Men's choir (TTBB) - easy SKU: HL.49026419 2. Hoch des Richters Haus i...(+)
Men's choir (TTBB) - easy
SKU: HL.49026419
2. Hoch des Richters
Haus in Kanja ragt.
Composed by Fischbach.
Sheet music. Schott
Chorblattreihe (Choral
Music). Choral Score. 2
pages. Schott Music #CHBL
219. Published by Schott
Music (HL.49026419).
Dedication Chorale TTBB TTBB, divisi, A Cappella [Octavo] - Intermédiaire Hinshaw Music Inc.
Composed by Richard Curchard. For TTBB choir, divisi (a cappella). Jefferson Joh...(+)
Composed by Richard
Curchard. For TTBB choir,
divisi (a cappella).
Jefferson Johnson Choral
Series. Main Key: E Flat
Major. Secular.
Difficulty: Medium
(Adult). Octavo. 8 pages.
Duration 5 minutes 30
seconds. Published by
Hinshaw Music Inc.
The Parting Glass Chorale TTBB TTBB A Cappella National Music Publishing
Composed by Richard Burchard. For Choral (TTTBBB A CAPPELLA). National/Emerson F...(+)
Composed by Richard
Burchard. For Choral
(TTTBBB A CAPPELLA).
National/Emerson Fred
Bock. 12 pages. National
Music Publishers #NM1020.
Published by National
Music Publishers
TTBB & Piano SKU: SU.YR3C11P For TTBB & Piano. Composed by Rich Co...(+)
TTBB & Piano
SKU:
SU.YR3C11P
For
TTBB & Piano.
Composed by Rich Cook.
Vocal/Choral, Sacred
Choral. Choral Octavo.
Subito Music Corporation
#YR3C11P. Published by
Subito Music Corporation
(SU.YR3C11P).
Music by Rich
Cook and Cathy Bridges,
arranged by Rich Cook
TTBB & piano Composed:
2010 Published by: Yelton
Rhodes Music Minimum
order quantity: 8 copies.
To order quantities fewer
than 8, please email
customer service at
sales@subitomusic.com.
Choral TTBB choir, piano SKU: CF.CM9635 Composed by Victor Johnson. Fold....(+)
Choral TTBB choir, piano
SKU: CF.CM9635
Composed by Victor
Johnson. Fold.
Performance Score. 12
pages. Duration 3
minutes, 19 seconds. Carl
Fischer Music #CM9635.
Published by Carl Fischer
Music (CF.CM9635).
ISBN 9781491157077.
UPC: 680160915637. 6.875
x 10.5 inches. Key: E
major. English, English.
Abram Joseph Ryan
(1838-1886).
Victor
Johnson captures the
mystery and nuance of the
bittersweet poem, Wake Me
a Song, by American poet,
Abram Joseph Ryan.
Nuance, text, and
Johnson's rich harmonies
paired with intertwining
textures make this a
noteworthy addition to
any program. Also
available for SATB Voices
(CM9561). About the
Author Abram Joseph Ryan
was born Matthew Abraham
Ryan on February 5, 1838
in Hagerstown, Maryland.
As a young man, Ryan and
his family moved west St.
Louis, Missouri, where he
was educated at the
Christian Brothers
School. He studied for
the priesthood at Niagra
University in New York
State and was ordained a
priest in the Vincentian
order on November 1,
1856. He taught theology,
first at Niagra
university and then at
the diocesan seminary in
Cape Girardeau, Missouri,
until the beginning of
the war between the
states. Father Ryan
enlisted in the army on
September 1, 1862, and
served as a chaplain
throughout the conflict,
carrying the wounded to
safety and performing
last rites on the
battlefield. His first
piece of poetry was
inspired by the death of
a younger brother while
serving in the army.
After the war, he
established a weekly
literary magazine in
which most of his poetry
was published. He also
put out several volumes
of poetry, including
Father Ryan's Poems and A
Crown for Our Queen.
Father Ryan died on April
22, 1886 at a Franciscan
monastery in Louisville,
Kentucky. About the Song
Wake Me A Song is an
inspired and sensitive
setting of the
19th-century poem by
Abram Joseph Ryan. It
features sweeping melodic
lines, rich harmonies,
and a flowingly beautiful
accompaniment. To master
a performance of this
selection, singers must
perform very
expressively, paying
close attention to such
musical aspects as phrase
shaping, the rise and
fall of the melodic line,
blending and proper
intonation between
sections. One strategy
that could be used to
ensure proper phrasing is
the idea of Painting the
Phrase. The singer should
make a motion as if they
have a paintbrush in
their hand and paint the
melodic line and phrase
shape as if they are
painting with a nice,
flowing brush stroke. One
could think about
painting a rainbow or an
arch to show the rise and
fall of the line and/or
phrase. The director can
also show this gesture
while conducting to
reinforce this
concept. About the
AuthorAbram Joseph Ryan
was born Matthew Abraham
Ryan on February 5, 1838
in Hagerstown, Maryland.
