Choir Sacred TTBB choir (TTBB) SKU: PE.EP11561 For TTBB choir a cappel...(+)
Choir Sacred TTBB choir
(TTBB)
SKU:
PE.EP11561
For
TTBB choir a
cappella. Composed by
Fredrik Sixten. Choral
Works (inc. Oratorios).
Edition Peters. Choral
Octavo. 8 pages. Duration
00:03:00. Edition Peters
#98-EP11561. Published by
Edition Peters
(PE.EP11561).
ISBN
9790014132194. 190 x
272mm inches.
English.
All
eluia seeks to be
both a meditation as well
as expressing a joyous
praise. The 3 minute
composition starts out as
a subdued Laud and then
gradually evolves through
a long crescendo into a
climax of splendour and
vigour. It subsequently
returns, with feeling of
gratitude, to the
material from the
opening, and concludes
quietly.
Arrangemen
t by the composer for
Choir TTBB of the
original version for
upper voices.
By Elizabeth Alexander. For Men's Chorus (TTBB choir a cappella). Collegiate Rep...(+)
By Elizabeth Alexander.
For Men's Chorus (TTBB
choir a cappella).
Collegiate Repertoire,
Community Chorus, Concert
Music. Courage, Hardship,
Sacred (Worship and
Praise), Choral.
Moderately Advanced.
Octavo. Text language:
English. Duration 6
minutes. Published by
Seafarer Press
TTBB Choir - Grade 3 SKU: HL.14018993 Composed by Bernhard Lewkovitch. Mu...(+)
TTBB Choir - Grade 3
SKU: HL.14018993
Composed by Bernhard
Lewkovitch. Music Sales
America. Motet. Octavo.
Composed 2002. 8 pages.
Edition Wilhelm Hansen
#WH27672. Published by
Edition Wilhelm Hansen
(HL.14018993).
ISBN
9788759850978.
7.25x10.25x0.061 inches.
Latin.
This set of
three motets for
unaccompanied male choir
sets the Latin words for
the De Profundis, Ave
Maria and Laudate and
manifests Lewkovitch's
fascination both with
chant and with
modality.Contemporary
Danish composer,
conductor and Organist
Bernhard Lewkovitch has
followed a rare path
among modern composers.
From 1947 he was Organist
at St Ansgars Kirches and
later remained connected
with the Catholic Church
by working as an
Organist. Clearly he is
inspired by the Catholic
liturgy and sees his
great output of
ecclesiastical music as a
vocation and a great
responsibility. For many
years his work by
inspired by Gregorian
chant and was composed in
church modes, then inthe
mid 1950's he began to
expand into modern
bitonality and
polytonality, culminating
in Il cantico delle
creature in 1962/3 in
which there was no
conventional notation and
no fixed pitch. After
that, Lewkovitch had
somewhat of a hiatus,
later returning again to
the inspirations of the
mid1950's.
Pater noster Chorale TTBB [Conducteur] Carus Verlag
SSAATTBB Choir SKU: CA.967400 Composed by Jacek Sykulski. Edited by Stefa...(+)
SSAATTBB Choir
SKU:
CA.967400
Composed by
Jacek Sykulski. Edited by
Stefan Schuck. CARUS
CONTEMPORARY. Sacred
vocal music. Full score.
16 pages. Duration 8
minutes. Carus Verlag #CV
09.674/00. Published by
Carus Verlag (CA.967400).
ISBN 9790007187484.
Language:
Latin.
With the
publication of his
hypnotic Pater noster,
Carus proudly presents
Jacek Sykulski as a new
composer in the Carus
Contemporary series.
Whilst Sykulski has
achieved worldwide
success as Director of
the Academic Choir at the
University of Poznan and
the Poznan Boys' Choir,
as a composer he has
remained a well-guarded
secret until now. In his
sacred compositions he
combines in music the
deeply Catholic-imbued
tradition of his country
with his own
compositional technique,
characterized by a
tremendous vocal
sensuousness of sound and
a conscious use of
tonality enriched by
dissonance. His Pater
noster was composed in
2009 and revised in 2015
for a performance by the
RIAS Kammerchor in
Berlin. The first section
of this three-part work
for eight-part choir
(tenors and sopranos also
split into three) begins
with the invocation Pater
noster homophonically in
A minor. This then
introduces the Gregorian
liturgical melody of the
Our Father canonically
and aleatorically, like a
contemplative
congregational hymn. The
middle section calls out
Dein Reich komme in
increasingly insistent
rhythmic declamation,
more demanding, with
hypnotic repetitions and
intensifications. In the
last section, Sykulski
returns to the opening
harmonies, but now a
semitone lower on A flat,
followed by an
intensification at the
words sed libera nos a
malo - and delivery us
from evil once more; this
ends unresolved in a
diatonic cluster on A
flat as the paradigm of
our imperfect earthly
existence. The
eight-minute
unaccompanied composition
is extremely singable,
impressive, and not
difficult to master. The
piece is suitable for use
in the liturgy, as well
as in concerts and
competitions.