Clarinet and Piano. By Alfred Reed. (Clarinet). Woodwind. Size 9x12 inches. 12 pages. Published by Marks.

Clarinet and Piano - very easy, easy SKU: BT.DHP-1185930-404 Clarinette. Arranged by Markus Schenk. Écouter, Lire et Jouer. Tuition. Book with Part and Audio-Online. Composed 2018. 36 pages. De Haske Publications #DHP 1185930-404. Published by De Haske Publications (BT.DHP-1185930-404). ISBN 9789043155106. French. La collection Écouter, lire et jouer est aujourd’hui une référence pour l’enseignement des cuivres et des bois. Tous accompagnés d’un CD, ces ouvrages passionnants destinés aux débutants contiennent des chansons, des casse-tête musicaux et des jeux pour mieux comprendre la musique, des informations sur l’instrument concerné, et de nombreuses pièces agréables jouer. Les trois volumes de la méthode qui forment la base de cette collection sont complétés par plusieurs volumes de matériel complémentaire correspondant aux diverses étapes de cette méthode. Dans Les Grands Classiques, les mélodies sont présentées en ordre croissant de difficulté et peuvent êtretravaillées conjointement avec les trois volumes de la méthode Écouter, lire et jouer. Emmenés dans un voyage travers l’histoire de la musique, les élèves rencontrent les plus importants compositeurs de la musique classique, depuis Tielman Susato jusqu’ Anton n Dvo ák, et bénéficient de commentaires historiques pertinents. La présente édition comprend des partitions pour accompagnement au piano soigneusement arrangées dans un niveau de difficulté modéré, dont les enregistrements sont disponibles sous forme de fichiers en ligne écouter en streaming ou télécharger.

Clarinet and piano

SKU: P2.30094

Composed by James Grant. Solo music, 20th century. Published by Potenza Music (P2.30094).

Mark My Words, originally for tuba (but just as fun to play on clarinet), was composed by James Grant in February of 2007 as a heartfelt gift to his great friend and staunch musical ally, tubist Mark Nelson, in celebration of their first collaboration fourteen years earlier (Three Furies for solo tuba). Grant writes, When I began composing Mark My Words, I told Mark to be prepared for something fun that sounded like Charlie Brown doing a funky bossa nova (think jazz pianist/composer Vince Guaraldi's Linus and Lucy). I did not tell him that the middle section of Mark My Words would make overt references to all of the principal shapes, motives and themes from the Three Furies - my way of thanking Mark Nelson, specifically, for opening wide the door of composing for tuba and euphonium those many years ago and for so enthusiastically escorting me over that threshold. I am but one of many grateful composers whom Mark has supported over the years by commissioning, then recording their music. Mark My Words is my humble attempts at giving back to this devoted educator, consummate musician, fervent promoter of new music for tuba, and - yes - kickass player..

Clarinet and Piano - easy

SKU: BT.AMP-299-400

Arranged by Philip Sparke. Anglo Music Play-Along Series. Classical. Book with CD. Composed 2013. 16 pages. Anglo Music Press #AMP 299-400. Published by Anglo Music Press (BT.AMP-299-400).

ISBN 9789043138062. 9x12 inches. English-German-French-Dut ch.

Part of the Anglo Music Play-along Series, Philip Sparkeâ??s 15 Easy Classical Solos is aimed at the young instrumentalist who can play just over an octave. Specifically tailored to suit the individual instrument, this book introduces the beginning player to the world of the classics by using simple yet attractive melodies that fit their limited range. The carefully selected pieces include music from the 16th to the 20th century and cover a wide variety of styles, from Bach to Grieg and from Purcell to Satie. This book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.

Philip Sparkeâ??s 15 Easy Classical Solos, onderdeel van de Anglo Music Play-Along Series, is bedoeld voor de jonge instrumentalist die iets meer dan een octaaf kan spelen. Het boek sluit qua instrumentaal bereik en gebruikte toonsoortenaan bij het Artist Level van Hal Leonards Essential Elements ®, maar kan ook los daarvan worden gebruikt.De zorgvuldig geselecteerde melodieën, die specifiek zijn toegesneden op elk instrument, beslaan een breed scala van klassieke stijlen:van Bach tot Grieg en van Purcell tot Satie.Het boek bevat waardevol materiaal ter aanvulling op elke lesmethode en wordt geleverd met pianobegeleiding en een cd met demo- en meespeeltracks.

