(Introductory Method for Jazz Ensemble). By Dean Sorenson. Band. For clarinet. B...(+)
(Introductory Method for
Jazz Ensemble). By Dean
Sorenson. Band. For
clarinet. Band method.
1st Place for Jazz.
Method. Book A,1. Method
book. Published by Neil
A. Kjos Music Company
Edited by Bruce Pearson, Chuck Elledge & Dean Sorenson. For B Clarinet/ B Bass C...(+)
Edited by Bruce Pearson,
Chuck Elledge & Dean
Sorenson. For B Clarinet/
B Bass Clarinet. Standard
of Excellence
Comprehensive Band
Method. 15 Medium-Easy
Arrangements for any
Combination of Band
Instruments. Level: Grade
2-2.5. Music Book.
Published by Neil A. Kjos
Music Company.
By Bruce Pearson. Edited by Chuck Elledge, Dean Sorenson. For Eb alto clarinet. ...(+)
By Bruce Pearson. Edited
by Chuck Elledge, Dean
Sorenson. For Eb alto
clarinet. Band Methods.
Standard of Excellence
Comprehensive Band
Method. Instructional
method. Grade 1-2. Method
book
Clarinet solo SKU: P2.30120 Composed by Armando Guevara Ochoa. Arranged b...(+)
Clarinet solo
SKU:
P2.30120
Composed by
Armando Guevara Ochoa.
Arranged by Katherine
Palmer. Solo music, 20th
century. Published by
Potenza Music (P2.30120).
The Three
Pieces for solo clarinet
(Fantasia Peruana,
Partita Peruana and
Capricho No. 12) all
represent the Cusqueno
sound that Guevara Ochoa
popularized in Peruvian
classical music. The
Fantasia was originally
scores for solo trumpet,
while the Partita was
written for solo flute.
The Capricho was composed
for solo violin. Because
Guevara Ochoa was a
violin prodigy, this work
may most closely reflect
Guevara Ochoa's original
musical voice. All three
pieces contain the
hallmarks of his
compositional style -
short themes, huayno
rhythms and pentatonic
scales. I believe the
Three Pieces provide
contrasting
representations of
Guevara Ochoa's scoring
for solo instruments.
Additionally, each work
presents its own unique
challenges while
demonstrating the
composer's unique Andean
compositional style.