Harpsichord SKU: FZ.5835 Serie I - France 1600-1800. Edited by Phi...(+)
Harpsichord
SKU:
FZ.5835
Serie I -
France 1600-1800.
Edited by Philippe
Lescat, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5835).
ISBN
9790230658355. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in two books.
ANCELET - Antoine
BEMETZIEDER (1-2) -
Jean-Laurent de BETHISY -
Michel CORRETTE (2) -
Denis DIDEROT - Jacques
DUPHLY (1-2) -
Encyclopedie -
Encyclopedie methodique -
Louis-Joseph le neveu
FRANCOEUR - Pierre Claude
FOUCQUET (1-2) -
Francois-Alexandre-Pierre
de GARSAULT -
Jean-Benjamin de LABORDE
- Philippe MACQUER -
Friedrich Wilhelm MARPURG
- Jean-Philippe RAMEAU
(4) - Jean-Jacques
ROUSSEAU - Simon SIMON.
Table of contents:
Corrette Michel: Les
amusements du Parnasse -
1749. Foucquet Pierre
Claude: Les caracteres de
la paix - 1749. Foucquet
Pierre Claude: Second
livre de pieces de
clavecin - 1751.
Encyclopedie:
Encyclopedie ou
dictionnaire raisonne -
1751/1772. Duphly
Jacques: Troisieme livre
de pieces de clavecin -
1756. Ancelet:
Observations sur la
musique - 1757. Rameau
Jean-Philippe: Code de
musique pratique - 1760.
Garsault
Francois-Alexandre-Pierre
de: Notionnaire - 1761.
Simon Simon: Pieces de
clavecin - 1761. Bethisy
Jean-Laurent de:
Exposition de la theorie
- 1764. Rousseau
Jean-Jacques:
Dictionnaire de la
musique - 1768. Duphly
Jacques: Du doigter - c.
1769. Diderot Denis:
Manuscrit autographe - s.
d. Bemetzrieder Antoine:
Lecons de clavecin -
1771. Francoeur
Louis-Joseph le neveu:
Diapason general - 1772.
Macquer Philippe:
Dictionnaire raisonne -
1773. Laborde
Jean-Benjamin de: Essai
sur la musique - 1780.
Bemetzrieder Antoine:
Nouvelles lecons de
clavecin - 1783.
Encyclopedie methodique:
Encyclopedie methodique,
arts et metiers
mecaniques - 1788.
Marpurg Friedrich
Wilhelm: L'art de toucher
le clavecin - c. 1797.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from:- National
Library of Paris
(France). - Fitzwilliam
Museum of Cambridge
(England). - Bayerische
Staatsbibliotheck of
Munich (Germany). -
British Library of London
(England). - In Private
collection. Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the harpsichord.
Harpsichord - easy to intermediate SKU: HL.49003712 A collection of ea...(+)
Harpsichord - easy to
intermediate
SKU:
HL.49003712
A
collection of easy
original compositions of
the masters from the
16-1800 years. Edited
by Willy Rehberg.
Arranged by Willy
Rehberg. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. 39
pages. Schott Music #ED
2348. Published by Schott
Music (HL.49003712).
ISBN 9790001037037.
UPC: 073999265491.
9.0x12.0x0.129
inches.
Harpsichord SKU: FZ.5834 Serie I - France 1600-1800. Edited by Phi...(+)
Harpsichord
SKU:
FZ.5834
Serie I -
France 1600-1800.
Edited by Philippe
Lescat, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5834).
ISBN
9790230658348. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in two books.
Anonyme - Jean-Henry
d'ANGLEBERT - Francois
COUPERIN (1-2) -
Jean-Joseph Cassanea de
MONDONVILLE - Michel
CORRETTE (1) - Jacques
Champion de CHAMBONNIERES
- Francois DAGINCOURT -
Jean-Francois DANDRIEU -
Louis Claude DAQUIN -
Jean II DENIS - Francois
DIEUPART - Louis-Antoine
DORNEL - Antoine
FORQUERAY - Antoine
FURETIERE - Charles
Alexandre JOLLAGE -
Nicolas-Antoine LEBEGUE -
Jean Leonor LE GALLOIS -
Gaspard LE ROUX - Marin
MERSENNE - Jean-Philippe
RAMEAU (1-2-3) - Pancrace
ROYER - Michel de SAINT
LAMBERT - Charles Joseph
VAN HELMONT. Table of
contents: Mersenne Marin:
Harmonie universelle -
1636. Denis Jean II:
Traite de l'accord de
l'espinette - 1650.
