TTBB choir

SKU: BP.2122

Composed by Dan Forrest. Arranged by Dan Forrest. Sacred octavos. Sacred, Christmas. Octavo. Beckenhorst Press #2122. Published by Beckenhorst Press (BP.2122).

Printed product.

Prepare to be stunned by this arrangement of Charles Wesley's beloved carol. Set for SATB choir with a brilliant piano 4-hands or organ accompaniment, it is both powerful and quietly contemplative, capturing every nuance of the text. Two brass scorings are available (large ensemble and quintet, both with percussion), as well as a full orchestral version. The large brass ensemble and orchestral versions also include an optional 30-second brass/percussion fanfare (not printed in vocal score).

In addition, a handbell part is available, which may be used with any of the other accompaniment options. An accompaniment CD (piano 4-hands, brass quintet, and percussion) is also available.

Choral (TTBB Choir)

SKU: HL.1473313

Composed by Anthony J. Maglione. Gentry Publications. Octavo. Duration 175 seconds. Gentry Publications #JG2739. Published by Gentry Publications (HL.1473313).

UPC: 196288213994.

This dynamic piece features a tenor-bass choir, a percussion ensemble with five players, and piano. The evocative text, penned by Bengali poet Rabindranath Tagore, is drawn from his collection of poems titled â??Fruit Gatherings,â? published in 1916. It paints vivid imagery of darkness, light, and triumph over death. Serving as an exceptional contemporary piece for your tenor-bass choirs, this composition offers both excitement and challenge, with its expertly crafted symphony of percussive sounds.

(TTBB)

SKU: BP.BP2238B

Composed by Dan Forrest. Band & orchestra. Beckenhorst Press #BP2238B. Published by Beckenhorst Press (BP.BP2238B).

Printed product.

Full score and parts for flute 1,2, oboe, B-flat clarinet 1,2, bassoon I, II, horn in F 1,2, trombone 1,2, tuba, percussion, harp, violin I, II, viola, cello and double bass.

Note: This scoring can be used flexibly to accommodate various instrumental ensemble sizes, allowing balance with choirs of varying sizes, and for more quiet/gentle performances or larger/more dramatic interpretations. Performance options include:

The piano part (from choral octavo) can be used with any performance, but is not required if harp and winds are used.