songs by heart and sang them back in the exams every week.  They melted in my blood and became my natural music language.  The more I walk into the music life,the more I treasure the rich culture I have learned from my homeland. When I became the Composer-in-Residence of Chanticleer and was invited to write the first work for its concert program, as well as another version for its Singing-In-The-Schools program, I decided to introduce A Set of Chinese Folk Songs to my American audiences, and add a new flavor to Chanticleer’srich repertoire.  The work includes ten folk songs, taken from eight provinces (Anhui, Shaanxi, Yunnan, Shanxi, Taiwan, Sinkiang, Jiangsu and Guizhou) and five ethnic groups (Han, Hasake, Uighur, Miao and Yi).  I arranged them for choirs (men’s or children’s chorus) with various combinations in voices, to be sung mostly in Chinese, some in English.   From the mysterious mountain songs originally sung in the open air with high and long notes that can carry over great distances, the sweet and delicate melodies of young love compared with nature, the humorous antiphony by little children, and the lively dancing tune by villagers, you may get an idea of various music styles in Chinese folk songs according to geographic, ethnic and linguistic differences, and appreciate the beauty of the Chinese folk music.  The pure choir sound and the sophisticated singing by Chanticleer, in terms of pitches, language and musical expressions, really attract and inspire me to create some more new works in the years to come.  In thisedition of A Set of Chinese Folk Songs for standard SATB mixed choir (with piano rehearsal score), I divided these ten songs into three volumes.  They are Fengyang Song, The Flowing Stream, Guessing, Thinking of My Darling, Mayila, Jasmine Flower, Riding on a Mule, Awariguli, Diu Diu Deng, andMountain Song and Dancing Tune.—Chen Yi.

Men's choir (TTBB) (Male choir (TTBB)) - Level 4

SKU: BA.BA07416

Composed by Marten Jansson. Stapled. Choral score. 6 pages. Baerenreiter Verlag #BA07416_00. Published by Baerenreiter Verlag (BA.BA07416).

ISBN 9790006559206. 27 x 19 cm inches. Text Language: Latin.

Based on the well-known bible text “Sing unto the Lord a new song” (Psalm 96:1-3), this upbeat composition with strong dynamics and flowing block chords alternating with fast-paced polyphony brings across this joyful message and enthuses singers.

“My music is my own and I have never tried to be original. That has always been my motto and I have only tried to use music to express all the feelings which life has to offer. This has led people to describe my music as ‘so sad that it sounds like birds who have lost their wings‘ but also as ‘the happiest classical music that we have ever heard’.
My compositions are almost all sacred. They express not only my own faith but also my appreciation and respect for the timeless texts that have been used for centuries and centuries.”

Mårten Jansson (b. 1965), elected member of the Föreningen svenska tonsättare (the Society of Swedish Composers), graduated from the Royal College of Music, Stockholm (KHM) with an MFA degree in Music Education, Dalcroze Eurhythmics and Voice. For more than ten years he was the music director and conductor of “Carmen”, one of the most prominent womens’ vocal ensembles in Sweden. He currently teaches choral conducting and music theory as well as giving vocal tuition at the Bolandgymnasiet and Musikskolan in his home town of Uppsala.

Choral TTBB choir, piano

SKU: CF.CM9635

Composed by Victor Johnson. Fold. Performance Score. 12 pages. Duration 3 minutes, 19 seconds. Carl Fischer Music #CM9635. Published by Carl Fischer Music (CF.CM9635).

ISBN 9781491157077. UPC: 680160915637. 6.875 x 10.5 inches. Key: E major. English, English. Abram Joseph Ryan (1838-1886).

