Harpsichord SKU: HL.48188874 By Diana Petech. By Joseph-Hector Fiocco. Le...(+)
Harpsichord
SKU:
HL.48188874
By Diana
Petech. By Joseph-Hector
Fiocco. Leduc. Classical.
Softcover. 67 pages.
Heugel & Cie #HE33712.
Published by Heugel & Cie
(HL.48188874).
UPC:
888680873066. 9x12
inches.
French.
“Harp
sichord Pieces, LP. 78 is
a set of works for
Harpsichord, written by
Joseph Hector Fiocco and
edited by Diana Petech.
This edition includes a
really complete preface,
with comments and advice
to work through this book
and explanations of all
the symbols that can be
found in it. It features
24 pieces divided in two
suites, with the second
suite set in a more
traditional layout than
the first one. The name
of each piece is also not
especially appropriate
regarding their style.
First suite: - L'anglaise
- L'harmonieuse - La
plaintive - La
villageoise - Les
promenades -
L'inconfiante -
L'italienne - La
française -
L'adagio - L'alegro -
L'andante - La vivace
Second suite: -
L'alemande - La
legère - La guigue
- La farabande -
L'inquiette - La gavotte
- Les menuets - Les
sautèrelles -
L'agitée - Les
zéphirs - La
musette - La fringuante
Joseph Hector Fiocco
(1703-1741) is a Belgian
harpsichordist who had
Italian origins.He was
Deputy Choir Master at
the court and resigned to
become Choir Master in
another French city. He
composed numerous
religious music
works.&rdquo.
Harpsichord SKU: BT.ALHE33712 By Diana Petech. By Joseph-Hector Fiocco. L...(+)
Harpsichord
SKU:
BT.ALHE33712
By Diana
Petech. By Joseph-Hector
Fiocco. Le Pupitre -
Heugel. Classical. Score
Only. 67 pages. Heugel &
Cie #ALHE33712. Published
by Heugel & Cie
(BT.ALHE33712).
Harpsichord SKU: FG.55011-764-8 Composed by Esa Pietilä. Classical, co...(+)
Harpsichord
SKU:
FG.55011-764-8
Composed by Esa
Pietilä. Classical,
contemporary. Book.
Fennica Gehrman
#55011-764-8. Published
by Fennica Gehrman
(FG.55011-764-8).
ISBN
9790550117648.
The
title of Esa
Pietilä’s solo
harpsichord work Fata
morgana (2019) refers to
a special weather
con-dition, which creates
illusory effect of
mirage-like fairy
castle-like monuments in
the horizon of the sea.
The piece brings forth
the frightening bass
sonority on double
manual, full size
harpsichord and the
brightness on the treble
and makes a dialogue out
of them. “I got
fasci-nated by the
sonority, character and
power of the low register
sound on the instrument,
es-pecially when used in
non-traditional way and
found some kind of
especially delightful and
outlandish cluster-mud
and airy glimmering
things which seem to play
together, the com-poser
describes. The challenges
of the piece lie in
rhythmical ideas, which
are surprisingly
multi-faceted and in the
short, improvised
section.
Duration: c.
6’
Esa
Pietilän
soolo-cembalolle tehdyn
sävellyksen otsikko
Fata morgana (2019)
viittaa erityisen
sääil-miön
aiheuttamaan
illusatoriseen
kangastuksen tapaiseen
efektiin, joka tuo esiin
satulinnojen kaltaisten
rakennelmien
ilmaantumisen meren
horisonttiin. Sävellys
tuo esiin cembalon
bas-sorekisterin
pelottavuuden sekä
diskantin kirkkauden ja
käy niillä
vuoropuhelua. Haltioiduin
cembalon alarekisterin
erityisestä soinnista,
karakteerista ja
voimasta, jos sitä
käyttää hyvinkin
ei-perinteisesti.
Löysin myös
erityisen hauskasti
soivaa klusteri-mutaa ja
ilmavaa kimallusta, jotka
sointuvat yhteen,
Pietilä kuvaa
sävellystään.
Kappaleen haasteena ovat
rytmisesti
yllät-tävät ja
monitahoiset ideat
sekä lyhyt
improvisaatiojakso.
Chamber Music Harpsichord SKU: PR.110418390 Composed by Eric Ewazen. Full...(+)
Chamber Music Harpsichord
SKU: PR.110418390
Composed by Eric Ewazen.
Full score. 11 pages.
Duration 10 minutes.
Theodore Presser Company
#110-41839. Published by
Theodore Presser Company
(PR.110418390).
ISBN
9781491134603. UPC:
680160685158.
