Railways 1846 Chorale TTBB TTBB, Piano Theodore Presser Co.
Choral TTBB choir, piano SKU: PR.312419270 From Terra Nostra. Comp...(+)
Choral TTBB choir, piano
SKU: PR.312419270
From Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 8
pages. Duration 2
minutes. Theodore Presser
Company #312-41927.
Published by Theodore
Presser Company
(PR.312419270).
ISBN
9781491137918. UPC:
680160692606. English.
Charles
Mackay.
Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s World” by
Edna St. Vincent Millay,
which describes the world
in exuberant and vivid
detail. Percy Bysshe
Shelley’s “On thine
own child” praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O voluptuous
cool-breathed earth!”
Part I ends with “A
Blade of Grass” in
which Whitman muses how
our planet has been
spinning in the heavens
for a very long time.Part
II: The Rise of Humanity
examines the achievements
of mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley Hall” sets
an auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s “Railways
1846,” William Ernest
Henley’s “A Song of
Speed,” and John
Gillespie Magee, Jr.’s
“High Flight,” each
of which celebrates a new
milestone in
technological
achievement. In “Binsey
Poplars,” Gerard Manley
Hopkins takes note of the
effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A Dirge”
concludes Part II with a
warning that the planet
is beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s plight,
re-establish a deeper
connection to it, and
find a balance for living
within our planet’s
resources. Three texts
continue the earth’s
plea that ended the
previous section: Lord
Byron’s “Darkness”
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s “Earth
Screaming” gives voice
to the modern issues of
our changing climate; and
William Wordsworth’s
“The World Is Too Much
With Us” warns us that
we are almost out of time
to change our course.
Contemporary/agrarian
poet Wendell Berry’s
“The Want of Peace”
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts (“A
Child said, What is the
grass?” and “There
was a child went forth
every day”) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s “A Blade
of Grass” from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states, “I
bequeath myself to the
dirt to grow from the
grass I love…”My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
For Speaker, Chorus of Mens Voices, and Piano 4 Hands. By Elliott Carter. Text: ...(+)
For Speaker, Chorus of
Mens Voices, and Piano 4
Hands. By Elliott Carter.
Text: Rabelais. Mens
choir. For Speaker, TTBB
Chorus, Piano (4 Hands).
This edition: full score.
Classical. Piano/Vocal
Score. 55 pages.
Published by Theodore
Presser Company.
To Musick Chorale TTBB TTBB A Cappella [Partie seule] Theodore Presser Co.
(For T.T.B.B. Chorus, A Cappella). By Steven Stucky (1949-). Male chorus. For Tt...(+)
(For T.T.B.B. Chorus, A
Cappella). By Steven
Stucky (1949-). Male
chorus. For Ttbb Choir.
Choral. Choral part(s).
Standard notation. 7
pages. Duration 4
minutes. Published by
Theodore Presser Company
T.T.B.B., with Piano. By Peter Schickele. Text: Peter Schickele. Men's choir. Fo...(+)
T.T.B.B., with Piano. By
Peter Schickele. Text:
Peter Schickele. Men's
choir. For TTBB Chorus,
Piano. Three Pirate
Songs, 3. Choral.
Piano/Vocal Score. 8
pages. Duration 5:00.
Published by Theodore
Presser Company.
Emblems Chorale TTBB TTBB, Piano [Partie séparée] Theodore Presser Co.
For Chorus of Men's Voices and Piano. By Elliott Carter. Edited by Hugh Ross. Te...(+)
For Chorus of Men's
Voices and Piano. By
Elliott Carter. Edited by
Hugh Ross. Text: A.F.
Tate. Men's choir. For
TTBB Chorus, Piano.
Contemporary Choral
Series. Choral. Choral
Part(s). 34 pages.
Published by Theodore
Presser Company.
Silent Noon Chorale TTBB TTBB, Piano [Octavo] Theodore Presser Co.
T.T.B.B., with Piano. Text: Dante Gabriel Rossetti. Mens choir. For TTBB Voices,...(+)
T.T.B.B., with Piano.
Text: Dante Gabriel
Rossetti. Mens choir. For
TTBB Voices, Piano.
Elkan-Vogel Choral Music.
Choral. Piano/Vocal
Score. 7 pages. Duration
3:20. Published by
Theodore Presser Company.
Men's
Chorus (10 Copies).
Composed by Chen Yi.
