Tampere Raw Clarinette et Piano [Set de Parties séparées] Faber Music Limited
Clarinet & Piano SKU: AP.12-0571539726 Clarinet & Piano. Composed ...(+)
Clarinet & Piano
SKU:
AP.12-0571539726
Clarinet & Piano.
Composed by Anders
Hillborg. Masterworks;
Solo; Solo Small
Ensembles; Woodwind -
B-flat Clarinet Solo.
Faber Edition. 20th
Century; Masterwork.
Part(s). Faber Music
#12-0571539726. Published
by Faber Music
(AP.12-0571539726).
ISBN 9780571539727.
English.
The music
of Anders Hillborg's
virtuosic Tampere Raw for
clarinet and piano
alternates between two
vividly different
characters: one slowly
flowing texture, composed
completely intuitively,
and one fast, fiercely
rhythmical and pulsative
texture, where the tone
material for the most
part is generated from
permutations of
prime-number series.
A thrilling
addition to the
repertoire, this
seven-minute work was
commissioned by the
Swedish Royal Academy of
Music in 1991 for Swedish
musicians Martin Fröst
and Roland Pöntinen,
who later recorded it on
BIS records.
Clarinet and piano SKU: P2.30086 Composed by Daniel Nelson. Solo music, 2...(+)
Clarinet and piano
SKU: P2.30086
Composed by Daniel
Nelson. Solo music, 20th
century. Published by
Potenza Music (P2.30086).
In the
beginning of January,
2000 I completed a
large-scale work for
clarinet and orchestra.
Upon its completion, I
felt somewhat exhausted
by the flashy and
virtuoso style of writing
which tends to typify the
solo parts of concerti.
This time... I decided to
forfeit any pyrotechnical
exhibitions by the
soloist in favor of
incorporating the
instrument into the
larger fabric of the
orchestra. Concurrent
with starting to work on
this new piece, I was
engaged in an altogether
different project
involving, among others,
a Swedish deejay whose
field of expertise is
popular, modern
dance-music.... During
numerous evenings of CD
listening to this genre
of music, I was drawn to
the way that rhythmically
contrasting layers of
music were constantly
alternating between
background and
foreground. The resulting
effect was of a
continuously changing
'groove-pattern' even
though the 'beat' of the
music remained constant.
I used this style of
writing mainly in the
fast, second section of
the piece, which I felt
gave it a distinct
technotronic flavor. The
mood of the opening
movement is, however,
undeniably romantic: thus
the title of the piece,
Romantatronic.