Chambonnieres Jacques
Champion de: Les pieces
de clavessin - 1670.
Anonyme: Tablature pour
le clavecin - s. d.
Lebegue Nicolas-Antoine:
Les pieces de clavessin -
1677. Le Gallois Jean
Leonor: Lettre de Mr Le
Gallois - 1680. Anglebert
Jean-Henry d': Pieces de
clavecin - 1689.
Furetiere Antoine:
Dictionnaire universel -
1690. Dieupart Francois:
Six suittes de clavessin
- 1701. Saint-Lambert
Michel de: Les principes
du clavecin - 1702. Le
Roux Gaspard: Pieces de
clavessin - 1705.
Couperin Francois: Pieces
de clavecin - 1713.
Couperin Francois: L'art
de toucher le clavecin -
1717. Rameau
Jean-Philippe: Pieces de
clavecin - 1724. Dandrieu
Jean-Francois: Livre de
pieces de clavecin -
1724. Rameau
Jean-Philippe: Nouvelles
suites de pieces de
clavecin - 1728. Dornel
Louis Antoine: Pieces de
clavecin - 1731.
Dagincourt Francois:
Pieces de clavecin -
1733. Corrette Michel:
Premier livre de pieces
de clavecin - 1734.
Daquin Louis Claude: 1er
livre de pieces de
clavecin - 1735. Rameau
Jean-Philippe: Pieces de
clavecin - 1736. Van
Helmont Charles Joseph:
Pieces de clavecin -
1737. Jollage Charles
Alexandre: Premier livre
de pieces de clavecin -
1738. Royer Pancrace:
Pieces de clavecin -
1737. Forqueray Antoine:
Pieces de viole (. . . )
mises en pieces de
clavecin - 1747.
Mondonville Jean-Joseph
Cassanea de: Pieces de
clavecin avec voix ou
violon - 1748. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from:-
Inguimbertine Library of
Carpentras (France). -
Municipal Library of Lyon
(France). - National
Library of Paris
(France). - Sainte
Genevieve Library of
Paris (France). - British
Library of London
(England). - Municipal
Library of Grenoble
(France). - Municipal
Library of Bordeaux
(France). - Gemmente
Museum of The Hague
(Netherlands). - In
Private collection. Anne
Fuzeau Classique propose
the complete theoretic
documentation, methods,
classical music scores on
the harpsichord.
Edited by Emer Buckley. For Harpsichord. This edition: Facsimile. Fac-Similes En...(+)
Edited by Emer Buckley.
For Harpsichord. This
edition: Facsimile.
Fac-Similes Enseignement.
Score. 16 pages.
Published by Anne Fuzeau
Productions - France
Gesamtausgabe. Originale Vorworte, Spielanweisungen und Verzierungstabellen. Fra...(+)
Gesamtausgabe. Originale
Vorworte,
Spielanweisungen und
Verzierungstabellen.
Franzosisch/deutsch/engli
sch - Complete Edition.
By Rameau, Jean-Philippe.
Edited by Jacobi, Erwin
R. For Piano/
Harpsichord. Playing
Score (paperbound).
Published by
Baerenreiter-Ausgaben
(German import).
By Nicolas Clerambault. Edited by Jean Saint-Arroman, Philippe Lescat. Harpsicho...(+)
By Nicolas Clerambault.
Edited by Jean
Saint-Arroman, Philippe
Lescat. Harpsichord solo.
For Harpsichord.
Facsimiles. La Musique
Francaise Classique de
1650 a 1800. Grade 0. 52
pages
Harpsichord SKU: FG.55011-499-9 Composed by Jyrki Linjama. Fennica Gehrma...(+)
Harpsichord
SKU:
FG.55011-499-9
Composed by Jyrki
Linjama. Fennica Gehrman
#55011-499-9. Published
by Fennica Gehrman
(FG.55011-499-9).
ISBN
9790550114999.
Sona
ta da chiesa III was
commissioned by Petteri
Pitko, who played the
first perfor-mance in
Kemionsaaren
Musiikkijuhlat in the
summer of 2016. The
sonata has three
movements, each of which
has a definite liturgical
character and a choral
tune as a can-tus firmus.
Hence the music can be
performed either in a
concert or as a part of
liturgy.
From
the composer's foreword:
The first movement,
Kyrie, has got an
introvert mood. The
choral melody is veiled,
an indirect part of
arpeggiated texture. The
Gloria is open, even
brilliant: the cantus
firmus is worked out to a
virtuosic, dance-like
texture. The third
movement closes the music
by means of polyphony and
bird singing. Concerning
the harpsichord, for me
it is essen-tial not to
use equal temperament:
the possibility to play
with pure or almost pure
in-tervals is crucial to
the sound, having very
high and strong
overtones.
