SKU: BT.DHP-1196146-404

ISBN 9789043157216. English-German-French-Dut ch.

Since the revival of Klezmer in the 1990s, the style has enjoyed a continued popularity. Hey Klezmorim! presents 16 new pieces of music from the pen of Joachim Johow, inspired by traditional Yiddish music. This edition is especially aimed at clarinettists who wish to be accompanied on the piano. It therefore also contains easy-to-play piano accompaniment parts while play-along recordings are available online. Additional demo recordings that encourage you to develop your own personal Klezmer playing style should help you to enjoy this unmistakable and diverse music!

Sinds de revival van klezmer in de jaren negentig is deze muziekstijl onophoudelijk populair gebleven. Hey Klezmorim! presenteert zestien fraaie nieuwe muziekstukken van de hand van Joachim Johow, die zich heeft laten inspireren door traditionele Jiddische muziek. Deze uitgave is bedoeld voor klarinettisten die graag op de piano worden begeleid. Ze bevat eenvoudig speelbare pianobegeleidingen, en online zijn ook meespeelopnamen beschikbaar, plus demo-opnamen die de muzikant een idee geven van de samenklank én hem of haar aanmoedigen een eigen klezmerspeelstijl te ontwikkelen. Een bundel vol afwisselende muziek die veel speelvreugde zal opleveren!

Seit seinem Revival in den 90er-Jahren des vergangenen Jahrhunderts erfreut sich der Klezmer-Musikstil einer ungebrochenen Beliebtheit. Hey Klezmorim! präsentiert 16 neue Musikstücke aus der Feder von Joachim Johow, die an die traditionelle jiddische Musik anknüpfen. Die Ausgabe wendet sich besonders an Klarinettisten, die sich gerne am Klavier begleiten lassen möchten, und enthält daher gut spielbare Klavierbegleitungen als Notentext sowie in online verfügbaren Play-along-Aufnahmen. Zusätzliche Demo-Aufnahmen sollen dazu anregen, einen eigenen, persönlichen Klezmer-Spielstil zu entwickeln. Viel Freude mit dieser unverwechselbaren, abwechslungsreichen Musik!

La musique klezmer jouit d’une popularité sans faille depuis son renouveau dans les années 90. Hey Klezmorim! présente 16 nouveaux morceaux de la plume de Joachim Johow, inspirés de la musique traditionnelle yiddish. Cette édition s’adresse tout particulièrement aux clarinettistes désireux de jouer avec un accompagnement de piano. De ce fait, elle comprend des accompagnements de piano faciles jouer, la fois sous forme de partitions et sous forme d’enregist rements en ligne. D’autres enregistrements de démonstration sont également disponibles sur le site, afin d’encourag er les musiciens développer leur style personnel de klezmer. Nous vous souhaitons beaucoup de plaisir jouer cette musique aux accents variés, unique en son genre !

SKU: HL.49046046

UPC: 842819101680.

Born in Switzerland, Jean Xavier Lefevre (1763-1829) was a sought-after clarinetist and one of the first clarinet professors at the Paris Conservatory. He is still known today for his Clarinet School (1802), which became a standard work in France and beyond. From this textbook comes the popular Sonata no. 1 with its catchy melody that encourages light playfulness. The piece is graded hereas level 2. Also available: Sonata No. 2 g minor (SE 1039). Lefevre wrote the piece originally for the then common C-Clarinet. For use in the classroom, this edition omits the transposition ofthe clarinet part into the B tuning. The accompanying bass voice of the original was transferred to the piano and supplemented with some suggestions on dynamics and articulation. Hints and tips from publisher Rudolf Mauz (Die frohliche Klarinette) offer students assistance in the preparation of the work. This edition is part of the Schott Student Edition series, which offers a diverse repertoire of lessons, concerts and exams of varying degrees of difficulty (from easy to difficult). To this end Schott continues to publish popular standard works from music history in a modern and clear edition. For many pieces an audio file of the piano accompaniment is available for download.

SKU: BR.EB-9440

ISBN 9790004189177. 9 x 12 inches.

The two sonatas of Johannes Brahms's op. 120 are widely hailed as crowning points of the repertoire for clarinet and piano. Moreover, in the version for viola and piano arranged by Brahms himself, they rank among the most frequently played viola works of the 19th century. They far surpass in compositional substance the relatively few original sonatas written for these instrumentations during the same period.Of the two fellow works, the Sonata No. 2 in E flat major is the more accessible. Diverging from the classical-romantic tradition, Brahms used the key of E flat major here not to express the heroic or monumental, but to obtain lyrical, chiefly restrained characterizations. The serenade-like beauty of the principal theme, which opens the sonata, has always been particularly admired. In his review of the world premiere, the renowned Viennese music critic Eduard Hanslick, a friend of Brahms's, raves with the words it was as if it had fallen from the Heavens. The closing set of variations also follows with gentle gracefulness this lyrical character. However, the middle movement, with its tempestuous outer sections in E flat minor and the hymnic trio in B major provides a passionate and serious contrast, which allows the flanking idyll to unfold its beauties all the more insistently.