Clarinet

SKU: HL.48185797

Leduc. CD. 19 pages. Alphonse Leduc #AL29520. Published by Alphonse Leduc (HL.48185797).

UPC: 888680832414. 9.0x12.0x0.103 inches.

Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and Jean-Pascal Post's arrangement for the Clarinet of ten of these loved works are indispensable for aspiring clarinetists. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. Post's transcription of ten Sonatas for Clarinet include Sonata K. 9. Post's arrangements for Clarinet enhance the lyricism and melodic invention of the Sonatas as well as enabling the student to study ornamentation and articulation. Bearing in mind that Domenico Scarlatti was a highly competent and popular musician in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, and Post's arrangement of these for Clarinet create an essential addition to the repertoire of all clarinetists..

Clarinet - Grade 1

SKU: HL.14048328

CD vedlagt. Composed by Hans Ulrik and Jens Hartmann. Music Sales America. Classical, Danish Edition. Softcover with CD. Composed 2016. 46 pages. Edition Wilhelm Hansen #WH32709. Published by Edition Wilhelm Hansen (HL.14048328).

ISBN 9788759836699. 9.0x12.0 inches. Danish.

Danish method book.

Clarinet, piano

SKU: FG.55011-334-3

Frolic per clarinetto e piano. Composed by Kirmo Lintinen. Fennica Gehrman #55011-334-3. Published by Fennica Gehrman (FG.55011-334-3).

ISBN 9790550113343.

Comp oser, pianist and conductor Kirmo Lintinen is equally at home in jazz as in the world of classical music. Since the turn of the millennium, his main job has specifically been composing concert music. Stylistically, he has found his biggest inspiration in the Baroque and in early 20th-century Neoclassicism. He composed Rieha (Frolic) as a commission from the Crusell Music Festival in Uusikaupunki, Finland, as the obligatory piece for its international clarinet competition, and it was premiered by the semi-finalists in July 2009.
The first part of Rieha is dominated by spurting arpeggios, trills and changing tempos. Following this impulsive opening is a brief respite, after which the piano and clarinet begin competing, tossing each other quick, accented semiquaver figures. The rhythm soon becomes syncopated and the piece enters the longest section, a sort of hypertuned, lurching ragtime. The closing section recalls all the work's motifs before burning itself out and vanishing like smoke.
Rieha is a consummate virtuoso piece demanding nimble fingers, sharp articulation and a command of tone in all the clarinet's registers. The piano is more than just an accompanying instrument; it is an equal partner. The biggest challenge for the players is synchronising their parts: the changing tempos and metres, and the alternation of quick figures keep the performers on their toes and the audience alert.

Clarinet and Piano

SKU: FG.55009-047-7

Composed by Lasse Eerola. Published by Fennica Gehrman (FG.55009-047-7).

ISBN 979-0-55009-047-7.

Lasse Eerola (1945-2000) composed several chamber music works for pedagogical purposes. This collection includes 8 beautiful pieces for clarinet and piano. Eerola named the pieces after the most amusing names that he found in the Finnish Herbarium.

Clarinet, piano

SKU: FG.55011-584-2

Composed by Heikki Sarmanto. Fennica Gehrman #55011-584-2. Published by Fennica Gehrman (FG.55011-584-2).

ISBN 9790550115842.

A pioneer of Finnish modern jazz, Heikki Sarmanto (1939-) is renowned for his renderings of jazz numbers. No wonder, therefore, that broken chords and familiar keys resonate and sit well under the hand in the piano part of this Northern Dreams suite. The solo passages for the piano are like stylised improvisations. In addition to jazz idioms, the suite features Chopin-style arpeggios. His music is melodic and communicative, painting feelings, situations and events. Northern Dreams was originally composed with the tenor sax of Juhani Aaltonen in mind, and the solo part is a transcription of his improvisation. The solo part is also available in arrangements for alto sax, flute, clarinet, bassoon and trumpet.

Clarinet

SKU: HL.50600566

Clarinet Solo. Composed by Osmo Tapio Räihälä. Woodwind Solo. Classical. Softcover. 10 pages. Sikorski #SIK8811. Published by Sikorski (HL.50600566).

8.25x11.75x0.07 inches.

The Finnish composer Osmo Tapio Räihälä reports that he experienced a phase whilst working on his Horn Concerto in 2011 during which he had the feeling of “having landed in a deadend”. To find a remedy, he decided to develop a kind of “finger exercise” for composers, comparable to the “warming-up process of an instrumental soloist before performing”. Räihälä remembers furthermore: “Instead of writing for orchestra, I started a short solo piece for clarinet. Little did I know that I had opened a Pandora's box! I wrote 'Soliloque 1: Étoffé' in two days. Perhaps this frenzy caused the music to become restless, with quick turns – in short, a rather virtuosic etude. The clarinet seeks paths, at first without success, but obviously finding one in the end. And what about the Pandora's Box? I had given the title the number one, and during the next two years I wrote five more Soliloques, solos of six to seven minutes, for various instruments, as well as one for soprano a cappella. The title Étoffé means 'rich', or 'well rounded', but also 'fabric' or even a 'patch' - and I felt that I had patched something in my work that was broken; indeed, working on the concerto now gave me a fresh start.”.

Clarinet

SKU: BT.DHP-1043630-404

Método de clarinete. Escuchar, Leer y Tocar. Method. Book with Online Audio. Composed 2022. 52 pages. De Haske Publications #DHP 1043630-404. Published by De Haske Publications (BT.DHP-1043630-404).

ISBN 9789043163187. Spanish.

