By Various. Concert Band. For Bass Clarinet. Swiss import. Light Music; Pop. Level: Grade 2+-4. Part. Published by Editions Marc Reift. (EMR 1974-09)

By Various. Concert Band. For Bass Clarinet. Swiss import. Light Music; Pop. Level: Grade 2+-4. Part. Published by Editions Marc Reift. (EMR 1974-09)

(Five Scenes for solo Bass Clarinet). By Daniel Dorff. For solo bass clarinet. Contemporary. Solo part. 12 pages. Duration 0:14:00. Published by Theodore Presser Company

Written by Garland E. Markham, Michael Story, Richard C. Crain, Robert W. Smith, Susan L. Smith. Instructional book and accompaniment CD for bass clarinet. Series: Band Expressions. 56 pages. Published by Alfred Publishing.

By Neal Porter In Collaboration With Fred Weber. For Clarinet. Woodwind - Clarinet Method or Collection. Student Instrumental Course. Level: Elementary. Book. 40 pages. Published by Alfred Publishing.

By Neal Porter In Collaboration With Fred Weber. For Clarinet. Woodwind - Clarinet Method or Collection. Student Instrumental Course. Level: Intermediate. Book. 48 pages. Published by Alfred Publishing.

Bass Clarinet

SKU: HL.48023982

For Bass Clarinet. Composed by Bernd Richard Deutsch. Boosey & Hawkes Chamber Music. Classical. Softcover. 12 pages. Bote & Bock #M202534410. Published by Bote & Bock (HL.48023982).

Orcus, presented by the composer in a version for contraforte as well, is a virtuoso solo which gives the instrument the character of a 'bass nightingale'. Mockery and humour, however, are disregarded. This composition rather is a piece of archaic language-like character. Lamenting vocal tones are crossed dramatically by staccatos.

Bass Clarinet

SKU: HL.48024907

Bass Clarinet. Composed by Iris ter Schiphorst. Boosey & Hawkes Chamber Music. Classical. Softcover. 4 pages. Duration 180 seconds. Bote & Bock #M202535660. Published by Bote & Bock (HL.48024907).

UPC: 840126931600.

An alternating stream of thoughts for bass clarinet - free and restless, tender and brutal, angry, singing. This short solo piece, like an exclamation mark, is given by the interpreter * in space to struggle to shake off conventions, in short, to play. The composer - i.a. Professor of media composition (University of Music and Performing Arts Vienna) and visiting professor forexperimental composition (UdK Berlin) - encourages quasi-improvisation, a wild ride through emotional states and playing techniques. Caution, risk of explosion!