Arranged by David Conte. For TTBB choir. Full score (TTBB version). Published by E.C. Schirmer Publishing

Composed by David Conte (1955-). Arranged by David Conte. Advanced/Collegiate. Secular, 21st century. Piano/choral score for TTBB version. Published by E.C. Schirmer Publishing (EC.8196).

By John H. Hopkins. Arranged by Donald H. Ripplinger. For TTBB Choir. Duration 3:00. Published by Jackman Music Corporation.
Level: Medium.

By Deke Sharon and Traditional. Edited by Anne Raugh. Arranged by Deke Sharon. For Choral (TTBB A Cappella). Choral. 32 pages. Contemporary A Cappella Publishing #D201104. Published by Contemporary A Cappella Publishing

Arranged by Andy Beck. For Choir. (TTBB). Choral Octavo. Christmas. Level: Level 3 (grade L3). Choral Octavo. 12 pages. Published by Alfred Publishing.

Arranged by Cary Ratcliff. (TTBB). Choral. Size 6.75x10.5 inches. 12 pages. Published by G. Schirmer.

(Featuring: Three Coins in the Fountain / Crazy 'Bout Ya Baby / Shangri-La). Arranged by Andy Beck. Choir Secular. Men's Choir. Choral Octavo. Pop Choral. Choral Octavo. 20 pages

Choral TTBB choir, piano

SKU: PR.312419270

From Terra Nostra. Composed by Stacy Garrop. Performance Score. 8 pages. Duration 2 minutes. Theodore Presser Company #312-41927. Published by Theodore Presser Company (PR.312419270).

ISBN 9781491137918. UPC: 680160692606. English. Charles Mackay.

Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

Composed by Stanley M. Hoffman. Advanced/Collegiate. Lament/Grief/Sorrow, 21st Century. Octavo. Published by Galaxy Music Corporation (EC.7.0696).

Composed by Craig Courtney. For TTBB choir, piano accompaniment, with optinoal violin (flute) and cello (bassoon). Octavo. 12 pages. Published by Beckenhorst Press

TTBB, a cappella

SKU: SU.YR1C12V1

For TTBB, a cappella. Composed by Edgar Colon-Hernandez. Vocal/Choral, Secular Choral. A cappella. Choral Octavo. Subito Music Corporation #YR1C12v1. Published by Subito Music Corporation (SU.YR1C12V1).

Puertorican carol arranged by Edgar Colon-Hernandez TTBB, a cappella Composed: 2000 Published by: Yelton Rhodes Music Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.

By Franz Biebl. Arranged by Franz Biebl. Text: Ancient Liturgical Text. For A Cappella. (Trio (TTB), TTBB, Bass and Tenor Solo). Chanticleer. Sacred, Concert. Level: Advanced Adult. 8 pages. Duration 4 min, 50 sec. Published by Hinshaw Music Inc.

Composed by Craig Courtney. For TTBB choir, piano, optional string quartet and percussion. Capital University Choral Series. Sacred. Octavo. 16 pages. Published by Beckenhorst Press

TTBB choir, piano reduction - Late intermediate

SKU: GI.WJMS1188

Composed by Sydney Guillaume. Arranged by Rachel Stenson. Jo-Michael Scheibe Choral Series. Classical. Octavo. 32 pages. Walton Music #WJMS1188. Published by Walton Music (GI.WJMS1188).

UPC: 785147029762. Haitian Creole. Text by Louis Marie Celestin.

The text of Twa Tanbou tells the story of a team of three drums: the big Boula (the loudest), the smaller Tanbouren (the most beautiful sounding drum), and the little Kata drum, arguing that if everyone works together, there will be beautiful music.

TTBB and Piano. By Clare Grundman. (TTBB). Boosey and Hawkes Sacred Choral. Size 7x10.5 inches. 8 pages. Published by Boosey & Hawkes.

TTBB & Piano

SKU: SU.YR2600V1

For TTBB & Piano. Composed by Charles Baker. Vocal/Choral, Sacred Choral. Accompanied by piano. Choral Octavo. Subito Music Corporation #YR2600v1. Published by Subito Music Corporation (SU.YR2600V1).

Traditional texts (two in Hebrew, one in Yiddish and English) and melodiesTTBB & piano Composed: 1992 Published by: Yelton Rhodes Music.

By Jay Althouse. For Choir. (TTBB, a cappella). Choral Octavo. Choral Designs. Spiritual, Christmas. Choral Octavo. 12 pages. Published by Alfred Publishing.
Level: Level 3 (grade L3).

Arranged by Ed Lojeski. Octavo for TTBB chorus a cappella. Series: Hal Leonard Choral Collection. 16 pages. Published by Hal Leonard.

By H Ernest Nichol / William H. Walter / Willy Reske. Arranged by John Longhurst. For TTBB Choir. Medium Difficult. Duration 3:00

By Mary Mcdonald. For TTBB choir and piano. Sacred. Octavo. Published by Monarch Music. (10/3510M)

Three Men's Choruses. By Richard Strauss. (TTBB A Cappella). Boosey and Hawkes Large Choral. Size 7.25x10.25 inches. 20 pages. Published by Boosey & Hawkes.

By Michael Cox. For Choral (TTBB A Cappella). Walton Choral. 8 pages. Walton Music #WW1479. Published by Walton Music

TTBB Choir (TTBB Choir)

SKU: HL.50512773

Composed by M. Saunders. Lengnick Publishing. Classical. Book Only. Alfred Lengnick & Co #AL0428. Published by Alfred Lengnick & Co (HL.50512773).

By Jay Althouse. For Choir. (TTBB, a cappella). Choral Octavo. Spiritual, Christmas. Choral Octavo. 8 pages. Published by Alfred Publishing.