15 Easy Classical Solos ist als Ergänzung zur bewährten Anglo Music Play-Along Reihe gedacht und richtet sich an Schüler, die ungefähr einen Tonumfang von einer Oktave beherrschen. Das Niveau entspricht dem des Artist Levels der Essential Elements ® Methode von Hal Leonard, kann aber auch unabhängig davon verwendet werden. Genau auf jedes Instrument zugeschnitten, ermöglicht die wohlüberlegte Stückeauswahl ein erstes Kennenlernen von Melodien aus verschiedenen Epochen der Klassik von Grieg über Purcell bis Satie. Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen.

< I>15 Easy Classical Solos, de Philip Sparke, est un ouvrage qui sâ??adresse aux jeunes musiciens, maîtrisant un peu plus dâ??une octave. 15 Easy Classical Solos a été conçu pour être joué en corrélation avec les séries Artist et/ou Master Level de la collection Essential Elements ®, publiée par les éditions Hal Leonard. Mais il peut également être utilisé indépendamment.Spéc ifiquement adapté chaque instrument, ce volume rassemble quinze mélodies écrites par des compositeurs aussi variés que Bach, Purcell, Grieg et Satie.Comprenant les parties dâ??accompagnement de piano et une version dâ??accompagnement sur compact disc, ces ouvrages représentent une sourcecomplémentaire inestimable toute méthode pédagogique.

Il concetto della collana Anglo Music Play-Along Series è quello di integrare al più presto nel processo di apprendimento dei giovani strumentisti la possibilit di poter suonare accompagnati al piano o con lâ??ausilio di unâ??incisione su CD. Ilchiaro vantaggio di questo metodo è che gli allievi imparano da subito lâ??aspetto fondamentale del suonare insieme, vale a dire tenere il tempo in modo costante. 15 Easy Classical Solos consente agli allievi che hanno una conoscenza limitatadelle note di suonare brani di Bach, Schubert, Purcell, Grieg e altri, grazie alle versioni facilitate. Il livello di 15 Intermediate Classical Solos permette invece agli allievi che padroneggiano lâ??estensione superiore a unâ??ottava dicimentarsi nei â??primi concertiâ? con brani di Haendel, Clementi, Rameau, Glueck, Beethoven e altri. Il CD propone una traccia con lâ??incisione completa e una con il solo accompagnamento.

Short, Entertaining Pieces for Clarinet and Piano. By Colin Cowles. Fentone Play Along Books. Play Along. Softcover with CD. Published by Fentone Music.

From the Concerto in A major. Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Martin Schelhaas. This edition: urtext edition. Stapled. Piano reduction, Part. 5/3 pages. Baerenreiter Verlag #BA08649_00. Published by Baerenreiter Verlag

For Clarinet in A and Piano Richard Stoltzman 21st Century Series for Clarinet. Composed by Johann Sebastian Bach (1685-1750). Edited by Richard Stoltzman. LKM Music. Classical. Southern Music Company #S131017. Published by Southern Music Company

Clarinet and Piano

SKU: ST.C129

Composed by Mark Tanner. Wind & brass music. Clifton Edition #C129. Published by Clifton Edition (ST.C129).

ISBN 9790570811298.

As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road, in Bristol), I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful, rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy, and likewise, speaking as a lapsed brass player, there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again, one gets a different, yet entirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence, with a little gamesmanship on my part, I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat), trombone and tuba (bass clef), horn in F, flute, clarinet and bassoon. While many will find themselves humming the likes of Going up Camborne Hill, Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture – I wonder if I might draw your attention to The Cornish Squire, The Pool of Pilate and Cold Blows the Wind Today Sweetheart, which are quite simply sublime melodies, perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs, Cornish folk music works equally ideally sung and played, and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all, it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past, while skilfully paying homage to the underlying charm and, for want of a better word, simplicity, of the original music. But this is only a start – for without an energetic response from younger generations, Cornish folk music is destined to wither on the vine in much the same way as is happening with the Cornish dialect. So, put your instrument to your lips and proceed, not with caution, but with enthusiasm and a smile, for your great grandparents (and perhaps even their grandparents) would surely raise a glass if they could hear you doing your bit to ensure the survival of this splendid heritage.
Timeless Cornish melodies, cooked up for hungry clarinet players
Grades 1–4
Former Spartan Press Cat. No.: SP1218.

Clarinet and Piano

SKU: ST.C143

Composed by Alexander Glazunov. Wind & brass music. Clifton Edition #C143. Published by Clifton Edition (ST.C143).

ISBN 9790570811434.

Alex ander Konstantinovich Glazunov (1865-1936) trained under Rimsky- Korsakov and became the most illustrious Russian composer and conductor immediately succeeding Tchaikovsky. Glazunov’s close affinity with the Saint Petersburg Conservatory, of which institution he would later become Director for more than two decades, placed him ideally to assist in the Institute’s transition to the Petrograd Conservatory in the immediate wake of the Bolshevik Revolution of 1917. For the last six years of his life, Glazunov left the USSR, feeling hemmed in by propagandist restrictions and at the same time out of kilter with the Modernist movement.

