Clarinet & piano SKU: HH.HH561-FSP Composed by Jean-Xavier Lefèvre. Ed...(+)
Clarinet & piano
SKU:
HH.HH561-FSP
Composed
by Jean-Xavier
Lefèvre. Edited by
Nicholas Cox. Full score
and parts. Edition HH
Music Publishers
#HH561-FSP. Published by
Edition HH Music
Publishers
(HH.HH561-FSP).
Clarinet & piano SKU: HH.HH562-FSP Composed by Jean-Xavier Lefèvre. Ed...(+)
Clarinet & piano
SKU:
HH.HH562-FSP
Composed
by Jean-Xavier
Lefèvre. Edited by
Nicholas Cox. Full score
and part. Edition HH
Music Publishers
#HH562-FSP. Published by
Edition HH Music
Publishers
(HH.HH562-FSP).
Clarinet & piano SKU: HH.HH555-FSP Composed by Jean-Xavier Lefevre. Edite...(+)
Clarinet & piano
SKU:
HH.HH555-FSP
Composed
by Jean-Xavier Lefevre.
Edited by Nicholas Cox.
Full score and parts.
Edition HH Music
Publishers #HH555-FSP.
Published by Edition HH
Music Publishers
(HH.HH555-FSP).
ISBN
9790708185703.
Jean
-Xavier
Lefèvre’s
Clarinet Method,
published at the
beginning of the 19th
century, contains a
number of sonatas that
are significant
stepping-stones to the
more difficult clarinet
master works of Mozart
and Weber. They are also
invaluable first pieces
for those studying period
performance on the
classical clarinet.
Lefèvre’s
original notation for the
instrument has been
retained, and the bass
lines are transposed down
a tone so that the
sonatas are playable on
the B flat clarinet. The
piano accompaniments,
whose right-hand parts
have been realized from a
single, unfigured bass
line probably intended
for the cello, are
stylistic, always
complementary to the
clarinet line, and
satisfying (if
occasionally challenging)
to play.
Clarinet & piano SKU: HH.HH539-FSP Composed by Jean-Xavier Lefevre. Edite...(+)
Clarinet & piano
SKU:
HH.HH539-FSP
Composed
by Jean-Xavier Lefevre.
Edited by Nicholas Cox.
Full score and parts.
Edition HH Music
Publishers #HH539-FSP.
Published by Edition HH
Music Publishers
(HH.HH539-FSP).
ISBN
9790708185543.
Jean
-Xavier
Lefèvre’s
Clarinet Method,
published at the
beginning of the 19th
century, contains a
number of sonatas that
are significant
stepping-stones to the
more difficult clarinet
master works of Mozart
and Weber. They are also
invaluable first pieces
for those studying period
performance on the
classical clarinet.
Lefèvre’s
original notation for the
instrument has been
retained, and the bass
lines are transposed down
a tone so that the
sonatas are playable on
the B flat clarinet. The
piano accompaniments,
whose right-hand parts
have been realized from a
single, unfigured bass
line probably intended
for the cello, are
stylistic, always
complementary to the
clarinet line, and
satisfying (if
occasionally challenging)
to play.
Clarinet and Piano SKU: ST.C501 Composed by Rob Hall. Wind & brass music....(+)
Clarinet and Piano
SKU: ST.C501
Composed by Rob Hall.
Wind & brass music.
Clifton Edition #C501.
Published by Clifton
Edition (ST.C501).
ISBN
9790570815012.
Close Encounters
for Clarinet in B flat
& Piano draws on
historic themes connected
to the medieval closes
(also know as wynds or
vennels) of the Scottish
burgh town of Lanark,
situated in the rural
Clyde Valley. Often named
after prominent resident
business owners, these
otherwise unremarkable
narrow lanes are given
life by the records of
their occupiers or
through local
tales.
Aside from
the more self explanatory
titles, ‘Luminare’
describes the
astronomical interests of
electrical pioneer David
Hunter; ‘Jumbo Jive’
relates to the legend of
an inebriated circus
elephant escapee who
became stuck in the arch
of Wide Close; ‘Amber
Sky’ connects the India
Ale trade of Brewery
Close with an occasional,
evocative dusk light that
cloaks the town before
sunset.
Close
Encounters comprises five
fascinating and
contrasted short
movements each set within
its own very vivid sound
world. The colourful
harmonic language is
drawn from a number of
musical influences
including flavours of
Jazz, the silver screen
and the French
impressionists, all
adding up to music that
is both engaging to play
and to listen to. The
five movements are set at
a comfortable technical
level for the
intermediate to advanced
clarinettist, cover the
entire range of the
instrument, and the set
would make for an
intriguing addition to
any clarinet
recital.
- Paul Harris
(composer &
clarinettist)
Suit
able for intermediate to
advanced
clarinettists. Grades
5–8
Clarinet and piano SKU: P2.30137 Composed by Brain Balmages. Solo music, ...(+)
Clarinet and piano
SKU: P2.30137
Composed by Brain
Balmages. Solo music,
20th century. Published
by Potenza Music
(P2.30137).
Dream Sonatina
(2011) was commissioned
by Marguerite Levin,
former principal clarinet
of the Baltimore Opera
Orchestra and professor
of clarinet at Towson
University in Baltimore,
MD. Marguerite asked me
to reflect on recent
experiences encompassing
my 30s. Easily, those
experiences are wrapped
around my two children,
who were both born in
this same decade. The
piece, written in three
movements, captures some
of the unique moments of
early childhood. The
first movement, Daydream,
portrays a sleepy, yet
active little one trying
to interact with the new
world around him. The
second movement, Sweet
Dreams, captures the
peace and tranquility of
two little boys sleeping
in their beds after a fun
and crazy day. The final
movement, Bad Dreams, is
a more aggressive
movement that paints a
picture of the occasional
night terror that
children sometimes
experience. While it is
sinister in nature, it
also strikes a balance
with a lighter playful
quality as these dreams
are never truly
threatening. Dream
Sonatina was premiered on
October 9, 2011 in
Carnegie Hall (Weill
Recital Hall) by
Marguerite Levin
(clarinet) and R. Timothy
McReynolds (piano).
Clarinet and piano SKU: P2.30110 Composed by Nick DiBerardino. Solo music...(+)
Clarinet and piano
SKU: P2.30110
Composed by Nick
DiBerardino. Solo music,
20th century. Published
by Potenza Music
(P2.30110).
Nick
DiBerardino says, Madison
Avenue is a work full of
whimsy, bustle and
effervescent energy.
Composed with New York
City's famous Madison
Avenue in mind, this
piece attempts to capture
the action of New York's
busy streets, the mass of
its towering buildings
and the thrill - and
occasional anxiety - of
participating in its
frenetic rituals. Madison
Avenue's celebrated
advertising history plays
a role here, as well; I
like to think you can
hear somewhere in the
work the furious typing
of secretaries or the
insistence of a hard
sell. Above all, this is
a playful piece, a romp
and a gallop, a miniature
rhapsody infused with the
spirit and drive of the
city. In it, I hope you
hear an unbridled
enthusiasm and an
unyielding optimism, both
marked on the music by
the persistent energy of
the human spirit..