By Neal Porter In Collaboration With Fred Weber. For Clarinet. Woodwind - Clarin...(+)
By Neal Porter In
Collaboration With Fred
Weber. For Clarinet.
Woodwind - Clarinet
Method or Collection.
Student Instrumental
Course. Level:
Elementary. Book. 40
pages. Published by
Alfred Publishing.
By Neal Porter In Collaboration With Fred Weber. For Clarinet. Woodwind - Clarin...(+)
By Neal Porter In
Collaboration With Fred
Weber. For Clarinet.
Woodwind - Clarinet
Method or Collection.
Student Instrumental
Course. Level:
Intermediate. Book. 48
pages. Published by
Alfred Publishing.
Bass clarinet SKU: GI.G-MBCL Introducing the Instruments. Composed...(+)
Bass clarinet
SKU:
GI.G-MBCL
Introducing the
Instruments. Composed
by James Froseth. Band
Method. Other Band
Methods. Music Education.
Book. 32 pages. GIA
Publications #MBCL.
Published by GIA
Publications (GI.G-MBCL).
English.
For the
teacher of instrumental
music classes, individual
differences among
students are inevitable.
Unfortunately, the lack
of flexible materials
frequently forces
teachers to adopt a
quasi-instructional
procedure best described
as lockstep, where all
students in the class
rehearse each exercise
until the slow members of
the class succeed or
until the teacher gives
up. The Individualized
Instructor was designed
with the expectation that
students are different.
With this method, high-,
average-, and
low-achieving students in
a class are able to
progress simultaneously
at their own rate
according to their
interest and ability. In
addition, the flexibility
of the instructional
format often allows
twelve or more students
to perform different
musical material
simultaneously, thereby
eliminating the
“follow the
leader†approach to
music learning. All study
materials in the series
are musical. Nonmusical
exercises are excluded in
favor of folk song
literature, musical
rounds, and musical
ensembles. Furthermore,
The Individualized
Instructor encourages
students to think about
their music: to analyze
unfamiliar material,
generalize previously
learned concepts and
skills, and synthesize
all elements into a
musically proficient
performance. In addition,
this series develops many
fundamentals (tonality,
phrasing, tempo, and
musical style) through
the use of the singing
voice. Singing best
provides the
“musicalâ€
experience that,
subsequently, can be
applied to the
development of musically
sensitive instrumental
performance. Books 1, 2,
and 3 and the
supplementary books
ensure that these
fundamental ideas are
carried well beyond the
first year of
instruction.
Bass clarinet solo SKU: P2.30124 Composed by Lori F. Ardovino. Solo music...(+)
Bass clarinet solo
SKU: P2.30124
Composed by Lori F.
Ardovino. Solo music,
20th century. Published
by Potenza Music
(P2.30124).
Composer Lori
F. Ardovino says,
Sessionography: A
description of various
musical sessions. This
piece for solo bass
clarinet is in three
movements. The first
movement, King Super 20,
is inspired by the
artistry of Charlie
Parker. The fast
improvisatory runs
represent his virtuosic
technique. A quasi
'walking bass' can be
heard between the sudden
bursts of notes. The
title of this work is the
brand of saxophone that
Parker mainly played.
Composition No. 2 is
inspired by the free jazz
style of Anthony Braxton.
His music is free
improvisation based and
named by Braxton
'creative music'.
Extended techniques such
as flutter tonguing and
singing while playing add
to the creative process
and the flavor of
Braxton's style. The name
comes from similar titles
for works by Braxton. The
final movement, Just
Groovin', is what Miles
Davis' composition Move
was dubbed by jazz
critics. This movement is
inspired by the rhythmic
style and free
improvisation style of
this bebop tune..