Hoy en d a, Escuchar, leer and tocar es el manual de referencia en la enseñanza de los instrumentos de viento metal y viento madera. Estos magn ficos libros de metodolog a para principiantes, con acceso en l nea a archivos deaudio, contienen canciones, acertijos musicales y juegos para aumentar la comprensión de la música por parte de los alumnos, información sobre los instrumentos y muchas piezas divertidas para tocar. Los tres volúmenes del métodoestán acompañados por otros libros que contienen material complementario acordes al nivel correspondiente. Algunos de los libros no están disponibles en español sino en inglés bajo el t tulo Look, Listen and Learn.

Clarinet

SKU: BT.DHP-1033427-404

Método de clarinete. Escuchar, Leer y Tocar. Method. Book with Online Audio. Composed 2003. 56 pages. De Haske Publications #DHP 1033427-404. Published by De Haske Publications (BT.DHP-1033427-404).

ISBN 9789043163682. Spanish.

Hoy en d a, Escuchar, leer and tocar es el manual de referencia en la enseñanza de los instrumentos de viento metal y viento madera. Estos magn ficos libros de metodolog a para principiantes, con acceso en l nea a archivos deaudio, contienen canciones, acertijos musicales y juegos para aumentar la comprensión de la música por parte de los alumnos, información sobre los instrumentos y muchas piezas divertidas para tocar. Los tres volúmenes del métodoestán acompañados por otros libros que contienen material complementario acordes al nivel correspondiente. Algunos de los libros no están disponibles en español sino en inglés bajo el t tulo Look, Listen and Learn.

Clarinet

SKU: BT.DHP-1053910-404

Método de clarinete. By Joop Boerstoel. Escuchar, Leer y Tocar. Method. Book with Online Audio. Composed 2005. 52 pages. De Haske Publications #DHP 1053910-404. Published by De Haske Publications (BT.DHP-1053910-404).

ISBN 9789043161978. Spanish.

Hoy en d a, Escuchar, leer and tocar es el manual de referencia en la enseñanza de los instrumentos de viento metal y viento madera. Estos magn ficos libros de metodolog a para principiantes, con acceso en l nea a archivos deaudio, contienen canciones, acertijos musicales y juegos para aumentar la comprensión de la música por parte de los alumnos, información sobre los instrumentos y muchas piezas divertidas para tocar. Los tres volúmenes del métodoestán acompañados por otros libros que contienen material complementario acordes al nivel correspondiente. Algunos de los libros no están disponibles en español sino en inglés bajo el t tulo Look, Listen and Learn.

Clarinet in A, Piano Accompaniment (clarinet/piano) - Grade 5

SKU: HL.263043

Clarinet in A and Piano. Composed by Simon Holt. Music Sales America. Classical. Softcover. 24 pages. Chester Music #CH80762. Published by Chester Music (HL.263043).

ISBN 9781780389318. UPC: 888680897116. 8.5x11.75 inches.

Escaramuza (the Spanish word for 'skirmish') is an 8 minute single movement for Clarinet and Piano, and is dedicated to the wildly talented Mark Simpson.

It takes the form of a volatile, cinematic fragment that begins in an almost oppressive, static way, but quickly lurches into a morerestless, impulsive state.

Clarinet

SKU: BT.MUSMS0280

Para El Clarinete. Book with CD. Play Music Spain #MUSMS0280. Published by Play Music Spain (BT.MUSMS0280).

Spanish.

Clarinet

SKU: HL.14018031

Composed by C. Fred. Biilmann-Petersen. Music Sales America. Classical. Book [Softcover]. Composed 2005. Edition Wilhelm Hansen #WH28568. Published by Edition Wilhelm Hansen (HL.14018031).

ISBN 9788759883686. Danish.

Clarinet

SKU: HL.14011933

Composed by Karsten Fundal. Music Sales America. Classical. Book [Softcover]. Edition Wilhelm Hansen #WH30248. Published by Edition Wilhelm Hansen (HL.14011933).

ISBN 9788759859902.

Work for Clarinet solo. The composer writes 'The title refers to several levels in the piece. Partly a method I have used, where three lines are weaved, so they become one line, here the clarinet which can (nearly) only play one tone at the time. Either the three parts disappear and become one waving melodic line as in the beginning of the piece. Or they are put in different registers of the clarinet, so they are heard as separate lines weaving into one another. On a different level there is three different sequences, which are also weaved into one another; one which rises (for instance in the beginning), and one which falls, and one which falls in parallels in several registers. These three sequences become faster and faster every time they reappear. The idea of weaving melodic lines was inspired by Bach's pieces for solo strings, where he in a marvellous way established several simultaneous melodic lines, without simultaneous sounding notes. This happened by weaving parts, which in other works would sound simultaneously, into one another, so that only one note was heard at the time. This meant that in that long line, which was heard as the instrument's development of the piece, other melodies were weaving around each other with different focuses. Woven Lines was commissioned by DUT with support from the Danish Arts' Council.'.

Clarinet

SKU: HL.14018030

Composed by Palle Nehammer. Music Sales America. Tuition. Book [Softcover]. 6 pages. Edition Wilhelm Hansen #WH26956A. Published by Edition Wilhelm Hansen (HL.14018030).

ISBN 9788759800560. Danish.

Clarinet

SKU: HL.14018029

Composed by Palle Nehammer. Music Sales America. Tuition. Book [Softcover]. 80 pages. Edition Wilhelm Hansen #WH26956. Published by Edition Wilhelm Hansen (HL.14018029).

ISBN 9788774553182. Danish.

Clarinet

SKU: HL.14001632

Version. Composed by Anders Brodsgard. Music Sales America. Book Only. Edition Wilhelm Hansen #KP00942. Published by Edition Wilhelm Hansen (HL.14001632).

Danish.