Composed by Johann Sebastian Bach (1685-1750). Arranged by Michael and Kimberly ...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Arranged by
Michael and Kimberly
Davenport. For solo bass
clarinet. Classical;
baroque period. Score.
Published by Alea
Publishing
By Bruce Pearson. Edited by Charles Forque, Gerald Anderson. For Bb Bass Clarine...(+)
By Bruce Pearson. Edited
by Charles Forque, Gerald
Anderson. For Bb Bass
Clarinet. Band Methods.
Best in Class Band
Method. Instructional
method. Book A,1. Method
book
Bass clarinet SKU: GI.G-MBCL Introducing the Instruments. Composed...(+)
Bass clarinet
SKU:
GI.G-MBCL
Introducing the
Instruments. Composed
by James Froseth. Band
Method. Other Band
Methods. Music Education.
Book. 32 pages. GIA
Publications #MBCL.
Published by GIA
Publications (GI.G-MBCL).
English.
For the
teacher of instrumental
music classes, individual
differences among
students are inevitable.
Unfortunately, the lack
of flexible materials
frequently forces
teachers to adopt a
quasi-instructional
procedure best described
as lockstep, where all
students in the class
rehearse each exercise
until the slow members of
the class succeed or
until the teacher gives
up. The Individualized
Instructor was designed
with the expectation that
students are different.
With this method, high-,
average-, and
low-achieving students in
a class are able to
progress simultaneously
at their own rate
according to their
interest and ability. In
addition, the flexibility
of the instructional
format often allows
twelve or more students
to perform different
musical material
simultaneously, thereby
eliminating the
“follow the
leader†approach to
music learning. All study
materials in the series
are musical. Nonmusical
exercises are excluded in
favor of folk song
literature, musical
rounds, and musical
ensembles. Furthermore,
The Individualized
Instructor encourages
students to think about
their music: to analyze
unfamiliar material,
generalize previously
learned concepts and
skills, and synthesize
all elements into a
musically proficient
performance. In addition,
this series develops many
fundamentals (tonality,
phrasing, tempo, and
musical style) through
the use of the singing
voice. Singing best
provides the
“musicalâ€
experience that,
subsequently, can be
applied to the
development of musically
sensitive instrumental
performance. Books 1, 2,
and 3 and the
supplementary books
ensure that these
fundamental ideas are
carried well beyond the
first year of
instruction.
Bass Clarinet SKU: HL.48025211 Bass Clarinet Solo. Composed by Bre...(+)
Bass Clarinet
SKU:
HL.48025211
Bass
Clarinet Solo.
Composed by Brett Dean.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 8 pages.
Duration 600 seconds.
Bote & Bock #M202536957.
Published by Bote & Bock
(HL.48025211).
UPC:
196288133391.
9.0x12.0x0.067
inches.
With his
opera Hamlet, which
premiered in Glyndebourne
in 2017, the composer
Brett Dean added a new,
modern analysis to the
certainly numerous
artistic ones of the
famous subject - with
enormous success, as the
press reviews and many
subsequent stage
productions attested. The
composer's and his
librettist Matthew
Jocelyn's fruitful
examination of
Shakespeare's text
material yielded both the
full-length opera and
several concertante
“by-productsâ€
: And once I played
Ophelia for soprano and
string quartet, From
Melodious Lay, an
orchestral poem with solo
soprano and solo tenor,
the suite Gertrude
Fragments for
mezzo-soprano and guitar,
and Confessio for solo
bass clarinet. Confessio
describes an appearance
by Hamlet's uncle
Claudius: In the castle
chapel he deliversa short
monologue – rather
a reflection than a
prayer or confession.
Claudius reveals to
himself the deep fear of
the consequences of his
murderous deed - and a
vague, though hardly
justifiable, hope for
mercy.
Bass clarinet solo SKU: P2.30124 Composed by Lori F. Ardovino. Solo music...(+)
Bass clarinet solo
SKU: P2.30124
Composed by Lori F.
Ardovino. Solo music,
20th century. Published
by Potenza Music
(P2.30124).
Composer Lori
F. Ardovino says,
Sessionography: A
description of various
musical sessions. This
piece for solo bass
clarinet is in three
movements. The first
movement, King Super 20,
is inspired by the
artistry of Charlie
Parker. The fast
improvisatory runs
represent his virtuosic
technique. A quasi
'walking bass' can be
heard between the sudden
bursts of notes. The
title of this work is the
brand of saxophone that
Parker mainly played.
Composition No. 2 is
inspired by the free jazz
style of Anthony Braxton.
His music is free
improvisation based and
named by Braxton
'creative music'.
Extended techniques such
as flutter tonguing and
singing while playing add
to the creative process
and the flavor of
Braxton's style. The name
comes from similar titles
for works by Braxton. The
final movement, Just
Groovin', is what Miles
Davis' composition Move
was dubbed by jazz
critics. This movement is
inspired by the rhythmic
style and free
improvisation style of
this bebop tune..
A Must-Have Collection of Well-Known Songs, Including Some Bass Clarinet Featu...(+)
A Must-Have Collection of
Well-Known Songs,
Including
Some Bass Clarinet
Features.
Composed by Various.
Instrumental Folio. Pop,
Standards. Softcover. 64
pages. Published by Hal
Leonard
Bass Clarinet Solo SKU: IS.BC7076EM Composed by Johann Sebastian Bach. Ar...(+)
Bass Clarinet Solo
SKU: IS.BC7076EM
Composed by Johann
Sebastian Bach. Arranged
by Stefano Cardo.
Woodwinds - Bass
Clarinet. Metropolis
Music Publishers
#BC7076EM. Published by
Metropolis Music
Publishers (IS.BC7076EM).
ISBN
9790365070763.
It
was 1995 when I had the
fortune to listen to the
freshly published
recording of the suites
performed by Mstislav
Rostropovich. I would
have given anything to be
able to play them, and
this was what inspired me
to study the bass
clarinet. The series of
diverse emotions which I
subsequently experienced
made me see Music in a
completely new way. I
began learning them
slowly, inevitably
adapting the text. As I
discovered their
educational value, the
knowledge of harmonic
structures, forms and
stylistic features
gradually evolved within
me. Over 20 years I have
studied various editions
and listened to the
meaning which these
suites have had for many
famous performers. I
pleasantly discovered the
commendable work of other
clarinettists who in turn
have dedicated themselves
to approaching this
composer with the bass
clarinet. The objective
of this version
isn’t to impose
conditions on how to play
the suites. We carried
out unique research into
the coherence of the
text, based on the
manuscripts of Anna
Magdalena Bach and Johann
Peter Kellner. The choice
to remove any type of
articulation and agogic
was made in order to
encourage the development
of personal
interpretation, which
obviously requires a
fundamental investigation
of the sources. This
edition comes with 4
versions of the suite.
The reason behind
producing four versions
(which are in different
keys and tones) is
because every musician
has their own tastes and
tendencies. Personally, I
prefer the bass clef
transposed to B flat
because I find the bass
clef to be the most
appropriate for the
spirit of the low
instrument.