Eric
Ewazen’s THREE
INVENTIONS were inspired
by Bach’s Two-part
Inventions, yet they
sound thoroughly like
Ewazen. Composed for
harpsichord (with a piano
adaptation following
later), Ewazen’s
inventions maintain a
pure “one note per
hand†texture until
their final chord, with
strong-but-free imitative
counterpoint between the
two voices. While Ewazen
may be best known for his
wind music, he is a
pianist himself, and
composers’ works
for their own instrument
are a direct insight into
how they write for their
own performances. The
piano adaptation of THREE
INVENTIONS is also
available as a separate
publication. THREE
INVENTIONS was written
for my dear friend Maria
Rojas, who premiered the
work on a faculty recital
at Juilliard. Maria is
both a pianist and a
harpsichordist, and I
first met her when she
gave a demonstration of
the harpsichord for the
students in my theory
classes.I’ve
always been captivated by
Bach’s series of
Two-Part and Three-Part
Inventions. With the
Two-Part Inventions,
I’m amazed how
Bach could create such
wonderful intricacy and
counterpoint with only
two voices. I
consequently modeled my
inventions after the
counterpoint of Bach,
involving the traditional
contrapuntal devices he
used: imitation,
development, harmonic and
modal shifts,
fragmentation, and
sequence, essentially
creating a dialog between
two completely equal
voices conversing with
each other!Bach wrote 15
Two-Part Inventions (as
well as 15 Three-Part
Inventions, not to
mention the 48 preludes
and fugues in The
Well-Tempered Clavier!),
and that’s just
the start of his
voluminous repertoire for
the keyboard! I was happy
just to write
three!!!Each of my
inventions has a
distinctive mood. The
first is in a relaxed,
yet cheerful C Major
tonality (as a nod to
Bach’s Invention
No. 1 in C Major); the
second is heartfelt and
lyrical; and the third
invention (involving a
Gigue rhythm in the
compound meter of 12/8)
is energetic, and full of
life and spontaneity. The
third is primarily in a
minor tonality, resulting
in a feeling of drama,
bringing the THREE
INVENTIONS to an exciting
finale.
Solo Viola da Gamba (Viola or Violoncello), 2 Violins, Cello/Contrabass, Harpsic...(+)
Solo Viola da Gamba
(Viola or Violoncello), 2
Violins,
Cello/Contrabass,
Harpsichord
SKU:
CA.3980614
Gambenkonzert in
A. Composed by Georg
Philipp Telemann. Edited
by Wolfgang Hirschmann.
Arranged by Wolfgang
Hirschmann. Stuttgart
Urtext edition.
Gambenkonzert In A.
Single Part, Violin 2.
TWV 51:A5. 4 pages.
Duration 10 minutes.
Carus Verlag #CV
39.806/14. Published by
Carus Verlag
(CA.3980614).
ISBN
9790007057084. Key: A
major. Language: all
languages.
This
edition makes available a
concerto of Telemann for
viola da gamba - the only
extant Telemann concerto
for this instrument. The
quality of this concerto
lies in the abundance of
the formal and stylistic
traditions which it
develops, and the
resulting individual,
unmistakable synthesis of
those traditions. Score
and part available
separately - see item
CA.3980600.
Solo Viola da Gamba (Viola or Violoncello), 2 Violins, Cello/Contrabass, Harpsic...(+)
Solo Viola da Gamba
(Viola or Violoncello), 2
Violins,
Cello/Contrabass,
Harpsichord
SKU:
CA.3980613
Gambenkonzert in
A. Composed by Georg
Philipp Telemann. Edited
by Wolfgang Hirschmann.
Arranged by Wolfgang
Hirschmann. Stuttgart
Urtext edition.
Gambenkonzert In A.
Single Part, Violin 1.
TWV 51:A5. 4 pages.
Duration 10 minutes.
Carus Verlag #CV
39.806/13. Published by
Carus Verlag
(CA.3980613).
ISBN
9790007057077. Key: A
major. Language: all
languages.
This
edition makes available a
concerto of Telemann for
viola da gamba - the only
extant Telemann concerto
for this instrument. The
quality of this concerto
lies in the abundance of
the formal and stylistic
traditions which it
develops, and the
resulting individual,
unmistakable synthesis of
those traditions. Score
and part available
separately - see item
CA.3980600.
Solo Viola da Gamba (Viola or Violoncello), 2 Violins, Cello/Contrabass, Harpsic...(+)
Solo Viola da Gamba
(Viola or Violoncello), 2
Violins,
Cello/Contrabass,
Harpsichord
SKU:
CA.3980615
Gambenkonzert in
A. Composed by Georg
Philipp Telemann. Edited
by Wolfgang Hirschmann.
Arranged by Wolfgang
Hirschmann. Stuttgart
Urtext edition.
