Harpsichord SKU: UT.GCE-15 Composed by Francesco Geminiani. Edited by Rud...(+)
Harpsichord
SKU:
UT.GCE-15
Composed by
Francesco Geminiani.
Edited by Rudolf Rasch.
Francesco Geminiani Opera
Omnia. Classical. Ut
Orpheus #GCE 15.
Published by Ut Orpheus
(UT.GCE-15).
ISBN
9790215327658. 9 x 12
inches.
Menuetti
con variazioni composti
per il cembalo (1739) (H.
201-202); Pièces de
clavecin (1743) (H.
203-213); The Second
Collection of Pieces for
the Harpsichord (1762)
(H. 214-259)
Composed by Laure
Morabito. Clavecin 20 21
de L. Morabito.
Classical: 20th Century
(Contemporary). Score.
Editions Henry Lemoine
#28417. Published by
Editions Henry Lemoine
(LM.28417).
ISBN
9790230984171.
ORTE
GA Sergio : L'Athlete -
TAKAHA Hiroaki : Le
Collier - GAGNEUX Renaud
: Quatre haiku de Basho -
PAUSET Brice : Vestige -
ESSYAD Ahmed : Les Chutes
d'Ouzoud - TON-THAT Tiet
: Vo de I - MANTOVANI
Bruno : L'Art de la
fougue.
Volume 4,
K.156-205. Composed
by Domenico Scarlatti.
Edited by Kenneth
Gilbert. Leduc. Baroque.
Softcover. 212 pages.
Heugel & Cie #HE32486.
Published by Heugel & Cie
(HL.48188386).
UPC:
888680866136.
9.0x12.0x0.565
inches.
Italian
composer, Domenico
Scarlatti (1685-1757) is
well-known for his
Keyboard compositions.
His 555 Keyboard Sonatas
remain ever popular to
this day, and it is for
this reason that this
fourth volume is
indispensable to
performers of the genre.
Originally composed for
the Harpsichord, Organ or
early Pianoforte, the
Sonatas display the
riveting use of discords
and unconventional
modulations to remote
keys. It is also thought
that much of Scarlatti's
Keyboard music contains
influences of Iberian
music, considering that
he spent much of his
working life in the
service of the Spanish
and Portuguese royal
families. The fourth
volume, comprising
Sonatas 156-205, includes
the popular and
recognisable Sonata in C
major (K. 159). Bearing
in mind that Domenico
Scarlatti was a highly
competent and popular
Keyboard player in his
day, so much so that he
was employed in the
service of two royal
families, his Sonatas are
composed with much
experience, understanding
and expertise, creating
an essential addition to
the repertoire of all
Keyboard players of the
Baroque genre. .
Harpsichord SKU: BA.BA10208-68 Congratulatory Cantata for the Birthday...(+)
Harpsichord
SKU:
BA.BA10208-68
Congratulatory Cantata
for the Birthday of Duke
Christian of
Saxony-Weißenfels and
of Duke Ernst August of
Saxony-Weimar.
Composed by Johann
Sebastian Bach. Edited by
Alfred Durr. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. BWV
208. Duration 38 minutes.
Baerenreiter Verlag
#BA10208_68. Published by
Baerenreiter Verlag
(BA.BA10208-68).
ISBN
9790006491797. 32.5 x
25.5 cm
inches.
Congratulat
ory Cantata for the
Birthday of Duke
Christian of
Saxony-Weissenfels and of
Duke Ernst August of
Saxony-Weimar.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Harpsichord SKU: BA.BA04210-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord
SKU:
BA.BA04210-68
Composed by George
Frideric Handel. Edited
by Adolf Hoffmann and
Hans Ferdinand Redlich.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Single part. Opus 6/2,
HWV 320. 10 pages.
Baerenreiter Verlag
#BA04210_68. Published by
Baerenreiter Verlag
(BA.BA04210-68).
ISBN
9790006445509. 23 x 29.2
cm inches. Key: F
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
By Johann Sebastian Bach. Edited by Heinrich Besseler. For Harpsichord/Basso Con...(+)
By Johann Sebastian Bach.