As a young man, Ryan and
his family moved west St.
Louis, Missouri, where he
was educated at the
Christian Brothers
School. He studied for
the priesthood at Niagra
University in New York
State and was ordained a
priest in the Vincentian
order on November 1,
1856. He taught theology,
first at Niagra
university and then at
the diocesan seminary in
Cape Girardeau, Missouri,
until the beginning of
the war between the
states.Father Ryan
enlisted in the army on
September 1, 1862, and
served as a chaplain
throughout the conflict,
carrying the wounded to
safety and performing
last rites on the
battlefield. His first
piece of poetry was
inspired by the death of
a younger brother while
serving in the army.
After the war, he
established a weekly
literary magazine in
which most of his poetry
was published. He also
put out several volumes
of poetry, including
Father Ryan's Poems and A
Crown for Our Queen.
Father Ryan died on April
22, 1886 at a Franciscan
monastery in Louisville,
Kentucky.About the
SongWake Me A Song is an
inspired and sensitive
setting of the
19th-century poem by
Abram Joseph Ryan. It
features sweeping melodic
lines, rich harmonies,
and a flowingly beautiful
accompaniment.To master a
performance of this
selection, singers must
perform very
expressively, paying
close attention to such
musical aspects as phrase
shaping, the rise and
fall of the melodic line,
blending and proper
intonation between
sections.One strategy
that could be used to
ensure proper phrasing is
the idea of
“Painting the
Phrase.†The singer
should make a motion as
if they have a paintbrush
in their hand and
“paint†the
melodic line and phrase
shape as if they are
painting with a nice,
flowing brush stroke. One
could think about
painting a rainbow or an
arch to show the rise and
fall of the line and/or
phrase. The director can
also show this gesture
while conducting to
reinforce this
concept.
Men's
Chorus (10 Copies).
Composed by Chen Yi.
Choral part(s). With
Standard notation. 480
pages. Duration 17
minutes. Theodore Presser
Company #312-41682.
Published by Theodore
Presser Company
(PR.312416820).
UPC:
680160050376. 8.5 x 11
inches.
Chen
Yi’s most
performed and most
beloved choral music is a
series of 10 Chinese folk
songs adapted for
S.A.T.B. Chorus
(published in 3 volumes:
312-41731, 312-41732,
312-41733). This special
version is a setting of
the familiar collection,
adapted for
children’s chorus
and
strings. Remembering
when I studied
composition in the
Central Conservatory of
Music in Beijing, I
learned to sing hundreds
of Chinese folk songs
collected from more than
twenty provinces and
fifty ethnic groups, and
went to countryside to
collect original folk
music every year. I
got to know that the folk
songs are a mirror of
people’s daily
lives, their thoughts and
sentiments, local customs
and manners. They are
sung in regional dialects
and use the idioms of
everyday speech with
their particular
intonations, accents and
cadences. This
correlation between
speech and music
distinguishes folk songs
of one region from
another. I learned
all songs by heart and
sang them back in the
exams every week.Â
They melted in my blood
and became my natural
music language. The
more I walk into the
music life,the more I
treasure the rich culture
I have learned from my
homeland. When I
became the
Composer-in-Residence of
Chanticleer and was
invited to write the
first work for its
concert program, as well
as another version for
its
Singing-In-The-Schools
program, I decided to
introduce A Set of
Chinese Folk Songs to my
American audiences, and
add a new flavor to
Chanticleer’srich
repertoire. The work
includes ten folk songs,
taken from eight
provinces (Anhui,
Shaanxi, Yunnan, Shanxi,
Taiwan, Sinkiang, Jiangsu
and Guizhou) and five
ethnic groups (Han,
Hasake, Uighur, Miao and
Yi). I arranged them
for choirs (men’s
or children’s
chorus) with various
combinations in voices,
to be sung mostly in
Chinese, some in
English.  From the
mysterious mountain songs
originally sung in the
open air with high and
long notes that can carry
over great distances, the
sweet and delicate
melodies of young love
compared with nature, the
humorous antiphony by
little children, and the
lively dancing tune by
villagers, you may get an
idea of various music
styles in Chinese folk
songs according to
geographic, ethnic and
linguistic differences,
and appreciate the beauty
of the Chinese folk
music. The pure choir
sound and the
sophisticated singing by
Chanticleer, in terms of
pitches, language and
musical expressions,
really attract and
inspire me to create some
more new works in the
years to come. In
thisedition of A Set of
Chinese Folk Songs for
standard SATB mixed choir
(with piano rehearsal
score), I divided these
ten songs into three
volumes. They are
Fengyang Song, The
Flowing Stream, Guessing,
Thinking of My Darling,
Mayila, Jasmine Flower,
Riding on a Mule,
Awariguli, Diu Diu Deng,
andMountain Song and
Dancing Tune.—Chen
Yi.