He lived in exile for a time, touring the USA, before eventually settling in Paris, though his stoical brand of Russian Romanticism never waned. Despite being partly remembered for having taught Shostakovich, Glazunov was never known as a revolutionary composer, more inclined to align himself with 19th century ideologies than with the thrusting new compositional paths forged by Prokofiev and others. Indeed, the nationalistic movement so successfully espoused by Balakirev found a new energy in Glazunov’s hands, and he discovered an opulence of scale which leaned more in the direction of Borodin.

There can be no doubting Glazunov’s technical mastery, which successfully drew together contrapuntal, lyrical and virtuosic skills, and which were admired by the likes of Liszt. Glazunov steered a steady course at a time when it was most sorely needed; one need only hear the marvellous Violin Concerto in A minor to experience the full power and authority of his writing, though he possessed an enviable touch with more intimate forms too, such as those readily to be heard in these three charming Miniatures Op.42, originally composed for piano.
Clarinet and Piano
Transcribed by M ark Tanner
Grades 6 & 7 (Trinity Grades 6 & 7 syllabuses)
Former Spartan Press Cat. No.: SP1360.

Clarinet (Clarinet)

SKU: HL.48181347

Composed by Jules Semler-Collery. Leduc. Classical. Softcover. 7 pages. Alphonse Leduc #AL20789. Published by Alphonse Leduc (HL.48181347).

UPC: 888680856779. 9.0x12.0x0.084 inches.

French composer, conductor and teacher, Jules Semler-Collery (1902-1988) was born to a musical father. He studied at the Paris Conservatoire where he won many prizes. Semler-Collery's works have been successful, with many of his concertos being included in the Conservatoire's list of compulsory works. Reverie and Scherzo for Clarinet and Piano is no exception to the composer's success. Published in 1950, Semler-Collery's Reverie is marked Andantino Cantabile and is in 6/8 meter. Both the Clarinet solo line and Piano accompaniment are virtousic, exploiting rhythm, tonality and harmony. A cadenza-like passage is heard towards the end. The Scherzo is marked Molta Leggiero and is staccato in 3/4 meter. Quaver and semiquaver passages are heard with the speed accelerating to a dramatic finale. For all advanced clarinetists, Semler-Collery's Reverie and Scherzo provides an exciting performance work for performers and audiences alike..

Clarinet and Piano

SKU: BT.EMBZ1919

Composed by Bela Bartok. EMB Music of Bela Bartok. Book Only. Composed 1955. 6 pages. Editio Musica Budapest #EMBZ1919. Published by Editio Musica Budapest (BT.EMBZ1919).

English-German-Hungari an.

From 1906 on Béla Bartók was collecting folksongs on a regular basis. It was in 1907, during his first collecting trip to Transylvania, that he jotted down those three melodies in Gyergyóteker patak, Cs k, which he both provided with piano accompaniment (From Gyergyó) and arranged for solo piano (Three Hungarian Folksongs from Cs k) in the same year. The melodies were played by a ''sixty-year old man'' on a peasant flute. In 2015 we are launching a series entitled Bartók Transcriptions for Music Students to mark the 70th anniversary of the composer s death. This involves reissuing our tried publications, and publishing some further, new transcriptions that fulfill in every respectthe strict aesthetic demands of the earlier ones. We trust these publications will allow us to introduce still more music students to the realm of one of the great geniuses of 20th-century music.

Composed by Johannes Brahms (1833-1897). Edited by Clive Brown; Neal Peres Da Costa. For clarinet and piano. Score with parts. Opus 120. Published by Baerenreiter Verlag

Edited by Edward Huws Jones. For Clarinet and Piano. Book; Woodwind - Clarinet Method or Collection. Faber Edition. Published by Faber Music

Clarinet and piano

SKU: P2.30110

Composed by Nick DiBerardino. Solo music, 20th century. Published by Potenza Music (P2.30110).

Nick DiBerardino says, Madison Avenue is a work full of whimsy, bustle and effervescent energy. Composed with New York City's famous Madison Avenue in mind, this piece attempts to capture the action of New York's busy streets, the mass of its towering buildings and the thrill - and occasional anxiety - of participating in its frenetic rituals. Madison Avenue's celebrated advertising history plays a role here, as well; I like to think you can hear somewhere in the work the furious typing of secretaries or the insistence of a hard sell. Above all, this is a playful piece, a romp and a gallop, a miniature rhapsody infused with the spirit and drive of the city. In it, I hope you hear an unbridled enthusiasm and an unyielding optimism, both marked on the music by the persistent energy of the human spirit..