Choral part(s). With
Standard notation. 480
pages. Duration 17
minutes. Theodore Presser
Company #312-41682.
Published by Theodore
Presser Company
(PR.312416820).
UPC:
680160050376. 8.5 x 11
inches.
Chen
Yi’s most
performed and most
beloved choral music is a
series of 10 Chinese folk
songs adapted for
S.A.T.B. Chorus
(published in 3 volumes:
312-41731, 312-41732,
312-41733). This special
version is a setting of
the familiar collection,
adapted for
children’s chorus
and
strings. Remembering
when I studied
composition in the
Central Conservatory of
Music in Beijing, I
learned to sing hundreds
of Chinese folk songs
collected from more than
twenty provinces and
fifty ethnic groups, and
went to countryside to
collect original folk
music every year. I
got to know that the folk
songs are a mirror of
people’s daily
lives, their thoughts and
sentiments, local customs
and manners. They are
sung in regional dialects
and use the idioms of
everyday speech with
their particular
intonations, accents and
cadences. This
correlation between
speech and music
distinguishes folk songs
of one region from
another. I learned
all songs by heart and
sang them back in the
exams every week.Â
They melted in my blood
and became my natural
music language. The
more I walk into the
music life,the more I
treasure the rich culture
I have learned from my
homeland. When I
became the
Composer-in-Residence of
Chanticleer and was
invited to write the
first work for its
concert program, as well
as another version for
its
Singing-In-The-Schools
program, I decided to
introduce A Set of
Chinese Folk Songs to my
American audiences, and
add a new flavor to
Chanticleer’srich
repertoire. The work
includes ten folk songs,
taken from eight
provinces (Anhui,
Shaanxi, Yunnan, Shanxi,
Taiwan, Sinkiang, Jiangsu
and Guizhou) and five
ethnic groups (Han,
Hasake, Uighur, Miao and
Yi). I arranged them
for choirs (men’s
or children’s
chorus) with various
combinations in voices,
to be sung mostly in
Chinese, some in
English.  From the
mysterious mountain songs
originally sung in the
open air with high and
long notes that can carry
over great distances, the
sweet and delicate
melodies of young love
compared with nature, the
humorous antiphony by
little children, and the
lively dancing tune by
villagers, you may get an
idea of various music
styles in Chinese folk
songs according to
geographic, ethnic and
linguistic differences,
and appreciate the beauty
of the Chinese folk
music. The pure choir
sound and the
sophisticated singing by
Chanticleer, in terms of
pitches, language and
musical expressions,
really attract and
inspire me to create some
more new works in the
years to come. In
thisedition of A Set of
Chinese Folk Songs for
standard SATB mixed choir
(with piano rehearsal
score), I divided these
ten songs into three
volumes. They are
Fengyang Song, The
Flowing Stream, Guessing,
Thinking of My Darling,
Mayila, Jasmine Flower,
Riding on a Mule,
Awariguli, Diu Diu Deng,
andMountain Song and
Dancing Tune.—Chen
Yi.
Honey Brown Chorale TTBB [Conducteur] Theodore Presser Co.
Choral TTBB choir SKU: PR.312409690 T.T.B.B., a Cappella. Composed...(+)
Choral TTBB choir
SKU:
PR.312409690
T.T.B.B., a
Cappella. Composed by
Arthur Cunningham.
Choral. Score. With
Standard notation.
Theodore Presser Company
#312-40969. Published by
Theodore Presser Company
(PR.312409690).
Choral Mezzo-soprano voice, Percussion, Piano 1, Piano 2, SATTTBB choir SKU: ...(+)
Choral Mezzo-soprano
voice, Percussion, Piano
1, Piano 2, SATTTBB choir
SKU: PR.11442126S
Composed by Paul Bowles.
Performance Score. 168
pages. Duration 25
minutes. Theodore Presser
Company #114-42126S.
Published by Theodore
Presser Company
(PR.11442126S).
Choral (TTBB choir a cappella) SKU: HL.276680 From Mack and Mabel....(+)
Choral (TTBB choir a
cappella)
SKU:
HL.276680
From
Mack and Mabel.
Arranged by Theo Hicks.
Barbershop Harmony
Society. Broadway.
Octavo. 8 pages.
Published by Hal Leonard
(HL.276680).
UPC:
812817021549. 8.5x11
inches.
This
heart-felt and gorgeous
setting of the ballad
from the musical Mack and
Mabel is a moment for
your chorus or quartet to
shine. With plenty of
room for emotion and
interpretation, Theo
Hicks paints the lyric
with skill and beauty.