Edited by Heinrich
Besseler. For
Harpsichord/Basso
Continuo. Single Part.
BWV 1051. Duration 19'.
Published by
Baerenreiter-Ausgaben
(German import). (BA5206
86)
Harpsichord SKU: KU.OCT-10237_CEMB Composed by Georg Philipp Telemann. Ed...(+)
Harpsichord
SKU:
KU.OCT-10237_CEMB
Composed by Georg Philipp
Telemann. Edited by Kurt
Janetzky. Arranged by
Kurt Janetzky. Bach
format (230 x 302). Twv
54:D2. Staple Bound.
Part. 8 pages. Edition
Kunzelmann
#OCT-10237_CEMB.
Published by Edition
Kunzelmann
(KU.OCT-10237_CEMB).
Harpsichord SKU: M7.DOHR-97405 Composed by Norbert Laufer. Sheet music. C...(+)
Harpsichord
SKU:
M7.DOHR-97405
Composed by Norbert
Laufer. Sheet music.
Composed 1995. 10 pages.
MDS (Music Distribution
Services) #DOHR 97405.
Published by MDS (Music
Distribution Services)
(M7.DOHR-97405).
Kleine
Weihnachtskantate.
Composed by Fritz Werner.
German title: Nun sei uns
willkommen. Sacred vocal
music, Cantatas,
Christmas. Single Part,
Violin 1. Op. 15g. 4
pages. Carus Verlag #CV
10.159/11. Published by
Carus Verlag
(CA.1015911).
Harpsichord SKU: OT.21125 Composed by Daniel Akiva. 5 short pieces for ha...(+)
Harpsichord
SKU:
OT.21125
Composed by
Daniel Akiva. 5 short
pieces for
harpsichord/cembalo.
Classical. Score. OR-TAV
Music Publications
#21125. Published by
OR-TAV Music Publications
(OT.21125).
ISBN
9789655051117. 8.27 x
11.69 inches.
The
five short movements for
solo cembalo are brief,
personal prayers that
depict how the subject
manages a range of
feelings and emotions.
The miniatures each
represent a different
emotional state:
reflection, searching,
meditation, agitation,
and resolution. Each is a
small-scale
representation of a
grand, wide-ranging
prayer of
supplication. As a
composer, performer, and
researcher of early
music, writing for
cembalo allows me not
only to express my
special connection to the
instrument and the period
in which it flourished,
but also to present its
contemporary dimensions
as a rich and versatile
instrument. The
piece was composed at the
request of Hagai Yodan,
who performs it with
great skill. Daniel
Akiva is a composer,
performer, and educator
whose performances on
guitar and lute have won
great acclaim. Mr. Akiva
graduated from the Rubin
Academy of Music in
Jerusalem in 1981, where
he studied classical
guitar with Haim Asulin
and composition with Haim
Alexander. In 1987 he
completed his studies at
the Geneva Conservatorium
in Switzerland where he
studied lute with
Jonathon Rubin and
composition with Jean
Ballisa. For many years,
he headed the Music
Department at the WIZO
High School for the Arts
in Haifa, which he
founded in 1986, and
served as the Artistic
Director of the Guitar
Gems Festival from
2006-2019. As part of his
work at WIZO High School,
he has developed a method
for teaching free
improvisation that has
been incorporated into
the music program at the
school. Mr. Akiva has
appeared in concert as a
guitarist and lutist and
given master classes in
Israel, Europe, Russia,
the United States, and
Latin America. Daniel
Akiva’s
compositional output
includes works for solo
instruments, chamber
ensembles, choir, voice
and guitar, piano, and
chamber orchestra. His
works have been recorded
on twelve CDs, the latest
of which, Malchut, was
issued by OR-TAV in
2014. A native of
Haifa whose family has
lived in Israel for over
five hundred years, he
was steeped in the
Sephardic
(Jewish-Spanish)
tradition from his youth.
