By Jack Curtis Dubowsky. Chorus. For TTBB choir (TTBB choir). Pythonesque; humor...(+)
By Jack Curtis Dubowsky.
Chorus. For TTBB choir
(TTBB choir).
Pythonesque; humor; LGBT;
GALA; cabaret. Sheet
music. Composed 2004.
Duration 2:30. Published
by De Stijl Music
I Got Rhythm Chorale TTBB TTBB, Piano Alfred Publishing
Choir Secular (Men's Choir) SKU: AP.48481 Composed by George Gershwin and...(+)
Choir Secular (Men's
Choir)
SKU:
AP.48481
Composed by
George Gershwin and Ira
Gershwin. Arranged by
Mark Hayes. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Great American
Songbook; Jazz; Secular;
Standard. Choral Octavo.
16 pages. Alfred Music
#00-48481. Published by
Alfred Music (AP.48481).
UPC: 038081553047.
English.
No one but
Mark Hayes could take
this Gershwin masterpiece
and make it into an
absolutely rip-roaring,
no-holds-barred choral
work. You want rhythm?
You'll get it, in more
ways than you can count
in this outstanding
arrangement of one of
America's great songs. A
classic, by any
standard.
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
By George Gershwin and Ira Gershwin. Arranged by Mark Hayes. Choir Secular. Men'...(+)
By George Gershwin and
Ira Gershwin. Arranged by
Mark Hayes. Choir
Secular. Men's Choir.
Choral Octavo. Pop
Choral. 12 pages.
Published by Alfred Music
Choir Secular (Men's Choir) SKU: AP.50300 Composed by Louis Prima. Arrang...(+)
Choir Secular (Men's
Choir)
SKU:
AP.50300
Composed by
Louis Prima. Arranged by
Mark Hayes. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Great American
Songbook; Jazz; Secular;
Standard. Choral Octavo.
24 pages. Alfred Music
#00-50300. Published by
Alfred Music (AP.50300).
UPC: 038081574707.
English. Mark
Hayes.
Louis
Prima's legendary big
band-era showstopper is
as exciting as ever in
Mark Hayes' sizzling
choral setting. Swinging
rhythms, scintillating
harmonies, independent
vocal lines, and a sassy
horns-and-rhythm
instrumentation bring the
heat. A few fresh lyrics
add to the bright music
theme, creating the
ultimate opener or closer
for school or community
choirs. Now you're
singin' with a swing!
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
TTBB chorus and piano w/opt. Cello (included) SKU: HP.C6283 Composed by K...(+)
TTBB chorus and piano
w/opt. Cello (included)
SKU: HP.C6283
Composed by Keith Getty
and Stuart Townend.
Arranged by Lloyd Larson.
Piano with Optional Cello
(Included). Pentecost
Sunday. Octavo. 12 pages.
Hope Publishing Company
#C6283. Published by Hope
Publishing Company
(HP.C6283).
UPC:
763628162832.
Famil
iar praise song by
Keith Getty &
Stuart Townend
This Keith Getty and
Stuart Townend song is
useful anytime of the
year and especially for
Pentecost Sunday. Lloyd
Larson's masterful
setting features an
elegant piano
accompaniment and
optional cello part. Set
in three verses, the
first is a prayer for
personal renewal, the
second is a prayer for
the gifts of the Spirit
to show Christ in all I
do, and the third is for
the universal church to
hunger for your ways.
TTBB choir, piano accompaniment, trumpet 1, trumpet 2, horn in f, trombone, tuba...(+)
TTBB choir, piano
accompaniment, trumpet 1,
trumpet 2, horn in f,
trombone, tuba, rhythm
section - Intermediate
SKU: GI.WLG168
Vocal Score.
Composed by Michael
Engelhardt. Concert,
Church. Lynne Gackle.
Classical. Octavo. 16
pages. Walton Music
#WLG168. Published by
Walton Music (GI.WLG168).
UPC: 785147020769.
English. Text Source:
Scripture.
Here's a
winner for groups of all
ages in school, church,
or community settings. In
the gospel style of
Engelhardt's Go Tell It
on the Mountain!, the
energetic piano, horns,
and rhythm section
provide a strong drive to
this perfect Christmas
closer or encore. MP3 is
SSA version.
By Jack Curtis Dubowsky. Chorus. For TTBB choir and optional SA (TTBB choir and ...(+)
By Jack Curtis Dubowsky.
Chorus. For TTBB choir
and optional SA (TTBB
choir and optional SA).
Country Western; humor;
cabaret; folk; Americana;
Pythonesque. Sheet music.
Composed 2006. Duration
3:10
By Jack Curtis Dubowsky. Chorus. For TTBB choir (TTBB choir). Christmas; Hanukka...(+)
By Jack Curtis Dubowsky.
Chorus. For TTBB choir
(TTBB choir). Christmas;
Hanukkah; Holiday;
Pythonesque; humor; GALA;
cabaret; Jewish. Sheet
music. Composed 2006.