Victor Johnson captures the mystery and nuance of the bittersweet poem, Wake Me a Song, by American poet, Abram Joseph Ryan. Nuance, text, and Johnson's rich harmonies paired with intertwining textures make this a noteworthy addition to any program. Also available for SATB Voices (CM9561).
About the Author Abram Joseph Ryan was born Matthew Abraham Ryan on February 5, 1838 in Hagerstown, Maryland. As a young man, Ryan and his family moved west St. Louis, Missouri, where he was educated at the Christian Brothers School. He studied for the priesthood at Niagra University in New York State and was ordained a priest in the Vincentian order on November 1, 1856. He taught theology, first at Niagra university and then at the diocesan seminary in Cape Girardeau, Missouri, until the beginning of the war between the states. Father Ryan enlisted in the army on September 1, 1862, and served as a chaplain throughout the conflict, carrying the wounded to safety and performing last rites on the battlefield. His first piece of poetry was inspired by the death of a younger brother while serving in the army. After the war, he established a weekly literary magazine in which most of his poetry was published. He also put out several volumes of poetry, including Father Ryan's Poems and A Crown for Our Queen. Father Ryan died on April 22, 1886 at a Franciscan monastery in Louisville, Kentucky. About the Song Wake Me A Song is an inspired and sensitive setting of the 19th-century poem by Abram Joseph Ryan. It features sweeping melodic lines, rich harmonies, and a flowingly beautiful accompaniment. To master a performance of this selection, singers must perform very expressively, paying close attention to such musical aspects as phrase shaping, the rise and fall of the melodic line, blending and proper intonation between sections. One strategy that could be used to ensure proper phrasing is the idea of Painting the Phrase. The singer should make a motion as if they have a paintbrush in their hand and paint the melodic line and phrase shape as if they are painting with a nice, flowing brush stroke. One could think about painting a rainbow or an arch to show the rise and fall of the line and/or phrase. The director can also show this gesture while conducting to reinforce this concept.
About the AuthorAbram Joseph Ryan was born Matthew Abraham Ryan on February 5, 1838 in Hagerstown, Maryland. As a young man, Ryan and his family moved west St. Louis, Missouri, where he was educated at the Christian Brothers School. He studied for the priesthood at Niagra University in New York State and was ordained a priest in the Vincentian order on November 1, 1856. He taught theology, first at Niagra university and then at the diocesan seminary in Cape Girardeau, Missouri, until the beginning of the war between the states.Father Ryan enlisted in the army on September 1, 1862, and served as a chaplain throughout the conflict, carrying the wounded to safety and performing last rites on the battlefield. His first piece of poetry was inspired by the death of a younger brother while serving in the army. After the war, he established a weekly literary magazine in which most of his poetry was published. He also put out several volumes of poetry, including Father Ryan's Poems and A Crown for Our Queen. Father Ryan died on April 22, 1886 at a Franciscan monastery in Louisville, Kentucky.About the SongWake Me A Song is an inspired and sensitive setting of the 19th-century poem by Abram Joseph Ryan. It features sweeping melodic lines, rich harmonies, and a flowingly beautiful accompaniment.To master a performance of this selection, singers must perform very expressively, paying close attention to such musical aspects as phrase shaping, the rise and fall of the melodic line, blending and proper intonation between sections.One strategy that could be used to ensure proper phrasing is the idea of “Painting the Phrase.” The singer should make a motion as if they have a paintbrush in their hand and “paint” the melodic line and phrase shape as if they are painting with a nice, flowing brush stroke. One could think about painting a rainbow or an arch to show the rise and fall of the line and/or phrase. The director can also show this gesture while conducting to reinforce this concept.

TTBB chorus with (piano) or (wind ensemble) or (brass quintet, organ & optional percussion) or (full orchestra) or (Reduced orchestra) (Please note accompaniments are not compatible with each other.)

SKU: EC.RBM-103A

Composed by Randol Alan Bass. Multi-Movement/Large Choral Work. Christmas, Sacred, 21st Century. Choral score. Duration 12:00. Randol Bass Music #RBM-103A. Published by Randol Bass Music (EC.RBM-103A).

UPC: 688670440052.

This carol medley was commissioned by the Dallas Symphony Orchestra in 1992 and has been performed nationwide on Holiday and Christmas programs- both in the concert hall and for church-based presentations.

The following four carols appear, without interruption, in this manner:
Shiloh (William Billings)
Joy To the World
Silent Night (German / English)
Angels We Have Heard On High.

