TTBB choir and piano

SKU: NR.68024

Composed by Ritter von Ignaz Xaver Seyfried. Choral music. Score. With Language: Latin. Noten Roehr #68024. Published by Noten Roehr (NR.68024).

Miserere : für TTBB Chor und Klavier, Amplius : für TTBB Chor und Klavier, Libera bei Einsegnung der Leiche : für TTBB Chor.

TTBB choir

SKU: NR.88866

För manskör TTBB, 1955. Composed by Erik Valdemar Bergman. Choral music. Score. Composed 1955. Noten Roehr #88866. Published by Noten Roehr (NR.88866).

Language: Swedish.

By Franz Peter Schubert. For TTBB choir. Choral music. Score. Language: German. Published by Noten Roehr

By Bedrich Smetana (1824-1884). For TTBB choir. Choral music. Score. Language: Czech. Published by Noten Roehr

By Randall Thompson. Choral. For TTBB choir. Easter. Published by E.C. Schirmer Publishing.

By The Suntones. Arranged by Various. Barbershop Harmony Society. A Cappella, Barbershop. Octavo. 52 pages. Contemporary A Cappella Publishing #211535. Published by Contemporary A Cappella Publishing

TTBB choir, piano

SKU: LO.15-4075H

Composed by Mark Patterson. Choral. Concert, General. Octavo. Heritage Music Press #15/4075H. Published by Heritage Music Press (LO.15-4075H).

ISBN 9780787789374.

Comm issioned by the Texas Choral Directors Association for their 50th Anniversary Convention, this powerful work is accessible for both middle school and high school voices. Mark's original text explores the concepts of courage and bravery and how those character traits are lived out. Courage lives, deep within the heart of every manâ?¦witnessed in the work of our own hands, shining forth in all we say and do. The powerful piano accompaniment swells with the voices to create an inspiring musical finish. A marvelous combined choir or inter-generational festival piece! The TTBB edition, updated in 2024 features trumpet. Note that the TTB/TBB edition and TTBB edition are in different keys. The accompaniment download includes accompaniment tracks for both editions.

Composed by Albert E. Bramley and Albert E. Bramley. Arranged by Craig Courtney and Craig Courtney. Sacred. Octavo. 15 pages. Published by Beckenhorst Press (BP.2111).

TTBB chorus with (piano) or (wind ensemble) or (brass quintet, organ & optional percussion) or (full orchestra) or (Reduced orchestra) (Please note accompaniments are not compatible with each other.)

SKU: EC.RBM-103A

Composed by Randol Alan Bass. Multi-Movement/Large Choral Work. Christmas, Sacred, 21st Century. Choral score. Duration 12:00. Randol Bass Music #RBM-103A. Published by Randol Bass Music (EC.RBM-103A).

UPC: 688670440052.

This carol medley was commissioned by the Dallas Symphony Orchestra in 1992 and has been performed nationwide on Holiday and Christmas programs- both in the concert hall and for church-based presentations.

The following four carols appear, without interruption, in this manner:
Shiloh (William Billings)
Joy To the World
Silent Night (German / English)
Angels We Have Heard On High.

By Ronald Staheli. For TTBB choir, Organ. Octavo. Duration 1:40. Published by Jackman Music Corporation

By Elizabeth Alexander. For Men's Chorus (TTBB choir a cappella). Collegiate Repertoire, Community Chorus, Concert Music. Courage, Hardship, Sacred (Worship and Praise), Choral. Moderately Advanced. Octavo. Text language: English. Duration 6 minutes. Published by Seafarer Press

By Craig Carnahan. For TTBB choir, a cappella. Luther College Music Series. Hope/Assurance, All Saints/All Souls. Moderately difficult. Octavo. 11 pages. Published by MorningStar Music Publishers

Choral TTBB choir, piano

SKU: PR.312419270

From Terra Nostra. Composed by Stacy Garrop. Performance Score. 8 pages. Duration 2 minutes. Theodore Presser Company #312-41927. Published by Theodore Presser Company (PR.312419270).

ISBN 9781491137918. UPC: 680160692606. English. Charles Mackay.

Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

TTBB Choir

SKU: HL.14000823

Composed by Antonin Dvorak. Music Sales America. Classical. Choral Score. Composed 2002. Chester Music #CH05702. Published by Chester Music (HL.14000823).

V illage Gossip is the first movement of Czech composer Antonin Dvorak's cycle 'Five Choruses For Male Voice'.