Chamber Music Harpsichord SKU: PR.110418390 Composed by Eric Ewazen. Full...(+)
Chamber Music Harpsichord
SKU: PR.110418390
Composed by Eric Ewazen.
Full score. 11 pages.
Duration 10 minutes.
Theodore Presser Company
#110-41839. Published by
Theodore Presser Company
(PR.110418390).
ISBN
9781491134603. UPC:
680160685158.
Eric
Ewazen’s THREE
INVENTIONS were inspired
by Bach’s Two-part
Inventions, yet they
sound thoroughly like
Ewazen. Composed for
harpsichord (with a piano
adaptation following
later), Ewazen’s
inventions maintain a
pure “one note per
hand†texture until
their final chord, with
strong-but-free imitative
counterpoint between the
two voices. While Ewazen
may be best known for his
wind music, he is a
pianist himself, and
composers’ works
for their own instrument
are a direct insight into
how they write for their
own performances. The
piano adaptation of THREE
INVENTIONS is also
available as a separate
publication. THREE
INVENTIONS was written
for my dear friend Maria
Rojas, who premiered the
work on a faculty recital
at Juilliard. Maria is
both a pianist and a
harpsichordist, and I
first met her when she
gave a demonstration of
the harpsichord for the
students in my theory
classes.I’ve
always been captivated by
Bach’s series of
Two-Part and Three-Part
Inventions. With the
Two-Part Inventions,
I’m amazed how
Bach could create such
wonderful intricacy and
counterpoint with only
two voices. I
consequently modeled my
inventions after the
counterpoint of Bach,
involving the traditional
contrapuntal devices he
used: imitation,
development, harmonic and
modal shifts,
fragmentation, and
sequence, essentially
creating a dialog between
two completely equal
voices conversing with
each other!Bach wrote 15
Two-Part Inventions (as
well as 15 Three-Part
Inventions, not to
mention the 48 preludes
and fugues in The
Well-Tempered Clavier!),
and that’s just
the start of his
voluminous repertoire for
the keyboard! I was happy
just to write
three!!!Each of my
inventions has a
distinctive mood. The
first is in a relaxed,
yet cheerful C Major
tonality (as a nod to
Bach’s Invention
No. 1 in C Major); the
second is heartfelt and
lyrical; and the third
invention (involving a
Gigue rhythm in the
compound meter of 12/8)
is energetic, and full of
life and spontaneity. The
third is primarily in a
minor tonality, resulting
in a feeling of drama,
bringing the THREE
INVENTIONS to an exciting
finale.
Harpsichord SKU: HL.48188422 Composed by Jean-Philippe Rameau. Leduc. CD....(+)
Harpsichord
SKU:
HL.48188422
Composed
by Jean-Philippe Rameau.
Leduc. CD. 163 pages.
Heugel and Cie #HE32533.
Published by Heugel and
Cie (HL.48188422).
UPC: 888680948566.
9.0x12.0x0.787 inches.
French.
â??This
edition of Harpsichord
Music features the three
volumes composed by
Jean-Philippe Rameau:
?Livre de Piece de
clavecin?, ?Pieces de
Clavessin? and ?Nouvelle
suite de Pieces de
clavecin?. The second and
third volumes are divided
into 2 parts each and the
whole book has a total
duration of 2 hours and
10 minutes (22 minutes
for the first book, 52
and 53 minutes for the
following ones). For
upper intermediate and
above level. Harpsichord
Music has a baroque
style, as most of the
music byJean-Philippe
Rameau (1683-1764) who
was one of the most
famous composers of that
era. He replaced Lully'
as the main composer of
the Opera.â?.
Harpsichord SKU: HL.49006788 Framenti per il clavicembalo dal balletto...(+)
Harpsichord
SKU:
HL.49006788
Framenti per il
clavicembalo dal balletto
L'Orfeo -
Harpsichord. Composed
by Hans Werner Henze.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Composed
1981/1992. 10 pages.
Duration 6'. Schott Music
#ED6906. Published by
Schott Music
(HL.49006788).
ISBN
9790001073028. UPC:
884088056018.
9.0x12.0x0.065
inches.
Harpsichord SKU: OT.21125 Composed by Daniel Akiva. 5 short pieces for ha...(+)
Harpsichord
SKU:
OT.21125
Composed by
Daniel Akiva. 5 short
pieces for
harpsichord/cembalo.