This chart has been a
favorite from Instant
Classic's repertoire for
several years and is now
available for your
quartet or chorus!
Men's choir (TTBB) and piano (BASS2) - intermediate SKU: HL.49028404 F...(+)
Men's choir (TTBB) and
piano (BASS2) -
intermediate
SKU:
HL.49028404
Fruhling kommt
angezogen Idylle.
Composed by Richard
Eilenberg. Arranged by
Theo Wildt. Sheet music.
Edition Schott. Choir
part. Op. 52. 3 pages.
Duration 5'. Schott Music
#CRZ 50020-04. Published
by Schott Music
(HL.49028404).
Men's choir (TTBB) and piano (BASS2) - intermediate SKU: HL.49028419 G...(+)
Men's choir (TTBB) and
piano (BASS2) -
intermediate
SKU:
HL.49028419
Galopp
Schon ist's im
Winter. Composed by
Richard Eilenberg.
Arranged by Theo Wildt.
Sheet music. Edition
Schott. Choir part. Op.
57. 2 pages. Duration 3'.
Schott Music #CRZ
50022-04. Published by
Schott Music
(HL.49028419).
Men's choir (TTBB) and piano (P(KL)) - intermediate SKU: HL.49028420 G...(+)
Men's choir (TTBB) and
piano (P(KL)) -
intermediate
SKU:
HL.49028420
Galopp. Composed
by Richard Eilenberg.
Arranged by Theo Wildt.
This edition: Saddle
stitching. Sheet music.
Edition Schott. Score.
Op. 57. 7 pages. Duration
3'. Schott Music #CRZ
50022-10. Published by
Schott Music
(HL.49028420).
Men's choir (TTBB) and piano (TENOR1) - intermediate SKU: HL.49028416 ...(+)
Men's choir (TTBB) and
piano (TENOR1) -
intermediate
SKU:
HL.49028416
Galopp
Schon ist's im
Winter. Composed by
Richard Eilenberg.
Arranged by Theo Wildt.
Sheet music. Edition
Schott. Choir part. Op.
57. 2 pages. Duration 3'.
Schott Music #CRZ
50022-01. Published by
Schott Music
(HL.49028416).
Men's choir (TTBB) and piano (P(KL)) - intermediate SKU: HL.49028405 F...(+)
Men's choir (TTBB) and
piano (P(KL)) -
intermediate
SKU:
HL.49028405
Fruhling kommt
angezogen Idylle.
Composed by Richard
Eilenberg. Arranged by
Theo Wildt. Sheet music.
Edition Schott. Score.
Op. 52. 11 pages.
Duration 5'. Schott Music
#CRZ 50020-10. Published
by Schott Music
(HL.49028405).
Men's choir (TTBB) and piano (TENOR2) - intermediate SKU: HL.49028402 ...(+)
Men's choir (TTBB) and
piano (TENOR2) -
intermediate
SKU:
HL.49028402
Fruhling kommt
angezogen Idylle.
Composed by Richard
Eilenberg. Arranged by
Theo Wildt. Sheet music.
Edition Schott. Choir
part. Op. 52. 3 pages.
Duration 5'. Schott Music
#CRZ 50020-02. Published
by Schott Music
(HL.49028402).
Men's choir (TTBB) and piano (BASS1) - intermediate SKU: HL.49028418 G...(+)
Men's choir (TTBB) and
piano (BASS1) -
intermediate
SKU:
HL.49028418
Galopp
Schon ist's im
Winter. Composed by
Richard Eilenberg.
Arranged by Theo Wildt.
Sheet music. Edition
Schott. Choir part. Op.
57. 2 pages. Duration 3'.
Schott Music #CRZ
50022-03. Published by
Schott Music
(HL.49028418).
Men's choir (TTBB) and piano (TENOR2) - intermediate SKU: HL.49028417 ...(+)
Men's choir (TTBB) and
piano (TENOR2) -
intermediate
SKU:
HL.49028417
Galopp
Schon ist's im
Winter. Composed by
Richard Eilenberg.
Arranged by Theo Wildt.
Sheet music. Edition
Schott. Choir part. Op.
57. 2 pages. Duration 3'.
Schott Music #CRZ
50022-02. Published by
Schott Music
(HL.49028417).