By Stephen Pratt. For Clarinet and piano. Full score and part. Duration 9 minutes. Published by Edition HH Music Publishers (U.K. Import).

Clarinet and piano

SKU: P2.30014

Composed by James Grant. Chamber music. Published by Potenza Music (P2.30014).

Endorphins is the last of four works commissioned by and dedicated to 78 adventure-seeking tubists representing 30 states and three countries, who fearlessly joined the 2001 Solstice/Equinox Commissioning Consortium to commission James Grant to write four new recital pieces. As each Solstice and Equinox approached during the year 2001, a new piece was sent out to the participants. All four pieces (Stuff, High Autumn, Just A Thought, Endorphins) now exist in multiple versions for orchestral and band instruments and are programmed frequently at conferences and on student and faculty recitals throughout the year. Endorphins is marked aerobic and features, in its middle section, a recap of the principal themes from the first three recital pieces in the set, as well as a brief yet dramatic cadenza for the clarinet.

By Girolamo Salieri. Arranged by Diane Barger. For Clarinet and Piano. Chamber music. Published by Potenza Music

Clarinet

SKU: HL.48184382

Composed by Robert Truillard. Leduc. Classical. Softcover. 6 pages. Alphonse Leduc #AL27377. Published by Alphonse Leduc (HL.48184382).

UPC: 888680846350. 9.25x12 inches.

“Fren ch composer, Robert Truillard published his Reverie in 1986. The work remains popular for intermediate clarinetists. With a typical performance lasting around 2 minutes and 46 seconds, Reverie is in Ternary Form, with the 'B' section marked 'Scherzando' and containing a short cadenza passage. The solo Clarinet part makes use of variety in articulation, tempo, dynamics and phrasing, amongst other aspects. For all aspiring, intermediate clarinetists, Truillard's Reverie provides exciting, alternative repertoire.&rdquo.

(Clarinet with Piano Reduction). Composed by Bernhard Henrik Crusell (1775-1838). Edited by Johannes Umbreit and Nicolai Pfeffer. For Clarinet, Piano Accompaniment. Henle Music Folios. Softcover. G. Henle #HN1209. Published by G. Henle

Book with Online Material Clarinet; Piano Accompaniment (Clarinet/Piano)

SKU: HL.49047323

16 Pieces for Clarinet and Piano Book with Online. Composed by Joachim Johow. Woodwind Solo. Klezmer. Softcover Media Online. 64 pages. Schott Music #ED23389. Published by Schott Music (HL.49047323).

UPC: 196288201403.

Rousi ng klezmer pieces newly composed! Inspired by old klezmer melodies, Joachim Johow has written 16 new tunes, reenacting scenes from life in a Jewish town, such as 'Am Morgen in der Gasse' [On the Street in the Morning], 'Auf dem Jahrmarkt' [At the Fair], 'Schlittenfahrt' [Sleigh Ride], 'Tanz der Grosseltern' [Dance of the Grandparents], 'Am Abend' [In the Evening]. Originally written for recorder, the pieces have now been arranged for the clarinet. With notated piano accompaniment and additional harmonic symbols as well as an additional bass part (for download) which allow for a variety of instrumentations. The audio MP3 pack contains both full and playback versions.

Clarinet and Piano

SKU: ST.C501

Composed by Rob Hall. Wind & brass music. Clifton Edition #C501. Published by Clifton Edition (ST.C501).

ISBN 9790570815012.

Close Encounters for Clarinet in B flat & Piano draws on historic themes connected to the medieval closes (also know as wynds or vennels) of the Scottish burgh town of Lanark, situated in the rural Clyde Valley. Often named after prominent resident business owners, these otherwise unremarkable narrow lanes are given life by the records of their occupiers or through local tales.

Aside from the more self explanatory titles, ‘Luminare’ describes the astronomical interests of electrical pioneer David Hunter; ‘Jumbo Jive’ relates to the legend of an inebriated circus elephant escapee who became stuck in the arch of Wide Close; ‘Amber Sky’ connects the India Ale trade of Brewery Close with an occasional, evocative dusk light that cloaks the town before sunset.

Close Encounters comprises five fascinating and contrasted short movements each set within its own very vivid sound world. The colourful harmonic language is drawn from a number of musical influences including flavours of Jazz, the silver screen and the French impressionists, all adding up to music that is both engaging to play and to listen to. The five movements are set at a comfortable technical level for the intermediate to advanced clarinettist, cover the entire range of the instrument, and the set would make for an intriguing addition to any clarinet recital.

- Paul Harris (composer & clarinettist)

Suit able for intermediate to advanced clarinettists.
Grades 5–8

(Cover painting by Ronnie Cruwys www.drawin gthestreet.co.uk).