Classical. Score. OR-TAV
Music Publications
#21125. Published by
OR-TAV Music Publications
(OT.21125).
ISBN
9789655051117. 8.27 x
11.69 inches.
The
five short movements for
solo cembalo are brief,
personal prayers that
depict how the subject
manages a range of
feelings and emotions.
The miniatures each
represent a different
emotional state:
reflection, searching,
meditation, agitation,
and resolution. Each is a
small-scale
representation of a
grand, wide-ranging
prayer of
supplication. As a
composer, performer, and
researcher of early
music, writing for
cembalo allows me not
only to express my
special connection to the
instrument and the period
in which it flourished,
but also to present its
contemporary dimensions
as a rich and versatile
instrument. The
piece was composed at the
request of Hagai Yodan,
who performs it with
great skill. Daniel
Akiva is a composer,
performer, and educator
whose performances on
guitar and lute have won
great acclaim. Mr. Akiva
graduated from the Rubin
Academy of Music in
Jerusalem in 1981, where
he studied classical
guitar with Haim Asulin
and composition with Haim
Alexander. In 1987 he
completed his studies at
the Geneva Conservatorium
in Switzerland where he
studied lute with
Jonathon Rubin and
composition with Jean
Ballisa. For many years,
he headed the Music
Department at the WIZO
High School for the Arts
in Haifa, which he
founded in 1986, and
served as the Artistic
Director of the Guitar
Gems Festival from
2006-2019. As part of his
work at WIZO High School,
he has developed a method
for teaching free
improvisation that has
been incorporated into
the music program at the
school. Mr. Akiva has
appeared in concert as a
guitarist and lutist and
given master classes in
Israel, Europe, Russia,
the United States, and
Latin America. Daniel
Akiva’s
compositional output
includes works for solo
instruments, chamber
ensembles, choir, voice
and guitar, piano, and
chamber orchestra. His
works have been recorded
on twelve CDs, the latest
of which, Malchut, was
issued by OR-TAV in
2014. A native of
Haifa whose family has
lived in Israel for over
five hundred years, he
was steeped in the
Sephardic
(Jewish-Spanish)
tradition from his youth.
Much of his compositional
output has been devoted
to a dialogue with the
music of the Sephardic
Jews. Daniel Akiva has
also maintained a
creative dialogue over
many years with the poets
and writers Amnon
Shamash, Rivka Miriam,
and Avner Peretz.
Harpsichord SKU: BT.ALHE31977 Composed by Antoine Forqueray. Le Pupitre -...(+)
Harpsichord
SKU:
BT.ALHE31977
Composed
by Antoine Forqueray. Le
Pupitre - Heugel.
Classical. Score Only.
128 pages. Heugel & Cie
#ALHE31977. Published by
Heugel & Cie
(BT.ALHE31977).
English.
This
edition of Harpsichord
Work by Antoine Forqueray
has been reviewed and
edited by Colin Tilney.
Dedicated to
_x001A_Madame la
Dauphine_x001A_ (i.e. The
King_x001A_s daughter,
here, the daughter of
Louis XV), this volume
includes six suites fora
total of 32 pieces. Each
of these pieces is
actually named after the
Courtesans of the
Dauphine. With different
degrees of complexity,
these pieces would fit
the skills of players
with an upper
intermediate level and
above. The mark-ups in
this edition are quite
close to those used on
Rameau, his pieces being
popular and well
commented. Antoine
Forqueray was a
harpsichordist under the
King Louis XV period.
Professor of the Dauphine
Henriette-Anne,he
dedicated this piece to
her.
Composed by
Rhian Samuel. Octavo.
Stainer & Bell Ltd.
#Y232. Published by
Stainer & Bell Ltd.
(ST.Y232).
ISBN
9790220221750.
With
Copper Ribbons,
Silver Threads is
one of a pair of virtuoso
harpsichord pieces by
Rhian Samuel, and the two
may be programmed
together or performed as
separate recital items.
The music of Silver
Threads is the
restless pursuit of a
single idea through fleet
textures, dividing an
unbroken line of melody
between the hands and
manuals throughout the
register of the
instrument.
By Jean-Philippe Rameau (1683-1764). Edited by Philippe Lescat, Jean Saint-Arrom...(+)
By Jean-Philippe Rameau
(1683-1764). Edited by
Philippe Lescat, Jean
Saint-Arroman. For
Harpsichord solo. This
edition: Facsimile. La
Musique Francaise
Classique de 1650 a 1800.
64 pages. Published by
Anne Fuzeau Productions -
France
