French Carol, arr., with new words, by Jay Althouse. For Choir. (TTBB). Choral Octavo. Choral Designs. Sacred; Secular. Choral Octavo. 12 pages. Published by Alfred Publishing.

By J. Paul Williams. For Men's Chorus. Bass/Percussion, Tracks, General Use, All Saints Day, Homecomings, Missions, Youth Choirs and Sacred. Sheet Music. Published by Shawnee Press.

Composed by Paul Gibson (1952-). For TTBB choir, english horn. Christmas, Services, Concerts, 21st Century. Octavo. Text Language: English. Published by E.C. Schirmer Publishing

SSAATTBB Choir

SKU: CA.967400

Composed by Jacek Sykulski. Edited by Stefan Schuck. CARUS CONTEMPORARY. Sacred vocal music. Full score. 16 pages. Duration 8 minutes. Carus Verlag #CV 09.674/00. Published by Carus Verlag (CA.967400).

ISBN 9790007187484. Language: Latin.

With the publication of his hypnotic Pater noster, Carus proudly presents Jacek Sykulski as a new composer in the Carus Contemporary series. Whilst Sykulski has achieved worldwide success as Director of the Academic Choir at the University of Poznan and the Poznan Boys' Choir, as a composer he has remained a well-guarded secret until now. In his sacred compositions he combines in music the deeply Catholic-imbued tradition of his country with his own compositional technique, characterized by a tremendous vocal sensuousness of sound and a conscious use of tonality enriched by dissonance. His Pater noster was composed in 2009 and revised in 2015 for a performance by the RIAS Kammerchor in Berlin. The first section of this three-part work for eight-part choir (tenors and sopranos also split into three) begins with the invocation Pater noster homophonically in A minor. This then introduces the Gregorian liturgical melody of the Our Father canonically and aleatorically, like a contemplative congregational hymn. The middle section calls out Dein Reich komme in increasingly insistent rhythmic declamation, more demanding, with hypnotic repetitions and intensifications. In the last section, Sykulski returns to the opening harmonies, but now a semitone lower on A flat, followed by an intensification at the words sed libera nos a malo - and delivery us from evil once more; this ends unresolved in a diatonic cluster on A flat as the paradigm of our imperfect earthly existence. The eight-minute unaccompanied composition is extremely singable, impressive, and not difficult to master. The piece is suitable for use in the liturgy, as well as in concerts and competitions.