Duration 2:15. Published
by De Stijl Music
Harambee Chorale TTBB TTBB, Percussion Subito Music
TTBB, Percussion & Piano SKU: SU.YR5203V1 For TTBB, Percussion & Piano...(+)
TTBB, Percussion & Piano
SKU: SU.YR5203V1
For TTBB, Percussion &
Piano. Composed by
Joseph Jennings.
Vocal/Choral, Secular
Choral. Accompanied by
percussion, accompanied
by piano. Choral Octavo.
Subito Music Corporation
#YR5203v1. Published by
Subito Music Corporation
(SU.YR5203V1).
Text by:
Dorothy Winbush
RileyTTBB, percussion &
piano Composed: 1998
Published by: Barton
Rhodes Press Minimum
order quantity: 8 copies.
To order quantities fewer
than 8, please email
customer service at
sales@subitomusic.com.
Arranged by Robert L. Jefferson. For TTBB choir, a cappella. Male Voices. Spirit...(+)
Arranged by Robert L.
Jefferson. For TTBB
choir, a cappella. Male
Voices. Spirituals,
Leaflet. Level B (easy).
Vocal score. 8 pages.
Duration 3'. Published by
Oxford University Press
TTBB choir, piano accompaniment, trumpet 1, trumpet 2, horn in F, trombone, tuba...(+)
TTBB choir, piano
accompaniment, trumpet 1,
trumpet 2, horn in F,
trombone, tuba, rhythm -
Intermediate
SKU:
GI.WLG168A
Composed
by Michael Engelhardt.
Concert, Church. Lynne
Gackle Choral Series.
Classical. Full score and
parts. 32 pages. Walton
Music #WLG168A. Published
by Walton Music
(GI.WLG168A).
UPC:
785147021162. English.
Text Source:
Scripture.
Full
Score and Instrumental
Parts for the TTBB
version of And Suddenly
(WLG168).
By Andrae Crouch. Arranged by Jack Schrader. For Choir. (Men's Voices). Blues/G...(+)
By Andrae Crouch.
Arranged by Jack
Schrader. For Choir.
(Men's Voices).
Blues/Gospel,
Blues-Gospel-Spirituals
and Sacred. Print Music
Single (TTBB). Published
by Hope Publishing
Company.
By J. Paul Williams. For Men's Chorus. Bass/Percussion, Tracks, General Use, All...(+)
By J. Paul Williams. For
Men's Chorus.
Bass/Percussion, Tracks,
General Use, All Saints
Day, Homecomings,
Missions, Youth Choirs
and Sacred. Sheet Music.
Published by Shawnee
Press.
By William Clayton. Arranged by Darwin Wolford. Text: Joseph L. Townsend. For TT...(+)
By William Clayton.
Arranged by Darwin
Wolford. Text: Joseph L.
Townsend. For TTBB Choir.
Duration 3:00. Published
by Jackman Music
Corporation. Level:
Medium Difficullt.
Der Gondelfahrer Chorale TTBB TTBB A Cappella [Octavo] - Intermédiaire Santa Barbara Music Publishing
By Franz Schubert. Arranged by Carl Zytowski. For TTBB Choir, a cappella. Choral...(+)
By Franz Schubert.
Arranged by Carl
Zytowski. For TTBB Choir,
a cappella. Choral music.
Level: Medium. Published
by Santa Barbara Music
Publishing. (SBMP 253)
Railways 1846 Chorale TTBB TTBB, Piano Theodore Presser Co.
Choral TTBB choir, piano SKU: PR.312419270 From Terra Nostra. Comp...(+)
Choral TTBB choir, piano
SKU: PR.312419270
From Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 8
pages. Duration 2
minutes. Theodore Presser
Company #312-41927.
Published by Theodore
Presser Company
(PR.312419270).
ISBN
9781491137918. UPC:
680160692606. English.
Charles
Mackay.
Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s World” by
Edna St. Vincent Millay,
which describes the world
in exuberant and vivid
detail. Percy Bysshe
Shelley’s “On thine
own child” praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O voluptuous
cool-breathed earth!”
Part I ends with “A
Blade of Grass” in
which Whitman muses how
our planet has been
spinning in the heavens
for a very long time.Part
II: The Rise of Humanity
examines the achievements
of mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley Hall” sets
an auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s “Railways
1846,” William Ernest
Henley’s “A Song of
Speed,” and John
Gillespie Magee, Jr.’s
“High Flight,” each
of which celebrates a new
milestone in
technological
achievement. In “Binsey
Poplars,” Gerard Manley
Hopkins takes note of the
effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A Dirge”
concludes Part II with a
warning that the planet
is beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s plight,
re-establish a deeper
connection to it, and
find a balance for living
within our planet’s
resources. Three texts
continue the earth’s
plea that ended the
previous section: Lord
Byron’s “Darkness”
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s “Earth
Screaming” gives voice
to the modern issues of
our changing climate; and
William Wordsworth’s
“The World Is Too Much
With Us” warns us that
we are almost out of time
to change our course.
Contemporary/agrarian
poet Wendell Berry’s
“The Want of Peace”
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts (“A
Child said, What is the
grass?” and “There
was a child went forth
every day”) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s “A Blade
of Grass” from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states, “I
bequeath myself to the
dirt to grow from the
grass I love…”My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?