Men's choir (TTBB) and piano (BASS1) - intermediate SKU: HL.49028403 F...(+)
Men's choir (TTBB) and
piano (BASS1) -
intermediate
SKU:
HL.49028403
Fruhling kommt
angezogen Idylle.
Composed by Richard
Eilenberg. Arranged by
Theo Wildt. Sheet music.
Edition Schott. Choir
part. Op. 52. 3 pages.
Duration 5'. Schott Music
#CRZ 50020-03. Published
by Schott Music
(HL.49028403).
Men's choir (TTBB) and piano (TENOR1) - intermediate SKU: HL.49028401 ...(+)
Men's choir (TTBB) and
piano (TENOR1) -
intermediate
SKU:
HL.49028401
Fruhling kommt
angezogen Idylle.
Composed by Richard
Eilenberg. Arranged by
Theo Wildt. Sheet music.
Edition Schott. Choir
part. Op. 52. 3 pages.
Duration 5'. Schott Music
#CRZ 50020-01. Published
by Schott Music
(HL.49028401).
TTBB choir SKU: GH.CG-6468 Nar naktergalen spelar. Composed by Iva...(+)
TTBB choir
SKU:
GH.CG-6468
Nar
naktergalen spelar.
Composed by Ivar Wideen.
Octavo. With Language:
Swedish. 4 pages.
Gehrmans Musikforlag #CG
6468. Published by
Gehrmans Musikforlag
(GH.CG-6468).
ISBN
9790070019255. 185 x 262
mm inches. Text: Theo
Lundberg.
Choral TTBB choir, piano SKU: CF.CM9635 Composed by Victor Johnson. Fold....(+)
Choral TTBB choir, piano
SKU: CF.CM9635
Composed by Victor
Johnson. Fold.
Performance Score. 12
pages. Duration 3
minutes, 19 seconds. Carl
Fischer Music #CM9635.
Published by Carl Fischer
Music (CF.CM9635).
ISBN 9781491157077.
UPC: 680160915637. 6.875
x 10.5 inches. Key: E
major. English, English.
Abram Joseph Ryan
(1838-1886).
Victor
Johnson captures the
mystery and nuance of the
bittersweet poem, Wake Me
a Song, by American poet,
Abram Joseph Ryan.
Nuance, text, and
Johnson's rich harmonies
paired with intertwining
textures make this a
noteworthy addition to
any program. Also
available for SATB Voices
(CM9561). About the
Author Abram Joseph Ryan
was born Matthew Abraham
Ryan on February 5, 1838
in Hagerstown, Maryland.
As a young man, Ryan and
his family moved west St.
Louis, Missouri, where he
was educated at the
Christian Brothers
School. He studied for
the priesthood at Niagra
University in New York
State and was ordained a
priest in the Vincentian
order on November 1,
1856. He taught theology,
first at Niagra
university and then at
the diocesan seminary in
Cape Girardeau, Missouri,
until the beginning of
the war between the
states. Father Ryan
enlisted in the army on
September 1, 1862, and
served as a chaplain
throughout the conflict,
carrying the wounded to
safety and performing
last rites on the
battlefield. His first
piece of poetry was
inspired by the death of
a younger brother while
serving in the army.
After the war, he
established a weekly
literary magazine in
which most of his poetry
was published. He also
put out several volumes
of poetry, including
Father Ryan's Poems and A
Crown for Our Queen.
Father Ryan died on April
22, 1886 at a Franciscan
monastery in Louisville,
Kentucky. About the Song
Wake Me A Song is an
inspired and sensitive
setting of the
19th-century poem by
Abram Joseph Ryan. It
features sweeping melodic
lines, rich harmonies,
and a flowingly beautiful
accompaniment. To master
a performance of this
selection, singers must
perform very
expressively, paying
close attention to such
musical aspects as phrase
shaping, the rise and
fall of the melodic line,
blending and proper
intonation between
sections. One strategy
that could be used to
ensure proper phrasing is
the idea of Painting the
Phrase. The singer should
make a motion as if they
have a paintbrush in
their hand and paint the
melodic line and phrase
shape as if they are
painting with a nice,
flowing brush stroke. One
could think about
painting a rainbow or an
arch to show the rise and
fall of the line and/or
phrase. The director can
also show this gesture
while conducting to
reinforce this
concept. About the
AuthorAbram Joseph Ryan
was born Matthew Abraham
Ryan on February 5, 1838
in Hagerstown, Maryland.
As a young man, Ryan and
his family moved west St.
