Ave Maria Chorale Unison [Octavo] Hinshaw Music Inc.
By Johann Sebastian Bach. Edited by Jean Ashworth Bartle. Arranged by Charles Go...(+)
By Johann Sebastian Bach.
Edited by Jean Ashworth
Bartle. Arranged by
Charles Gounod
(1818-1893). Text:
Ancient Liturgical Text;
Translated by Jean
Ashworth Bartle; Series
editor: Jean Ashworth
Bartle. For Piano
accompaniment. (Unison
(Treble Voices)). Jean
Ashworth Bartle. Sacred,
Concert. Level: Medium
Advanced Children or
Medium Easy Adult. 8
pages. Duration 2 min, 20
sec. Published by Hinshaw
Music Inc.
Choir SKU: CA.3113305 Cantata for the 3rd day of Christmas. Compos...(+)
Choir
SKU:
CA.3113305
Cantata
for the 3rd day of
Christmas. Composed
by Johann Sebastian Bach.
Edited by Tobias Rimek.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Christmas. Choral
Score. Composed 1724. BWV
133. 4 pages. Duration 20
minutes. Carus Verlag #CV
31.133/05. Published by
Carus Verlag
(CA.3113305).
ISBN
9790007161934. Language:
German.
The cantata
Ich freue mich in dir was
first performed during
Bach's second year as
Thomaskantor, on the 3rd
day of Christmas, and
belongs to the so-called
annual cycle of chorale
cantatas. Here the focus
of the composition is the
hymn of the same name by
Philipp Ziegler, in which
the first and final
strophes were adopted,
word for word, in the
first and sixth movements
of the cantata. The
soprano, which carries
the chorale, is supported
by the conrnett (Zink),
which already at this
time had become a
seldom-used instrument.
The joyful, lively choral
movement with
instrumental interludes
directly follows the
first aria, and begins
with a marked, ascending
motive at the word
Getrost! (safely). The
oboes d'amore which
accompany the alto lend
the movement a special
color. In the second aria
(for soprano), Bach again
shows himself to be the
master of text
interpretation. The words
Wie lieblich klingt es in
den Ohren are emphasized
in an exchange between
open strings and
sixteenth note figures.
Score available
separately - see item
CA.3113300.
Choir SKU: CA.3104205 Cantata for Quasimodogeniti Sunday. Composed...(+)
Choir
SKU:
CA.3104205
Cantata
for Quasimodogeniti
Sunday. Composed by
Johann Sebastian Bach.
Edited by Felix Loy. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Easter
and Eastertide. Choral
Score. Composed 1725. BWV
42. 2 pages. Duration 28
minutes. Carus Verlag #CV
31.042/05. Published by
Carus Verlag
(CA.3104205).
ISBN
9790007161873. Language:
German/English.
Ins
tead of an opening chorus
Cantata BWV 42 begins
with a magnificent
Sinfonia in the style of
the Brandenburg
Concertos. It is possible
that Bach took this
movement from a concerto
which he had composed
earlier. The first aria,
for alto with obbligato
oboe and bassoon, could
be derived from the
middle movement of this
concerto. The heroic bass
aria, a statement of the
certainty of faith, forms
a weighty counterpart to
the opening movement.
Score available
separately - see item
CA.3104200.
Choir SKU: CA.3101805 Cantata for Sexagesima. Leipzig version. Com...(+)
Choir
SKU:
CA.3101805
Cantata
for Sexagesima. Leipzig
version. Composed by
Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Holy
Week. Choral Score.
Composed 1715(?). BWV 18.
4 pages. Duration 21
minutes. Carus Verlag #CV
31.018/05. Published by
Carus Verlag
(CA.3101805).
ISBN
9790007204822. Text
language:
German/English.
The
cantata dates from Bach's
time in Weimar. The
instrumental scoring of
four violas and basso
continuo - in the Leipzig
performances enhanced by
two recorders doubling
viola I and II at the
octave - is unique in
Bach's cantata oeuvre. It
lends a dark, luxurious
sound to the four
movements which is gently
illuminated by the
recorders. The work -
with its instrumental
sinfonia, a short secco
recitative and an
extended accompagnato
recitative (both of which
contain arioso inserts),
a short soprano aria and
a simple closing chorale
- makes no great demands
on the performing forces.
Admirers of text
interpretation by means
of instrumental
figuration will be richly
rewarded. Score available
separately - see item
CA.3101800.
Choir SKU: CA.3105705 Cantata for the 2nd day of Christmas. Compos...(+)
Choir
SKU:
CA.3105705
Cantata
for the 2nd day of
Christmas. Composed
by Johann Sebastian Bach.
Edited by Frieder Rempp.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Christmas. Choral
Score. Composed 1725. BWV
57. 2 pages. Duration 28
minutes. Carus Verlag #CV
31.057/05. Published by
Carus Verlag
(CA.3105705).
ISBN
9790007161897. Language:
German/English. Text:
Lehms, Georg Christian.
Text: Georg Christian
Lehms.
The first
performance of this
cantata, which belongs to
Bach's third annual cycle
of cantatas, took place
on the 2nd day of
Christmas in 1725. With
the exception of the
closing chorale, with a
text from 1711 by Georg
Christian Lehms, the text
of the cantata refers to
St. Stephan, the first
martyr of the New
Testament and patron
saint whose name day
occurs on 26 December. In
a dialog between the Soul
(Soprano) and Jesus
(bass) the struggle with
sin is recounted
respectively in two
expressive arias arias.
The entire orchestra is
involved in the first
movement as well as in in
the closing chorale
together with the choir.
Score available
separately - see item
CA.3105700.
Choir SKU: CA.3113405 Cantata for Easter Tuesday. Composed by Joha...(+)
Choir
SKU:
CA.3113405
Cantata
for Easter Tuesday.
Composed by Johann
Sebastian Bach. Edited by
Tobias Rimek. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Easter
and Eastertide. Choral
Score. Composed 1731. BWV
134. 8 pages. Duration 30
minutes. Carus Verlag #CV
31.134/05. Published by
Carus Verlag
(CA.3113405).
ISBN
9790007165048. Text
language:
German/English.
The
cantata Ein Herz, das
seinen Jesum lebend weiss
for the third day of
Easter 1724 is one of
those older cantatas
which Bach integrated
into his first Leipzig
annual cycle of cantatas;
it was originally
composed in Kothen as a
secular cantata for the
New Year celebration in
1719 (BWV 134a). Rousing
virtuoso arias and a
magnificent final chorus
containing dialog
sections not only
emphasize the festive
character of the cantata,
but also lend it a very
particular charm. Score
available separately -
see item CA.3113400.