A Must-Have Collection of Well-Known Songs, Including Some Bass Clarinet Features. Composed by Various. Instrumental Folio. Pop, Standards. Softcover. 64 pages. Published by Hal Leonard

By Various. Band Folio. Size 6.88x5.25 inches. 32 pages. Published by Hal Leonard.

Bass Clarinet Solo

SKU: AY.BC3665PM

Composed by Hinse Mutter. Woodwinds - Bass Clarinet. Periferia Publishing #BC3665PM. Published by Periferia Publishing (AY.BC3665PM).

ISBN 9790543574557.

I have never seen faces was first beformed in November 2017 by Ken Kunita, part of Dodecavember 2017. It was composed as part of a project to write a new piece of music every day for 30 days in a row, all using serial, twelve-tone techniques.

Bass Clarinet Solo

SKU: IS.BC7076EM

Composed by Johann Sebastian Bach. Arranged by Stefano Cardo. Woodwinds - Bass Clarinet. Metropolis Music Publishers #BC7076EM. Published by Metropolis Music Publishers (IS.BC7076EM).

ISBN 9790365070763.

It was 1995 when I had the fortune to listen to the freshly published recording of the suites performed by Mstislav Rostropovich. I would have given anything to be able to play them, and this was what inspired me to study the bass clarinet. The series of diverse emotions which I subsequently experienced made me see Music in a completely new way. I began learning them slowly, inevitably adapting the text. As I discovered their educational value, the knowledge of harmonic structures, forms and stylistic features gradually evolved within me. Over 20 years I have studied various editions and listened to the meaning which these suites have had for many famous performers. I pleasantly discovered the commendable work of other clarinettists who in turn have dedicated themselves to approaching this composer with the bass clarinet. The objective of this version isn’t to impose conditions on how to play the suites. We carried out unique research into the coherence of the text, based on the manuscripts of Anna Magdalena Bach and Johann Peter Kellner. The choice to remove any type of articulation and agogic was made in order to encourage the development of personal interpretation, which obviously requires a fundamental investigation of the sources. This edition comes with 4 versions of the suite. The reason behind producing four versions (which are in different keys and tones) is because every musician has their own tastes and tendencies. Personally, I prefer the bass clef transposed to B flat because I find the bass clef to be the most appropriate for the spirit of the low instrument.