By Bruce Pearson and Ryan Nowlin. For Bb Bass Clarinet. Band method. Tradition of Excellence. Method book. 56 pages. Published by Neil A. Kjos Music Company

By James Probasco; Dan Meeks. Clarinet, bass clarinet, tenor saxophone. Level: Level 3. Band method. Published by Heritage Music Press.

Bass Clarinet

SKU: BT.EMBZ13230

Für Bassklarinette. Composed by István Láng. Contemporary Music. Book Only. Composed 1987. 4 pages. Editio Musica Budapest #EMBZ13230. Published by Editio Musica Budapest (BT.EMBZ13230).

English.

Composed by Jacobo Duran- Loriga. Woodwinds - Bass Clarinet. Sheet music. Duration 10'30. Periferia Music #BC3250PM. Published by Periferia Music

Bb Instruments (Bb Clarinet, Bb Tenor Saxophone, Bb Trumpet, and Others). By Various Composers. Curnow Play-Along Book. Book and CD Package. Size 9x12 inches. 28 pages. Published by Curnow Music.

Composed by Mary Elledge. Method book. Published by Neil A. Kjos Music Company (KJ.W39CLB).

Bass clarinet

SKU: GI.G-MBCL

Introducing the Instruments. Composed by James Froseth. Band Method. Other Band Methods. Music Education. Book. 32 pages. GIA Publications #MBCL. Published by GIA Publications (GI.G-MBCL).

English.

For the teacher of instrumental music classes, individual differences among students are inevitable. Unfortunately, the lack of flexible materials frequently forces teachers to adopt a quasi-instructional procedure best described as lockstep, where all students in the class rehearse each exercise until the slow members of the class succeed or until the teacher gives up. The Individualized Instructor was designed with the expectation that students are different. With this method, high-, average-, and low-achieving students in a class are able to progress simultaneously at their own rate according to their interest and ability. In addition, the flexibility of the instructional format often allows twelve or more students to perform different musical material simultaneously, thereby eliminating the “follow the leader” approach to music learning. All study materials in the series are musical. Nonmusical exercises are excluded in favor of folk song literature, musical rounds, and musical ensembles. Furthermore, The Individualized Instructor encourages students to think about their music: to analyze unfamiliar material, generalize previously learned concepts and skills, and synthesize all elements into a musically proficient performance. In addition, this series develops many fundamentals (tonality, phrasing, tempo, and musical style) through the use of the singing voice. Singing best provides the “musical” experience that, subsequently, can be applied to the development of musically sensitive instrumental performance. Books 1, 2, and 3 and the supplementary books ensure that these fundamental ideas are carried well beyond the first year of instruction.

Bass Clarinet

SKU: SU.50011280

For Bass Clarinet. Composed by Gerald Gabel. Woodwinds, Clarinet. Score. Seesaw Music Corp #50011280. Published by Seesaw Music Corp (SU.50011280).

Published by: Seesaw Music.

By Bruce Pearson. Edited by Charles Forque, Gerald Anderson. For Bb Bass Clarinet. Band Methods. Best in Class Band Method. Instructional method. Book A,1. Method book

By Harold Bennett. Arranged by Larry Clark. For Bass Clarinet. The New Bennett Band Book Series. Concert Band Method. Standard notation

Written by Garland E. Markham, Michael Story, Richard C. Crain, Robert W. Smith, Susan L. Smith. Instructional book and accompaniment CD for bass clarinet. Series: Band Expressions. 56 pages. Published by Alfred Publishing.

Bass Clarinet

SKU: HL.48025211

Bass Clarinet Solo. Composed by Brett Dean. Boosey & Hawkes Chamber Music. Classical. Softcover. 8 pages. Duration 600 seconds. Bote & Bock #M202536957. Published by Bote & Bock (HL.48025211).

UPC: 196288133391. 9.0x12.0x0.067 inches.

With his opera Hamlet, which premiered in Glyndebourne in 2017, the composer Brett Dean added a new, modern analysis to the certainly numerous artistic ones of the famous subject - with enormous success, as the press reviews and many subsequent stage productions attested. The composer's and his librettist Matthew Jocelyn's fruitful examination of Shakespeare's text material yielded both the full-length opera and several concertante “by-products” : And once I played Ophelia for soprano and string quartet, From Melodious Lay, an orchestral poem with solo soprano and solo tenor, the suite Gertrude Fragments for mezzo-soprano and guitar, and Confessio for solo bass clarinet. Confessio describes an appearance by Hamlet's uncle Claudius: In the castle chapel he deliversa short monologue – rather a reflection than a prayer or confession. Claudius reveals to himself the deep fear of the consequences of his murderous deed - and a vague, though hardly justifiable, hope for mercy.