Louis, Missouri, where he
was educated at the
Christian Brothers
School. He studied for
the priesthood at Niagra
University in New York
State and was ordained a
priest in the Vincentian
order on November 1,
1856. He taught theology,
first at Niagra
university and then at
the diocesan seminary in
Cape Girardeau, Missouri,
until the beginning of
the war between the
states.Father Ryan
enlisted in the army on
September 1, 1862, and
served as a chaplain
throughout the conflict,
carrying the wounded to
safety and performing
last rites on the
battlefield. His first
piece of poetry was
inspired by the death of
a younger brother while
serving in the army.
After the war, he
established a weekly
literary magazine in
which most of his poetry
was published. He also
put out several volumes
of poetry, including
Father Ryan's Poems and A
Crown for Our Queen.
Father Ryan died on April
22, 1886 at a Franciscan
monastery in Louisville,
Kentucky.About the
SongWake Me A Song is an
inspired and sensitive
setting of the
19th-century poem by
Abram Joseph Ryan. It
features sweeping melodic
lines, rich harmonies,
and a flowingly beautiful
accompaniment.To master a
performance of this
selection, singers must
perform very
expressively, paying
close attention to such
musical aspects as phrase
shaping, the rise and
fall of the melodic line,
blending and proper
intonation between
sections.One strategy
that could be used to
ensure proper phrasing is
the idea of
“Painting the
Phrase.†The singer
should make a motion as
if they have a paintbrush
in their hand and
“paint†the
melodic line and phrase
shape as if they are
painting with a nice,
flowing brush stroke. One
could think about
painting a rainbow or an
arch to show the rise and
fall of the line and/or
phrase. The director can
also show this gesture
while conducting to
reinforce this
concept.
Men's choir (TTBB) and piano (TTBB/PNO) - intermediate SKU: HL.49028272 <...(+)
Men's choir (TTBB) and
piano (TTBB/PNO) -
intermediate
SKU:
HL.49028272
Walzer
Wiener Wald! Wie es
schallt. Composed by
Johann Strauss Jr.
Arranged by Franz Theodor
Cursch-Buehren. This
edition: Saddle
stitching. Sheet music.
Edition Schott. Score.
Op. 325. 20 pages.
Duration 10'. Schott
Music #CRZ 41879-10.
Published by Schott Music
(HL.49028272).
ISBN
9790204002504.
8.0x11.75x0.085 inches.
German.
Composed by Marten
Jansson. Stapled. Choral
score. 6 pages.
Baerenreiter Verlag
#BA07416_00. Published by
Baerenreiter Verlag
(BA.BA07416).
ISBN
9790006559206. 27 x 19 cm
inches. Text Language:
Latin.
Based on the
well-known bible text
“Sing unto the Lord
a new song†(Psalm
96:1-3), this upbeat
composition with strong
dynamics and flowing
block chords alternating
with fast-paced polyphony
brings across this joyful
message and enthuses
singers.
“My
music is my own and I
have never tried to be
original. That has always
been my motto and I have
only tried to use music
to express all the
feelings which life has
to offer. This has led
people to describe my
music as ‘so sad
that it sounds like birds
who have lost their
wings‘ but also as
‘the happiest
classical music that we
have ever
heard’. My
compositions are almost
all sacred. They express
not only my own faith but
also my appreciation and
respect for the timeless
texts that have been used
for centuries and
centuries.â€
MÃ¥rten Jansson (b.
1965), elected member of
the Föreningen svenska
tonsättare (the
Society of Swedish
Composers), graduated
from the Royal College of
Music, Stockholm (KHM)
with an MFA degree in
Music Education, Dalcroze
Eurhythmics and Voice.
For more than ten years
he was the music director
and conductor of
“Carmenâ€, one
of the most prominent
womens’ vocal
ensembles in Sweden. He
currently teaches choral
conducting and music
theory as well as giving
vocal tuition at the
Bolandgymnasiet and
Musikskolan in his home
town of Uppsala.
Echies of Gladness Chorale TTBB TTBB, Piano [Octavo] Theodore Presser Co.
(For Men's Chorus, A Cappella). By Peter Ilyich Tchaikovsky (1840-1893). Arrange...(+)
(For Men's Chorus, A
Cappella). By Peter
Ilyich Tchaikovsky
(1840-1893). Arranged by
Philip Hagemann. Male
chorus. For Ttbb, Piano
Rehearsal. Choral.
Piano/Vocal Score.
Standard notation. 7
pages