The cycle of five choruses is set toLithuanian folk texts translated by Frantisek Ladislav Celakovsky and is written for unaccompanied male choir (TTBB Voices). The title page of the autograph score bears the note: Composed on the journey from Prague to Vienna,12thof December 1878.

The individual parts of the cycle present a vibrant palette of moods, from the balladic 'Dwellers by the Sea' to the final, light-hearted 'The Sparrow's Feast'. The songs' melodies echothe spirit of folk songs, and the composer used simple but colourful harmonies and chose a strophic form.

By Lorin F. Wheelwright. Arranged by K. Newell Dayley. For SSATTBB Choir. Medium / Medium-Difficult (accompaniment). Duration 3:45

(TTBB)

SKU: BP.BP2238B

Composed by Dan Forrest. Band & orchestra. Beckenhorst Press #BP2238B. Published by Beckenhorst Press (BP.BP2238B).

Printed product.

Full score and parts for flute 1,2, oboe, B-flat clarinet 1,2, bassoon I, II, horn in F 1,2, trombone 1,2, tuba, percussion, harp, violin I, II, viola, cello and double bass.

Note: This scoring can be used flexibly to accommodate various instrumental ensemble sizes, allowing balance with choirs of varying sizes, and for more quiet/gentle performances or larger/more dramatic interpretations. Performance options include:

The piano part (from choral octavo) can be used with any performance, but is not required if harp and winds are used.

By Anna Kendrick. Arranged by Kirby Shaw. Barbershop Harmony Society. Movies, Barbershop, Pop. Octavo. 16 pages. Published by Barbershop Harmony Society

By Eric William Barnum, Robert Burns. (TTBB A Cappella). This edition: WW1399. Walton Choral. 12 pages. Published by Walton Music.

Arranged by H. Jarolde Harris Ii. For Choir. (TTBB). Choral Octavo. Choral Designs. Folk Song; Multicultural. Choral Octavo. 12 pages. Published by Alfred Publishing.

Choral (TTBB Choir)

SKU: HL.50600722

Andrea Ramsey Choral Series. Composed by Derrick Fox. Andrea Ramsey Choral Series. Concert, Festival. Octavo. 8 pages. Published by G. Schirmer (HL.50600722).

ISBN 9781495075469. UPC: 888680646110. 6.75x10.5 inches.

Introducing ?Four Shape Note? singing to your young singers, this arrangement from the Sacred Harp is full of energy. Young singers will relate to the positive message and they will be surprised that 19th century music can be so much fun to sing.

SSATTBB chorus and piano - Medium

SKU: JK.01062

Composed by Jon G. Holloman. Arranged by Brent Jorgensen. Choral SATB, Difficulty Medium, Piano Choir, Example, Grace, Jesus Christ - Example, Jesus Christ - Savior, Mercy, Premortal Life, Sacrament. Christian, Inspirational. Duration 3:20. Jackman Music Corporation #01062. Published by Jackman Music Corporation (JK.01062).

Moses 4:1-2, Alma 42:14-15.

Hymn arrangement combining original melody by Jon Holloman with the beloved lyrics of Eliza R. Snow--arranged for mixed chorus (SSATTBB) and piano accompaniment. Highest soprano note: F.

Composer: Jon G. Holloman
Lyricist: Eliza R. Snow
Difficulty: Medium
Performance time: 3:20
Reference: Moses 4:1-2, Alma 42:14-15.

Choral TTBB choir, piano

SKU: CF.CM9635

Composed by Victor Johnson. Fold. Performance Score. 12 pages. Duration 3 minutes, 19 seconds. Carl Fischer Music #CM9635. Published by Carl Fischer Music (CF.CM9635).

ISBN 9781491157077. UPC: 680160915637. 6.875 x 10.5 inches. Key: E major. English, English. Abram Joseph Ryan (1838-1886).

