Arranged by Hal H. Hopson. For Choir. (Unison). Print Music Single (Unison or Two-Part). Published by Hope Publishing Company. (CF148) 6-PACK includes six original copies of this piece.

Unison voices, flute, oboe, violin 1, violin 2, viola, cello

SKU: GI.G-8789A

Revised Order of Mass 2010. Composed by Jan Michael Joncas. This edition: Assembly edition. Mass. Sacred. Assembly edition. 8 pages. GIA Publications #8789A. Published by GIA Publications (GI.G-8789A).

UPC: 785147878940. English. Text Source: Revised Order of Mass 2010.

In 1988, GIA released Michael Joncas’s No Greater Love, a flexible mass setting offering cathedral-style music that was accessible to the singing assembly. Beautiful melodies enhanced by SATB choir and extensive orchestrations were the hallmark of this best-selling work. Now, Michael Joncas has revised this treasured setting using the 2010 Revised Order of Mass. The revision has a new through-composed Gloria that can be sung in unison during the Sundays of Ordinary Time, and for more festive occasions, one can add the optional instrumental and SATB choral parts. Also new to this setting are the gospel acclamation and a sung setting of the prayer of the faithful. The memorable congregational parts for the Kyrie and the Agnus Dei haven’t changed and the much-loved Holy, Holy has been adapted to accommodate the 2010 Revised Order of Mass text. The optional orchestration is now reduced and includes string quartet, flute, and oboe parts.

Choir

SKU: CA.3116305

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Thomas Riegler. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, End of the church year. Choral Score. Composed 1715. BWV 163. 2 pages. Duration 18 minutes. Carus Verlag #CV 31.163/05. Published by Carus Verlag (CA.3116305).

ISBN 9790007161965. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

The cantata Nur jedem das Seine (Do justice to all men) BWV 163, for the last Sunday of the Church Year 1714/15, belongs among to those chamber music works which Bach composed for the Weimar Schlosskirche. The instruments are limited to strings, although two obbligato violoncellos are included which together with the solo bass singer and the continuo form a bass quartet unique in Bach's works. The final chorale of the cantata is handed down only as a fragment and was newly reconstructed for our edition by Thomas Riegler. Score available separately - see item CA.3116300.