Composed by Craig Courtney. For TTBB choir, piano, optional string quartet and percussion. Capital University Choral Series. Sacred. Octavo. 16 pages. Published by Beckenhorst Press

For Chorus of Men's Voices and Piano. By Elliott Carter. Edited by Hugh Ross. Text: A.F. Tate. Men's choir. For TTBB Chorus, Piano. Contemporary Choral Series. Choral. Choral Part(s). 34 pages. Published by Theodore Presser Company.

Composed by Ethan Sperry. For TTBB choir, piano, tenor voice solo. Jo-Michael Scheibe Choral Series. Concert, General. Octavo. Published by Santa Barbara Music Publishing

By Randall Johnson. For TTBB choir, piano. Randy and Rachel Stenson Choral Series. Concert, General. Octavo. Published by Santa Barbara Music Publishing

Composed by Craig Courtney. For TTBB choir, a cappella. Capital University Choral Series. Sacred. Octavo. Published by Beckenhorst Press

Arranged by Ed Lojeski. Octavo for TTBB choir, guitar, bass guitar and percussion. With chord names and piano rehearsal part. Choral. 16 pages. Published by Hal Leonard.

TTBB choir

SKU: CA.691300

Composed by Friedrich Hanssler and Peter Ritter. GROssER GOTT, WIR LOBEN DICH (2). HANSSLER RITTER. Sacred vocal music. Full score. Werk. Carus Verlag #CV 06.913/00. Published by Carus Verlag (CA.691300).

ISBN 9790007227463. Key: B flat major. Language: German.

Composed by Shelly and Matthew Armstrong. Peter A. Eklund Choral Series. Concert, General. Octavo. Santa Barbara Music Publishing #SBMP1386. Published by Santa Barbara Music Publishing (SB.SBMP-1386).

Composed by Nancy Hill Cobb. Bowling Green State University Choral Series. Concert, General. Octavo. Santa Barbara Music Publishing #SBMP1382. Published by Santa Barbara Music Publishing (SB.SBMP-1382).

Choral TTBB choir

SKU: PR.312416820

Men's Chorus (10 Copies). Composed by Chen Yi. Choral part(s). With Standard notation. 480 pages. Duration 17 minutes. Theodore Presser Company #312-41682. Published by Theodore Presser Company (PR.312416820).

UPC: 680160050376. 8.5 x 11 inches.

Chen Yi’s most performed and most beloved choral music is a series of 10 Chinese folk songs adapted for S.A.T.B. Chorus (published in 3 volumes: 312-41731, 312-41732, 312-41733). This special version is a setting of the familiar collection, adapted for children’s chorus and strings.
Remembering when I studied composition in the Central Conservatory of Music in Beijing, I learned to sing hundreds of Chinese folk songs collected from more than twenty provinces and fifty ethnic groups, and went to countryside to collect original folk music every year.  I got to know that the folk songs are a mirror of people’s daily lives, their thoughts and sentiments, local customs and manners.  They are sung in regional dialects and use the idioms of everyday speech with their particular intonations, accents and cadences.  This correlation between speech and music distinguishes folk songs of one region from another.  I learned all songs by heart and sang them back in the exams every week.  They melted in my blood and became my natural music language.  The more I walk into the music life,the more I treasure the rich culture I have learned from my homeland. When I became the Composer-in-Residence of Chanticleer and was invited to write the first work for its concert program, as well as another version for its Singing-In-The-Schools program, I decided to introduce A Set of Chinese Folk Songs to my American audiences, and add a new flavor to Chanticleer’srich repertoire.  The work includes ten folk songs, taken from eight provinces (Anhui, Shaanxi, Yunnan, Shanxi, Taiwan, Sinkiang, Jiangsu and Guizhou) and five ethnic groups (Han, Hasake, Uighur, Miao and Yi).  I arranged them for choirs (men’s or children’s chorus) with various combinations in voices, to be sung mostly in Chinese, some in English.   From the mysterious mountain songs originally sung in the open air with high and long notes that can carry over great distances, the sweet and delicate melodies of young love compared with nature, the humorous antiphony by little children, and the lively dancing tune by villagers, you may get an idea of various music styles in Chinese folk songs according to geographic, ethnic and linguistic differences, and appreciate the beauty of the Chinese folk music.  The pure choir sound and the sophisticated singing by Chanticleer, in terms of pitches, language and musical expressions, really attract and inspire me to create some more new works in the years to come.  In thisedition of A Set of Chinese Folk Songs for standard SATB mixed choir (with piano rehearsal score), I divided these ten songs into three volumes.  They are Fengyang Song, The Flowing Stream, Guessing, Thinking of My Darling, Mayila, Jasmine Flower, Riding on a Mule, Awariguli, Diu Diu Deng, andMountain Song and Dancing Tune.—Chen Yi.

