By Jean-Marc Allerme / Vincent Charrier. For clarinet and piano. Pop / Jazz. Grade 3. Score and CD. 24 12 pages. Published by Editions Henry Lemoine

By Jeff Smallman. For Clarinet and Keyboard. Solo; Woodwind - B-Flat Clarinet Solo. Contemporary. Part(s). Duration 00:04:05

Clarinet and Piano

SKU: ST.C129

Composed by Mark Tanner. Wind & brass music. Clifton Edition #C129. Published by Clifton Edition (ST.C129).

ISBN 9790570811298.

As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road, in Bristol), I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful, rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy, and likewise, speaking as a lapsed brass player, there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again, one gets a different, yet entirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence, with a little gamesmanship on my part, I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat), trombone and tuba (bass clef), horn in F, flute, clarinet and bassoon. While many will find themselves humming the likes of Going up Camborne Hill, Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture – I wonder if I might draw your attention to The Cornish Squire, The Pool of Pilate and Cold Blows the Wind Today Sweetheart, which are quite simply sublime melodies, perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs, Cornish folk music works equally ideally sung and played, and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all, it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past, while skilfully paying homage to the underlying charm and, for want of a better word, simplicity, of the original music. But this is only a start – for without an energetic response from younger generations, Cornish folk music is destined to wither on the vine in much the same way as is happening with the Cornish dialect. So, put your instrument to your lips and proceed, not with caution, but with enthusiasm and a smile, for your great grandparents (and perhaps even their grandparents) would surely raise a glass if they could hear you doing your bit to ensure the survival of this splendid heritage.
Timeless Cornish melodies, cooked up for hungry clarinet players
Grades 1–4
Former Spartan Press Cat. No.: SP1218.

Clarinet & Piano

SKU: AP.12-0571539726

Clarinet & Piano. Composed by Anders Hillborg. Masterworks; Solo; Solo Small Ensembles; Woodwind - B-flat Clarinet Solo. Faber Edition. 20th Century; Masterwork. Part(s). Faber Music #12-0571539726. Published by Faber Music (AP.12-0571539726).

ISBN 9780571539727. English.

The music of Anders Hillborg's virtuosic Tampere Raw for clarinet and piano alternates between two vividly different characters: one slowly flowing texture, composed completely intuitively, and one fast, fiercely rhythmical and pulsative texture, where the tone material for the most part is generated from permutations of prime-number series.

A thrilling addition to the repertoire, this seven-minute work was commissioned by the Swedish Royal Academy of Music in 1991 for Swedish musicians Martin Fröst and Roland Pöntinen, who later recorded it on BIS records.

By Willy Van Dorsselaer. Edited by Frans Hanssen. For Clarinet (Bb) and Piano. Educational. Instrumental Collection. Classical. Level: Intermediate. Book and Solo Part. 28 12 pages. Duration 24 minutes. Published by Digital Music Print (Belgian import).

Clarinet and piano

SKU: P2.30093

Composed by Maurice Saylor. Solo music, 20th century. Published by Potenza Music (P2.30093).

The titular confusion of this work came about in this way: the tunes first appeared in a 1991 musical I wrote based on Moliere's Le Malade Imaginaire (The Imaginary Invalid). Lacking faith in the musical but liking the tunes, I fashioned a few of them into the symphony - a comic symphony. Yet, it seemed to lack luster. When the opportunity came to write a work for my friend and fellow Snark Ensemble performer Ben Redwine, I decided what the material lacked was a solo voice. The tunes are still there, but now greatly elaborated and expanded upon. The final work is still very much a symphony - and no other title seems to suit it - but symphonies are generally for orchestra. Still, the size and the instrumentation for the form we call symphony have varied greatly over the years, so perhaps it's the nature of the music that makes it a symphony and not the scoring.