Gambenkonzert In A.
Single Part, basso
continuo. TWV 51:A5. 4
pages. Duration 10
minutes. Carus Verlag #CV
39.806/15. Published by
Carus Verlag
(CA.3980615).
ISBN
9790007057091. Key: A
major. Language: all
languages.
This
edition makes available a
concerto of Telemann for
viola da gamba - the only
extant Telemann concerto
for this instrument. The
quality of this concerto
lies in the abundance of
the formal and stylistic
traditions which it
develops, and the
resulting individual,
unmistakable synthesis of
those traditions. Score
and part available
separately - see item
CA.3980600.
Solo Viola da Gamba (Viola or Violoncello), 2 Violins, Cello/Contrabass, Harpsic...(+)
Solo Viola da Gamba
(Viola or Violoncello), 2
Violins,
Cello/Contrabass,
Harpsichord
SKU:
CA.3980612
Gambenkonzert in
A. Composed by Georg
Philipp Telemann. Edited
by Wolfgang Hirschmann.
Arranged by Wolfgang
Hirschmann. Stuttgart
Urtext edition.
Gambenkonzert In A.
Single Part,
Viola-Solostimme
Altschlussel. TWV 51:A5.
8 pages. Duration 10
minutes. Carus Verlag #CV
39.806/12. Published by
Carus Verlag
(CA.3980612).
ISBN
9790007057060. Key: A
major. Language: all
languages.
This
edition makes available a
concerto of Telemann for
viola da gamba - the only
extant Telemann concerto
for this instrument. The
quality of this concerto
lies in the abundance of
the formal and stylistic
traditions which it
develops, and the
resulting individual,
unmistakable synthesis of
those traditions. Score
and part available
separately - see item
CA.3980600.
(for Cembalo or Harpsichord). By Hermann Schroeder (1904-1984). For Harpsichord,...(+)
(for Cembalo or
Harpsichord). By Hermann
Schroeder (1904-1984).
For Harpsichord, Cembalo.
Schott. Softcover. 12
pages. Schott Music
#ED20936. Published by
Schott Music
Harpsichord SKU: OT.21125 Composed by Daniel Akiva. 5 short pieces for ha...(+)
Harpsichord
SKU:
OT.21125
Composed by
Daniel Akiva. 5 short
pieces for
harpsichord/cembalo.
Classical. Score. OR-TAV
Music Publications
#21125. Published by
OR-TAV Music Publications
(OT.21125).
ISBN
9789655051117. 8.27 x
11.69 inches.
The
five short movements for
solo cembalo are brief,
personal prayers that
depict how the subject
manages a range of
feelings and emotions.
The miniatures each
represent a different
emotional state:
reflection, searching,
meditation, agitation,
and resolution. Each is a
small-scale
representation of a
grand, wide-ranging
prayer of
supplication. As a
composer, performer, and
researcher of early
music, writing for
cembalo allows me not
only to express my
special connection to the
instrument and the period
in which it flourished,
but also to present its
contemporary dimensions
as a rich and versatile
instrument. The
piece was composed at the
request of Hagai Yodan,
who performs it with
great skill. Daniel
Akiva is a composer,
performer, and educator
whose performances on
guitar and lute have won
great acclaim. Mr. Akiva
graduated from the Rubin
Academy of Music in
Jerusalem in 1981, where
he studied classical
guitar with Haim Asulin
and composition with Haim
Alexander. In 1987 he
completed his studies at
the Geneva Conservatorium
in Switzerland where he
studied lute with
Jonathon Rubin and
composition with Jean
Ballisa. For many years,
he headed the Music
Department at the WIZO
High School for the Arts
in Haifa, which he
founded in 1986, and
served as the Artistic
Director of the Guitar
Gems Festival from
2006-2019. As part of his
work at WIZO High School,
he has developed a method
for teaching free
improvisation that has
been incorporated into
the music program at the
school. Mr. Akiva has
appeared in concert as a
guitarist and lutist and
given master classes in
Israel, Europe, Russia,
the United States, and
Latin America. Daniel
Akiva’s
compositional output
includes works for solo
instruments, chamber
ensembles, choir, voice
and guitar, piano, and
chamber orchestra. His
works have been recorded
on twelve CDs, the latest
of which, Malchut, was
issued by OR-TAV in
2014. A native of
Haifa whose family has
lived in Israel for over
five hundred years, he
was steeped in the
Sephardic
(Jewish-Spanish)
tradition from his youth.
Much of his compositional
output has been devoted
to a dialogue with the
music of the Sephardic
Jews. Daniel Akiva has
also maintained a
creative dialogue over
many years with the poets
and writers Amnon
Shamash, Rivka Miriam,
and Avner Peretz.