Histoires Clarinette Clarinette et Piano [Conducteur et Parties séparées] - Débutant FLEX Editions
Composed by Jean-Michel Maury. Musique de Chambre, Duo, Solo and Accompagnement ...(+)
Composed by Jean-Michel
Maury. Musique de
Chambre, Duo, Solo and
Accompagnement Piano. For
1 Bb Clarinet 1 Piano.
Classical, Educational.
Grade 1. Score and Set of
Parts. 15 (score); 7
(parts). Published by
FLEX Editions
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown; Neal Peres Da Co...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown;
Neal Peres Da Costa. For
clarinet and piano. Score
with parts. Opus 120.
Published by Baerenreiter
Verlag
Clarinet and piano SKU: BR.EB-9440 Urtext based on the Brahms Complete...(+)
Clarinet and piano
SKU: BR.EB-9440
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms. Edited
by Hans Gal. Solo
instruments; stapled.
Edition Breitkopf.
Sonata; Romantic. Sheet
Music. 40 pages. Duration
21'. Breitkopf and
Haertel #EB 9440.
Published by Breitkopf
and Haertel (BR.EB-9440).
ISBN 9790004189177. 9
x 12 inches.
The
two sonatas of Johannes
Brahms's op. 120 are
widely hailed as crowning
points of the repertoire
for clarinet and piano.
Moreover, in the version
for viola and piano
arranged by Brahms
himself, they rank among
the most frequently
played viola works of the
19th century. They far
surpass in compositional
substance the relatively
few original sonatas
written for these
instrumentations during
the same period.Of the
two fellow works, the
Sonata No. 2 in E flat
major is the more
accessible. Diverging
from the
classical-romantic
tradition, Brahms used
the key of E flat major
here not to express the
heroic or monumental, but
to obtain lyrical,
chiefly restrained
characterizations. The
serenade-like beauty of
the principal theme,
which opens the sonata,
has always been
particularly admired. In
his review of the world
premiere, the renowned
Viennese music critic
Eduard Hanslick, a friend
of Brahms's, raves with
the words it was as if it
had fallen from the
Heavens. The closing set
of variations also
follows with gentle
gracefulness this lyrical
character. However, the
middle movement, with its
tempestuous outer
sections in E flat minor
and the hymnic trio in B
major provides a
passionate and serious
contrast, which allows
the flanking idyll to
unfold its beauties all
the more insistently.