SSAATTBB Choir

SKU: CA.967400

Composed by Jacek Sykulski. Edited by Stefan Schuck. CARUS CONTEMPORARY. Sacred vocal music. Full score. 16 pages. Duration 8 minutes. Carus Verlag #CV 09.674/00. Published by Carus Verlag (CA.967400).

ISBN 9790007187484. Language: Latin.

With the publication of his hypnotic Pater noster, Carus proudly presents Jacek Sykulski as a new composer in the Carus Contemporary series. Whilst Sykulski has achieved worldwide success as Director of the Academic Choir at the University of Poznan and the Poznan Boys' Choir, as a composer he has remained a well-guarded secret until now. In his sacred compositions he combines in music the deeply Catholic-imbued tradition of his country with his own compositional technique, characterized by a tremendous vocal sensuousness of sound and a conscious use of tonality enriched by dissonance. His Pater noster was composed in 2009 and revised in 2015 for a performance by the RIAS Kammerchor in Berlin. The first section of this three-part work for eight-part choir (tenors and sopranos also split into three) begins with the invocation Pater noster homophonically in A minor. This then introduces the Gregorian liturgical melody of the Our Father canonically and aleatorically, like a contemplative congregational hymn. The middle section calls out Dein Reich komme in increasingly insistent rhythmic declamation, more demanding, with hypnotic repetitions and intensifications. In the last section, Sykulski returns to the opening harmonies, but now a semitone lower on A flat, followed by an intensification at the words sed libera nos a malo - and delivery us from evil once more; this ends unresolved in a diatonic cluster on A flat as the paradigm of our imperfect earthly existence. The eight-minute unaccompanied composition is extremely singable, impressive, and not difficult to master. The piece is suitable for use in the liturgy, as well as in concerts and competitions.

By Ola Gjeilo. TTBB A Cappella. This edition: WW1418. Walton Choral. Sacred. 8 pages

Choral TTBB choir, piano

SKU: PR.312419270

From Terra Nostra. Composed by Stacy Garrop. Performance Score. 8 pages. Duration 2 minutes. Theodore Presser Company #312-41927. Published by Theodore Presser Company (PR.312419270).

ISBN 9781491137918. UPC: 680160692606. English. Charles Mackay.

Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

Composed by Dan Forrest. Sacred. Octavo. Beckenhorst Press #BP2140. Published by Beckenhorst Press (BP.BP2140).

TTBB choir

SKU: BP.2122

Composed by Dan Forrest. Arranged by Dan Forrest. Sacred octavos. Sacred, Christmas. Octavo. Beckenhorst Press #2122. Published by Beckenhorst Press (BP.2122).

Printed product.

Prepare to be stunned by this arrangement of Charles Wesley's beloved carol. Set for SATB choir with a brilliant piano 4-hands or organ accompaniment, it is both powerful and quietly contemplative, capturing every nuance of the text. Two brass scorings are available (large ensemble and quintet, both with percussion), as well as a full orchestral version. The large brass ensemble and orchestral versions also include an optional 30-second brass/percussion fanfare (not printed in vocal score).

In addition, a handbell part is available, which may be used with any of the other accompaniment options. An accompaniment CD (piano 4-hands, brass quintet, and percussion) is also available.

By Elizabeth Alexander. For Men's Chorus (TTBB choir a cappella). Collegiate Repertoire, Community Chorus, Concert Music. Courage, Hardship, Sacred (Worship and Praise), Choral. Moderately Advanced. Octavo. Text language: English. Duration 6 minutes. Published by Seafarer Press

TTBB, a cappella

SKU: SU.YR7106V1

For TTBB, a cappella. Composed by Dennis W. Rosenbaum. Vocal/Choral, Secular Choral. Men’s Chorus, a cappella. Choral Octavo. Subito Music Corporation #YR7106v1. Published by Subito Music Corporation (SU.YR7106V1).

Text by Mary FryeTTBB, a cappella Composed: 1998 Published by: Barton Rhodes Press Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.

TTBB, a cappella

SKU: SU.YR6408V1

For TTBB, a cappella. Composed by Diane Benjamin. Vocal/Choral, Secular Choral. A cappella. Choral Octavo. Subito Music Corporation #YR6408v1. Published by Subito Music Corporation (SU.YR6408V1).

