(from Rodelinda) Composed by George Frideric Handel (1685-1759), lyrics by W.G. Rothery, edited by Jean Ashworth Bartle. Vocal score for unison choir and piano accompaniment (or strings- parts available separately). With vocal score notation and piano accompaniment. E Major. Series: The Jean Ashworth Bartle Choral Series for Treble Voices. 4 pages. Published by Hinshaw Music Inc.

Unison, Piano

SKU: SU.80300244

For Unison, Piano. Composed by Karen A. Tarlow. Vocal/Choral, Sacred Choral. Accompanied by piano. Choral Octavo. Treble Clef Music Press #80300244. Published by Treble Clef Music Press (SU.80300244).

These seven sacred songs are suitable for treble, mixed, or men's choirs, or for solo performance. The texts are taken from various Sabbath services; many are suitable for use as anthems in Christian worship. While all are easy, each has distinctive features-rhythmic extension of a phrase, shifting meters, or harmonic subtleties-which make the set rank very, very high on the simple does not have to mean stupid scale. Please, before you buy another boring dreidel song, look at these. This blessing in 12/8 time is a setting of Psalm 19:4. Phrases alternate between E Minor and G Major, giving the piece harmonic vitality over a cross-meter piano figure. Unison; piano; Hebrew; Easy. Unison, piano Published by: Treble Clef Music Minimum order quantity: 8 copies.

Unison voices, 2-part equal voices, 2-part mixed voices, organ accompaniment - Early intermediate

SKU: GI.G-9672

Composed by Calvin Hampton. Christ the King. Simple Gifts. Tune Name: Macdougall. Sacred. Octavo. 8 pages. GIA Publications #9672. Published by GIA Publications (GI.G-9672).

UPC: 785147967200. English. Text by George Herbert.

Hampton produced a small, but significant body of hymn tunes that expanded the notion of what a hymn tune and its accompaniment could be. Melodic sequences and an accompaniment cast in trio sonata form were common compositional devices he employed, both are found in the tune MacDOUGALL. is set for two mixed voices (or equal voices, if desired) is taken from e Calvin Hampton Hymnary, G-2339. In the composer’s notes from that collection, Hampton suggests a tempo of quarter note = 76, saying: “the accompaniment can be played by hands alone, omitting the vocal line [found in the keyboard treble clef]. The accompaniment figure could be played on the guitar, piano, or harpsichord.” Listen to the recording and follow along with the score in this preview video:  .