TTBB choir (TTBB) SKU: BP.BP2218 Composed by Dan Forrest. Sacred octavos....(+)
TTBB choir (TTBB)
SKU:
BP.BP2218
Composed by
Dan Forrest. Sacred
octavos. Octavo.
Beckenhorst Press
#BP2218. Published by
Beckenhorst Press
(BP.BP2218).
Printed
product.
Scriptural text
and music combine in a
tender yet insistent
pleading of the Savior to
come and find rest in
Him. The rich and warm
accompaniment is enhanced
with a beautiful solo
cello line (included).
This wonderful anthem is
now available voiced for
SATB, SSAA and TTBB.
TTBB choir, piano reduction - Intermediate SKU: GI.WW1711 What is huma...(+)
TTBB choir, piano
reduction - Intermediate
SKU: GI.WW1711
What is human?.
Composed by Pärt
Uusberg. Music of
Estonia. Classical.
Octavo. 8 pages. Walton
Music #WW1711. Published
by Walton Music
(GI.WW1711).
UPC:
785147013464. Estonian.
Text by Doris
Kareva.
Pärt
Uusberg's beautiful
asthetic shines once
again in his work Mis on
inimene?. Lush harmonies
build to a rich
soundscape as the
Estonian poem explores
what it means to be
human. Meaningful in
today's climate: Take
care, then you are cared
for. Music of Estonia
Choral Series. Mis on
inimene? IPA Guide.
TTBB choir, piano reduction - Intermediate SKU: GI.WJMS1177 Composed by J...(+)
TTBB choir, piano
reduction - Intermediate
SKU: GI.WJMS1177
Composed by Josu
Elberdin. Concert,
School. Jo-Michael
Scheibe Choral Series.
Classical. Octavo. 12
pages. Walton Music
#WJMS1177. Published by
Walton Music
(GI.WJMS1177).
UPC:
785147019169. Basque.
Text by Josu
Elberdin.
A Basque
love story that reaches
across cultures and
backgrounds. The story of
the love-sick star is
brought to life through
Josu Elberdin's rich
harmonies and memorable
melody. Thick textures
and interesting harmonic
choices will make this a
favorite of singers and
audiences alike.
Composed by George Mead. Arranged by George Mead. 20th Century, Americana. Octav...(+)
Composed by George Mead.
Arranged by George Mead.
20th Century, Americana.
Octavo. Duration 4
minutes, 10 seconds.
Galaxy Music Corporation
#1.1716. Published by
Galaxy Music Corporation
By Craig Courtney. For TTBB choir and organ (with optional trumpet (brass quinte...(+)
By Craig Courtney. For
TTBB choir and organ
(with optional trumpet
(brass quintet, string
ensemble)). Christmas,
Discipleship, Eastertide,
General, Reformation,
Sacred. Sacred Anthem
By John Hughes / arr. Ripplinger. Arranged by Donald H. Ripplinger. For TTBB cho...(+)
By John Hughes / arr.
Ripplinger. Arranged by
Donald H. Ripplinger. For
TTBB choir. Sacred.
Medium. Octavo. Duration
3:00. Published by
Jackman Music Corporation
TTBB choir SKU: BP.2150 Composed by Craig Courtney. Arranged by Craig Cou...(+)
TTBB choir
SKU:
BP.2150
Composed by
Craig Courtney. Arranged
by Craig Courtney. Sacred
octavos. Sacred. Octavo.
Beckenhorst Press #2150.
Published by Beckenhorst
Press (BP.2150).
Printed
product.
The
ethereal nature of the
Samuel Francis Smith poem
is perfectly paired with
masterful text painting
until the two become one
in spirit and
understanding. The move
from earth to heaven is
flawless. The music is
deep; the text rich and
profound. The melody line
moves to harmony and back
again until it finally
finds a resting place in
the sight and sound of
eternity . . . making
heaven a heaven.
Glorious! Scored for SATB
choir and piano with
optional string quartet
or orchestra parts
available. Also available
for SSAA and TTBB.
Composed by Irving
Gordon. Arranged by Mac
Huff. Pop Choral Series.
Fifties, Light Concert,
Pop, Show Choir,
Standards. Octavo.
Duration 210 seconds.
Published by Hal Leonard
(HL.209822).
UPC:
888680658717.
6.75x10.5x0.036
inches.
One of the
top standards of all
time! This rich setting
will showcase concert,
community and pop choirs
with dreamy rubato
phrasing, warm harmonies
and the full range of
emotional
expressivity.
By Petering. For Men's Choir (TTBB, TTB, TBB, TB,CC, STB) with Organ and/or Inst...(+)
By Petering. For Men's
Choir (TTBB, TTB, TBB,
TB,CC, STB) with Organ
and/or Instruments.
Church Year. Collection
(Spiral-bound). Published
by Concordia Publishing
House.