TTBB, a cappella Composed: 2001 Published by: Barton Rhodes Press Minimum order quantity: 8 copies. To order quantities fewer than 8, please contact sales@subitomusic.com.

(TTBB)

SKU: BP.BP2185

Composed by Dan Forrest. Sacred octavos. Octavo. Beckenhorst Press #BP2185. Published by Beckenhorst Press (BP.BP2185).

Add a string quartet to this joyful arrangement of a well-known hymn and the result is a classical setting that will forever be a favorite for your choir and congregation alike. The imperative Rejoice is felt not only in the text but in the clear call of the voices and the accompaniment. Now available in a powerful TTBB setting as well as SATB and SSAA. Score and parts for String Quartet also available.

TTBB

SKU: HP.C6317

Arranged by Jack Schrader. Piano Accompaniment with Optional Orchestra. Octavo. 8 pages. Hope Publishing Company #C6317. Published by Hope Publishing Company (HP.C6317).

UPC: 763628163174.

Chris tmas Spiritual
Jack Schrader has given this favorite Christmas spiritual a relaxed, big-band, 'swing style' setting. Arranged for SSATB voices with piano or orchestra, this fresh setting is sure to fill the season with joy and good will. Jack's printed notes ask the singers to embrace the text that describes the mission of those first shepherd-followers and you, too, will be led to the Savior of Bethlehem. Ideal for both adult or youth choirs in either church or school. The full orchestration by Don Hart consists of parts for: Flute, Oboe, Clarinet, Horns 1 & 2, Trumpets 1, 2 & 3 (or Tuba), Percussion 1 & 2, Harp, Rhythm, Violins 1 & 2, Viola Cello and Bass.

By James Pierpont (1822-1893). Arranged by Michael Weber. Choir Secular. Men's Choir. Choral Octavo. Choral Designs. Christmas; Secular; Winter. 20 pages

TTBB & Piano

SKU: SU.YR1117V1

For TTBB & Piano. Composed by Scott Henderson. Vocal/Choral, Sacred Choral. Accompanied by piano, Men’s Chorus. Choral Octavo. Subito Music Corporation #YR1117v1. Published by Subito Music Corporation (SU.YR1117V1).

TTBB & piano Composed: 2000 Published by: Yelton Rhodes Music Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.

TTBB a cappella

SKU: SU.YR4001

For TTBB a cappella. Composed by Naomi Stephan. Vocal/Choral, Secular Choral. A cappella, Men’s Chorus, TTBB. Choral Octavo. Subito Music Corporation #YR4001. Published by Subito Music Corporation (SU.YR4001).

Poem by John DonneTTBB a cappella Composed: 1997 Published by: Barton Rhodes Press Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.

Composed by Shelton Ridge Love. Beckenhorst Press #BP2249. Published by Beckenhorst Press

Choral (TTBB choir a cappella)

SKU: HL.145522

Arranged by Stacey V. Gibbs. Gentry Publications. A Cappella, Concert, Contest, Festival, Male Voices, Spiritual. Octavo. 8 pages. Gentry Publications #JG2469. Published by Gentry Publications (HL.145522).

UPC: 888680065775. 6.75x10.5 inches.

This is another fabulous piece by Stacey Gibbs, perhaps the current and foremost arranger of Spirituals. It is primarily written for 4-part male voices but does break into some divisi near the end. Some rockin' parts appear in this setting and some play on words as well, making it a great concert or festival piece. For high school aged choirs and older. Easy-medium.

Composed by Shruthi Rajasekar. 9/11 Service, Funeral. E.C. Schirmer Publishing #9207. Published by E.C. Schirmer Publishing

Composed by David Javerbaum and Adam Schlesinger. Arranged by Alan Billingsley. Choir Secular. Men's Choir. Choral Octavo. Pop Choral. Christmas; Pop; Secular; Winter. 16 pages. Published by Alfred Music

By Lorin F. Wheelwright. Arranged by K. Newell Dayley. For SSATTBB Choir. Medium / Medium-Difficult (accompaniment). Duration 3:45