Victor Johnson captures the mystery and nuance of the bittersweet poem, Wake Me a Song, by American poet, Abram Joseph Ryan. Nuance, text, and Johnson's rich harmonies paired with intertwining textures make this a noteworthy addition to any program. Also available for SATB Voices (CM9561).
About the Author Abram Joseph Ryan was born Matthew Abraham Ryan on February 5, 1838 in Hagerstown, Maryland. As a young man, Ryan and his family moved west St. Louis, Missouri, where he was educated at the Christian Brothers School. He studied for the priesthood at Niagra University in New York State and was ordained a priest in the Vincentian order on November 1, 1856. He taught theology, first at Niagra university and then at the diocesan seminary in Cape Girardeau, Missouri, until the beginning of the war between the states. Father Ryan enlisted in the army on September 1, 1862, and served as a chaplain throughout the conflict, carrying the wounded to safety and performing last rites on the battlefield. His first piece of poetry was inspired by the death of a younger brother while serving in the army. After the war, he established a weekly literary magazine in which most of his poetry was published. He also put out several volumes of poetry, including Father Ryan's Poems and A Crown for Our Queen. Father Ryan died on April 22, 1886 at a Franciscan monastery in Louisville, Kentucky. About the Song Wake Me A Song is an inspired and sensitive setting of the 19th-century poem by Abram Joseph Ryan. It features sweeping melodic lines, rich harmonies, and a flowingly beautiful accompaniment. To master a performance of this selection, singers must perform very expressively, paying close attention to such musical aspects as phrase shaping, the rise and fall of the melodic line, blending and proper intonation between sections. One strategy that could be used to ensure proper phrasing is the idea of Painting the Phrase. The singer should make a motion as if they have a paintbrush in their hand and paint the melodic line and phrase shape as if they are painting with a nice, flowing brush stroke. One could think about painting a rainbow or an arch to show the rise and fall of the line and/or phrase. The director can also show this gesture while conducting to reinforce this concept.
About the AuthorAbram Joseph Ryan was born Matthew Abraham Ryan on February 5, 1838 in Hagerstown, Maryland. As a young man, Ryan and his family moved west St. Louis, Missouri, where he was educated at the Christian Brothers School. He studied for the priesthood at Niagra University in New York State and was ordained a priest in the Vincentian order on November 1, 1856. He taught theology, first at Niagra university and then at the diocesan seminary in Cape Girardeau, Missouri, until the beginning of the war between the states.Father Ryan enlisted in the army on September 1, 1862, and served as a chaplain throughout the conflict, carrying the wounded to safety and performing last rites on the battlefield. His first piece of poetry was inspired by the death of a younger brother while serving in the army. After the war, he established a weekly literary magazine in which most of his poetry was published. He also put out several volumes of poetry, including Father Ryan's Poems and A Crown for Our Queen. Father Ryan died on April 22, 1886 at a Franciscan monastery in Louisville, Kentucky.About the SongWake Me A Song is an inspired and sensitive setting of the 19th-century poem by Abram Joseph Ryan. It features sweeping melodic lines, rich harmonies, and a flowingly beautiful accompaniment.To master a performance of this selection, singers must perform very expressively, paying close attention to such musical aspects as phrase shaping, the rise and fall of the melodic line, blending and proper intonation between sections.One strategy that could be used to ensure proper phrasing is the idea of “Painting the Phrase.” The singer should make a motion as if they have a paintbrush in their hand and “paint” the melodic line and phrase shape as if they are painting with a nice, flowing brush stroke. One could think about painting a rainbow or an arch to show the rise and fall of the line and/or phrase. The director can also show this gesture while conducting to reinforce this concept.

By Philip Paul Bliss / Arr. Staheli. Arranged by Ronald Staheli. Text: Philip Paul Bliss. For TTBB Choir. Level: Medium / Difficult (accompaniment). Duration 4:30. Published by Jackman Music Corporation.

By Tarik O'Regan. For Choral (TTBB). Music Sales America. 40 pages. Novello and Co Ltd. #NOV955350. Published by Novello and Co Ltd.

Arranged by Kevin Keller. Barbershop Harmony Society. Barbershop, Standards. Octavo. 8 pages. Barbershop Harmony Society #211877. Published by Barbershop Harmony Society

Composed by Shelton Ridge Love. Beckenhorst Press #BP2249. Published by Beckenhorst Press

Men's choir: TTBB (Male choir: TTBB)

SKU: BA.BA01714-92

Psalm 84. Composed by Heinrich Schutz. Edited by Wilhelm Ehmann. This edition: urtext edition. Paperback. Aus Psalmen Davids. Choral score. SWV 29. 9 pages. Baerenreiter Verlag #BA01714_92. Published by Baerenreiter Verlag (BA.BA01714-92).

ISBN 9790006413157. 27 x 19 cm inches.

Chorpartitu r 2.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By Jimmy Dorsey Orchestra. By Bronislau Kaper. Arranged by Scott Kitzmiller. Barbershop Harmony Society. Big Band, Barbershop, Jazz. Octavo. 8 pages. Published by Barbershop Harmony Society