Children's choir (SMezA) with men's choir (TTBB) and string orchestra, trumpet in Bb and timpani or brass instruments (P(KLA)) - easy

SKU: HL.49032059

Unser sind die Stunden. Composed by Werner Fussan. This edition: Saddle stitching. Sheet music. Edition Schott. Score. 20 pages. Duration 10'. Schott Music #ED 6228. Published by Schott Music (HL.49032059).

ISBN 9790001066396. German.

TTBB choir - Level 2

SKU: CA.4081110

Composed by Friedrich Silcher. Edited by Hermann Josef Dahmen. German title: Vater unser. Sacred vocal music, Hymn settings, Our Father. Full score. Composed 1846. Op. 24, No. 2. 2 pages. Duration 1 minute. Carus Verlag #CV 40.811/10. Published by Carus Verlag (CA.4081110).

ISBN 9790007078140. Key: A major. Language: German.

Men's Choir (TTBB) - easy

SKU: HL.49024095

7. Unser Vetter Veitl. Composed by LANG. This edition: Folding. Sheet music. Schott Chorverlag (Choral Music). Choral Score. 4 pages. Schott Music #C 33625. Published by Schott Music (HL.49024095).

ISBN 9790001005982. German.

By Delson, Eric. For TTBB a cappella. Duration 3.75 minutes. Published by Frank E. Warren Music Service.

By Delson, Eric. For TTBB a cappella. Duration 3.5 minutes. Published by Frank E. Warren Music Service

Choral TTBB choir, piano

SKU: PR.312419270

From Terra Nostra. Composed by Stacy Garrop. Performance Score. 8 pages. Duration 2 minutes. Theodore Presser Company #312-41927. Published by Theodore Presser Company (PR.312419270).

ISBN 9781491137918. UPC: 680160692606. English. Charles Mackay.

Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

For Speaker, Chorus of Mens Voices, and Piano 4 Hands. By Elliott Carter. Text: Rabelais. Mens choir. For Speaker, TTBB Chorus, Piano (4 Hands). This edition: full score. Classical. Piano/Vocal Score. 55 pages. Published by Theodore Presser Company.

(For T.T.B.B. Chorus, A Cappella). By Steven Stucky (1949-). Male chorus. For Ttbb Choir. Choral. Choral part(s). Standard notation. 7 pages. Duration 4 minutes. Published by Theodore Presser Company

T.T.B.B., with Piano. By Peter Schickele. Text: Peter Schickele. Men's choir. For TTBB Chorus, Piano. Three Pirate Songs, 3. Choral. Piano/Vocal Score. 8 pages. Duration 5:00. Published by Theodore Presser Company.

By Vincent Persichetti. For TTBB, Piano or Organ. Piano/Vocal Score. Published by Theodore Presser Company.

T.T.B.B., with Piano. Text: Dante Gabriel Rossetti. Mens choir. For TTBB Voices, Piano. Elkan-Vogel Choral Music. Choral. Piano/Vocal Score. 7 pages. Duration 3:20. Published by Theodore Presser Company.

2. Take A Strain, Boys. By Peter Schickele. For TTBB, piano. Duration 3:30. Published by Theodore Presser Company.

(from Les Miserables). By Jean-Marc Natel, Herbert Kretzmer, Alain Boublil, Claude-Michel Schonberg. Arranged by Tom Gentry. (TTBB A Cappella). Close Harmony for Men. 8 pages. Published by Hal Leonard.

Choral TTBB choir

SKU: PR.312409690

T.T.B.B., a Cappella. Composed by Arthur Cunningham. Choral. Score. With Standard notation. Theodore Presser Company #312-40969. Published by Theodore Presser Company (PR.312409690).

UPC: 680160044535. Key: Ab major.

Composed by Richard Curchard. For TTBB choir, divisi (a cappella). Jefferson Johnson Choral Series. Main Key: E Flat Major. Secular. Difficulty: Medium (Adult). Octavo. 8 pages. Duration 5 minutes 30 seconds. Published by Hinshaw Music Inc.

Arranged by Thomas Bold. Janet Lewis. For Alto voice solo, TTBB choir. (Men's Voices). Lent. Thomas Bold Cantus Hymnus Choral Series. Choral. Octavo. 8 pages. Published by ECS Publishing.

Composed by David C. Dickau. Jo-Michael Scheibe Choral Series. Octavo. Walton Music #WJMS1200. Published by Walton Music

(Love Theme from A Star Is Born). Composed by Paul Williams, music by Barbra Streisand. Arranged by Mark Hayes. Choral Octavo. Alfred Pop Series. Movie; Secular. 12 pages. Published by Alfred Music (AP.45486).