Classical Music for Children' wants to introduce clarinet pupils to the beauty of Baroque, Classical and Romantic concert literature. The book includes original clarinet literature as well as catchy tunes and themes from various operas (The Freeshooter, The Magic Flute and others) and the concert hall (Four Seasons, Capriccio Italy, Reverie and others) were used as well. The edition starts with a piece from the Renaissance period, followed by the great composers of the Baroque, European Classical and Romantic eras and completed by several discoveries from the common concert programmes (Blasius, Reinagel, Sullivan). The pieces are presented in easy arrangements and can be mastered after about two years of tuition, with the three-line octave being left out. / Clarinette Et Piano

To every pupil, the first concert is a special experience. The period of intensive preparation, the mixture of trepidation and joyful anticipation, the concentration during the performance, the applause of the audience and the pride after the successful performance. Such impressions will all stick in the pupil's mind and quite often influence his or her entire future development. The choice of the 'right' performance piece is of vital importance: It should be neither too long nor too short, make a strong impression and give great pleasure in practising.The edition Mein erstes Konzert contains 23 easy pieces for clarinet and piano for music lessons and first auditions. The selection of the original works invites the performer on a trip through various music epochs - starting from classical via Romantic to contemporary music. Further highlights are pieces from the areas of klezmer, jazz, rock and pop music.Most pieces can be played after 1-2 years of music lessons. The first pieces in this volume are exclusively written in the low register - without overblowing.Approaching the works is made easier by the enclosed CD which contains all pieces as a demo version and as a play-along version with just piano accompaniment. / Clarinette Et Piano

13 Stücke für Klarinette und Klavier. Female composers such as Germaine Tailleferre, Johanna Senfter and Grazyna Bacewicz are justifiably becoming increasingly popular. This new edition presents pieces for A and Bb clarinet from the classical, romantic and modern eras. / Niveau : 3-4 / Recueil / Clarinette et Piano

Six easy pieces. Par MULLER IVAN. Ivan Müller was born in Reval in Russia (now Tallinin, Estonia) on 3 December 1786 and died in Bückeburg (Germany) in 1854. In 1808/09 he performed widely as a clarinet virtuoso - in Berlin, Leipzig, Wien, Paris and many other places where he also presented the new ?clarinette omnitonique? in B flat which he had invented. The system of keys in use in Germany to this day is based on Müllers invention. As a composer Müller was an exponent of the early Romantic style and wrote numerous concertos for his chosen instrument as well as this Serenade for Clarinet and Piano (or Harp or Guitar). The editor Dieter Klöcker writes: ?These rather beautiful and accessible Romantic miniatures enjoyed great popularity in their day and I assume that even today they will meet with the approval of professional and amateur players alike.? / Niveau : facile - moyen / Date parution : 2023-05-06/ Répertoire / Clarinette et Piano

Brahms had already announced his ?retirement? from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld?s much admired playing and inspired him to write two clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the sonatas op. 120 were first published in June of 1895. They remain pivotal works in the clarinet?s recital repertoire establishing the clarinet sonata as a distinct and viable chamber music genre. An important part of this edition is the extensive preface. Firstly it informs about the sonatas? origins, their compositional process, pre-publication performances, their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners, treatises and essays, early instructive editions and historical recordings, the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, clarinet vibrato and portamento, the editors provide an indispensable assistance for a historically informed interpretation of the work. At the same time, the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general. - A pioneering Urtext edition - With an extensive Performance Practice Commentary - For further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music?, BA 9600

Instrument : clarinet and pianoSeries : Edition Schott - Single EditionNombre de Pages : 8The clarinet virtuoso and educationalist Carl Baermann from Munich was one of the most important musical figures of the 19th century. His teaching literature strongly influenced clarinet education and the further technical development of the clarinet. His Romantic compositions form an integral part of the clarinet repertoire. Romanze for clarinet and piano, a sentimental work of great emotional substance, has proved a popular concert and encore piece. Baermann's Romanze is also suitable as a performance piece for competitions - a valuable addition to the repertoire of every clarinettist.

Schubert for clarinet Together with Ludwig van Beethoven, Franz Schubert is considered to be the founder of romantic music in German-speaking countries. He mainly owes this reputation to the composition of more than 600 songs, many of which, even today, are an integral part of every singers repertoire. For this album James Rae has selected some of Schuberts most beautiful melodies from both his vocal and instrumental works and arranged them for clarinet. Its expressive sound, coupled with Schuberts unique melodies, is a homage to the great composer and should enrich every clarinet players repertoire. Heidenröslein An die Nachtigall An die Musik Das Wandern Ständchen Du bist die Ruh Entre-Acte aus Rosamunde Ballett aus Rosamunde Menuetto und Trio aus Symphonie Nr. 5 Marche Militaire Schubertiade (Coverfoto von Schmid)

The Swedish composer Bernhard Henrik Crusell was long viewed as an insider tip among clarinettists- in the meantime, his concertos have found their way to the concert stage. This is hardly surprising considering the enchanting music with which Crusell - himself a clarinet virtuoso of international rank - has enriched the earlyromantic repertoire. Crusell's works needn't shy from a comparison with Weber's and Spohr's clarinet output. Our Urtext edition of the f-minor concerto marks the beginning of a new publication series of all three clarinet concertos by Crusell which has been entrusted to the editor and clarinettist Nicolai Pfeffer. Since he combines editorial experience with many years of performance practice, the works are in the best possible hands. / Clarinette