Choir

SKU: BR.SON-442

Complete Works. Composed by Felix Bartholdy Mendelssohn. Edited by Clemens Harasim. Linen. Complete Works. Romantic period. Complete Works. 188 pages. Breitkopf and Haertel #SON 442. Published by Breitkopf and Haertel (BR.SON-442).

ISBN 9790004803509. 10 x 12.5 inches.

This volume contains three reworkings and orchestrations of religious works by Felix Mendelssohn Bartholdy which were originally set for smaller ensembles (solo voices, four-part chorus and organ). They were composed at different times and for different occasions, two of them as commissions. The anthem ,,Why, o Lord, delay forever MWV A 19 was originally the sacred vocal piece MWV B 33, published in England in 1841 with the additional title ,,[…] The Thirteenth Psalm, and in Germany in the same year as ,,Lass, o Herr, mich Hilfe finden with the title ,,Drei geistliche Lieder which was composed at the suggestion of the English literature and music lover Charles B. Broadley who also provided the paraphrase of the psalm text. After Mendelssohn had refused an initial request by Broadley to furnish the anthem post festum with an organ prelude, the composer did not want to turn down a second request to orchestrate the work and he even expanded the existing material with a lengthy closing fugue involving additional trumpets and timpani. The ,,Ave Maria MWV B 19 was written in connection with Mendelssohn's appointment as municipal music director, a position which at the same time included the responsibility for the musical organization of church services. The instrumentation of the work with an accompaniment of two clarinets and two bassoons as well as low strings was due to the fact that the organ in Dusseldorf's principal church St. Lambertus was out of order for an extended period of time, and Mendelssohn considered this solution explicitly only as a surrogate for the organ should there be none. A further psalm paraphrase in English, this time by William Bartholomew, of the hymn ,,Hear my prayer MWV B 49 was set to music in early 1844; the orchestration of the organ part commissioned by the distinguished Dublin musician Joseph Robinson was not completed until 1847 so that the premiere finally only took place after Mendelssohn's death. In the further course of the century ,,Hear my prayer would, particularly in the version with organ accompaniment, come to enjoy great popularity in Great Britain and Ireland.

Unison voices (assembly and choir), and organ, with optional descant and brass quartet (Instrumental Parts include: Trumpets I and II in B-flat and C, Horn in F (substitute for Trombone I), Trombones I and II) - Early Intermediate

SKU: MN.80-407

Composed by Matthew Koraus. Easter, Christ the King, 21st Century. MorningStar Music Publishers #80-407. Published by MorningStar Music Publishers (MN.80-407).

UPC: 688670804076. English.

Matthew Koraus has crafted a sturdy and very singable set of acclamations for the Eucharistic Prayer based on the hymn tune Diademata, ideal for the long season of Easter as well as Christ the King and other festive times. His adaptation of Elvey's hymn tune includes unexpected touches such as passing tones, rhythmic variations, and inventive harmonies, enabling the acclamations to remain fresh over time. Holy, Holy, Holy, all 3 Memorial Acclamations, and Amen are arranged for Assembly, Choir (in unison or with Descant), and Organ, with optional Two Trumpets or Brass Quartet.

By William Anderson. For unison/2-part choir. Sacred. Cantata. Published by Chorister's Guild.

By Nancy Gifford. For unison choir and piano. Epiphany, General, Sacred. Sacred Anthem

Unison Choir, keyboard accompaniment, Bb instrument,C instrument,clarinet,keybo ard,organ,trumpet

SKU: GI.G-005704

Composed by William Ferris. Advent 1 Year C, Advent 1 Year A, Advent 1 Year B. Sacred. Octavo. With guitar chord names. GIA Publications #005704. Published by GIA Publications (GI.G-005704).

UPC: 641151057040.

The late William Ferris was a composer for whom writing music was a labor of love. He believed that music written for the Church should have the same integrity of form and substance as a concert work. This exquisite anthem for unison choir was composed in 1995 and made its recording debut on the disc and music collection Be with Me, Lord, sung by the William Ferris Chorale and directed by Ferris himself. Many performance options are offered, making this unison setting suitable for mixed-voice choirs as well. The transcendant, modal organ accompaniment and instrumental obbligato provide the delicate framework. Organ interludes introduce the verses, adding an air of serenity in this work of art, which is sure to touch your spirit and inspire you to prayer.