((for Clarinet or Oboe Soloist and Band)). By Jan de Haan. Score and Parts. De Haske Concert Band. Grade 3. De Haske Publications #109472. Published by De Haske Publications

Arranged for Clarinet and String Quintet. Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Michael Salamon and Wilfried Gottwald. Ensemble. Softcover. Sikorski #SIK1746. Published by Sikorski (HL.50497680).

Composed by Claude Debussy (1862-1918). Edited by Douglas Woodfull-Harris. This edition: urtext edition. Barenreiter Urtext. Score. Baerenreiter Verlag #BA07897. Published by Baerenreiter Verlag (BA.BA07897).

Composed by Claude Debussy (1862-1918). Edited by Douglas Woodfull-Harris. This edition: urtext edition. Barenreiter Urtext. Piano reduction. Baerenreiter Verlag #BA 7897-90. Published by Baerenreiter Verlag

By Kramar-Krommer Frantisek Vincenc. Czech title: Koncert Es dur pro klarinet a orchestr op. 36. Published by Praha (Czech import).

From the Opera La Forza del Destino. Composed by Giuseppe Verdi (1813-1901). Arranged by Charles Yassky. Full score and set of parts. Duration 3:00. Published by Baton Music (BF.BM387-SET).

By Johann Melchior Molter. For Clarinet, Orchestra. This edition: paperback. Edition Breitkopf. 24 pages. Published by Breitkopf and Haertel (German import).

Clarinet & orchestra

SKU: HH.HH452-SSC

Composed by Stephen Pratt. Clarinet & Orchestra. Study score. Edition HH Music Publishers #HH452-SSC. Published by Edition HH Music Publishers (HH.HH452-SSC).

ISBN 9790708146599.

Thre e Imaginary Folksongs was requested by the Concerts Society of Liverpool Metropolitan Cathedral for their concert season celebrating the 50th anniversary of the opening of the Cathedral. The composer was asked specifically for a work which would highlight the much-admired talents of the principal clarinet, Jacqueline Thomas. The title is unambiguous. Taking three different approaches, each of which has a modal starting point, the three ‘folksongs’ from imaginary places, were developed in styles which reflect the work of earlier folksong-inspired composers. The first performance took place at Liverpool Metropolitan Cathedral at a concert that not only celebrated the Cathedral’s 50th birthday, but also Stephen’s 70th.

Composed by Brian Balmages. For solo clarinet/wind ensemble. Solo/ensembles. Canzonique Music. Full set (score and parts). Score only also available: CM7003S. Grade 4.5-6. Score and set of parts. Duration 10 minutes. Published by Canzonique Music

Clarinet and Orchestra

SKU: FG.706334-10-3

Composed by Juhani Nuorvala. Score. Published by Fennica Gehrman (FG.706334-10-3).

ISBN 979-0-706334-10-3.

A work in five movements which are played without pause. Juhani Nuorvala makes his music using elements that fascinate him most and that his mind and body respond to. These elements he finds not only in old or new classical music but in various forms of urban music, such as the electronic music or modern dance clubs.

Clarinet and orchestra

SKU: FG.55009-633-2

Composed by Kalevi Aho. Score. Published by Fennica Gehrman (FG.55009-633-2).

ISBN 979-0-55009-633-2.

The concerto has five movements played without pause. The beginning Tempestoso is dramatic and powerful, but there is also a beautiful, slow middle section. The second movement consists of a virtuosic solo cadenza, which is dominated by mysterious tremolos on the clarinet.The cadenza leads to Vivace, con brio, which is the central climax of the concerto and the most virtuosic movement both for the orchestra and the soloist. Then follows the slow, melancholic and lyrical fourth movement Adagio, mesto. The Epilogue is slow, too; the atmosphere of the last movement is unreal, mysterious. The solo part at the end consists largely of broken, multiphonic clarinet sounds before the concerto fades out into a silence.

Clarinet and Orchestra

SKU: BT.EMBZ14721

Composed by László Dubrovay. Contemporary Music. Book Only. Composed 2010. 64 pages. Editio Musica Budapest #EMBZ14721. Published by Editio Musica Budapest (BT.EMBZ14721).

László Dubrovay wrote the following about Liszt and the piece now being published: Liszt was for me the most important composer in my youth, and as a pianist I played a great number of his works. I admired him as an innovator, who enriched the technique of playing the instrument in a manner unparalleled in piano literature. Later his creative genius captivated me, as he opened up new paths for the future. His works paved the way for impressionism, expressionism, 20th-century folklorism and dodecaphonic thinking. His innovations were always material realisations of spiritual renewal. My Rapsodia ungherese follows the Slow Fast single-movement formal concept of Liszt srhapsodies. Piano Score: 14633, score and orchestral material on hire.

Klavierauszug: 14633, die Partitur und das Orchestermaterial können ausgeleihen werden.