Much of his compositional
output has been devoted
to a dialogue with the
music of the Sephardic
Jews. Daniel Akiva has
also maintained a
creative dialogue over
many years with the poets
and writers Amnon
Shamash, Rivka Miriam,
and Avner Peretz.
Volume 1, K.1-52.
Composed by Domenico
Scarlatti. Edited by
Kenneth Gilbert. Leduc.
Baroque. Softcover. 204
pages. Heugel and Cie
#HE32645. Published by
Heugel and Cie
(HL.48188514).
UPC:
888680872649.
9.0x12.0x0.562
inches.
â??Italian
composer, Domenico
Scarlatti (1685-1757) is
well-known for his
Keyboard compositions.
His 555 Keyboard Sonatas
remain ever popular to
this day, and it is for
this reason that this
first volume is
indispensable to
performers of the genre.
Originally composed for
the Harpsichord, Organ or
early Pianoforte, the
Sonatas display the
riveting use of discords
and unconventional
modulations to remote
keys. It is also thought
that much of Scarlatti's
Keyboard music contains
influences of Iberian
music, considering that
he spent much of his
working life in the
service of the Spanish
and Portuguese royal
families. This first
volume, comprising
Sonatas 1-52, includes
the popular and
recognised Sonatas in D
minor (K. 9), E major (K.
20) and B minor (K. 27).
Bearing in mind that
Domenico Scarlatti was a
highly competent and
popular Keyboard player
in his day, so much so
that he was employed in
the service of two royal
families, his Sonatas are
composed with much
experience, understanding
and expertise, creating
an essential addition to
the repertoire of all
Keyboard players of the
Baroque genre. â?.
Harpsichord SKU: BT.ALHE32645 By Kenneth Gilbert. By Domenico Scarlatti. ...(+)
Harpsichord
SKU:
BT.ALHE32645
By
Kenneth Gilbert. By
Domenico Scarlatti. Le
Pupitre - Heugel.
Classical. Book Only. 204
pages. Heugel & Cie
#ALHE32645. Published by
Heugel & Cie
(BT.ALHE32645).
French.
Italian
composer, Domenico
Scarlatti (1685-1757) is
well-known for his
Keyboard compositions.
His 555 Keyboard Sonatas
remain ever popular to
this day, and it is for
this reason that this
first volume is
indispensable
toperformers of the
genre. Originally
composed for the
Harpsichord, Organ or
early Pianoforte, the
Sonatas display the
riveting use of discords
and unconventional
modulations to remote
keys. It is also thought
that much ofScarlatti's
Keyboard music contains
influences of Iberian
music, considering that
he spent much of his
working life in the
service of the Spanish
and Portuguese royal
families. This first
volume, comprising
Sonatas 1-52, includesthe
popular and recognised
Sonatas in D minor (K.
9), E major (K. 20) and B
minor (K. 27). Bearing in
mind that Domenico
Scarlatti was a highly
competent and popular
Keyboard player in his
day, so much so that he
was employed inthe
service of two royal
families, his Sonatas are
composed with much
experience, understanding
and expertise, creating
an essential addition to
the repertoire of all
Keyboard players of the
Baroque genre.
Piano or Harpsichord SKU: BT.EMBZ20018 France 1. By Szilvia Elek_A...(+)
Piano or Harpsichord
SKU: BT.EMBZ20018
France 1. By
Szilvia Elek_Anikó
Horváth. By Szilvia
Elek. Classical. Book
Only. Composed 2020. 108
pages. Editio Musica
Budapest #EMBZ20018.
Published by Editio
Musica Budapest
(BT.EMBZ20018).
Hungarian-English-Germ
an-French.
This
brand-new series is
intended as a guide to
the keyboard music of the
16th to 19th centuries
for pupils of the piano
and the harpsichord, as
well as of other early
keyboard instruments.
Each volume contains
pieces by well-known and
lesser-known composers
from one country or
region. The main purpose
of the series is to
extend the repertoire and
stylistic knowledge of
both pianists and
harpsichordists while
also presenting fine
pieces and typical genres
based on original
sources. Our edition
retains the performance
indications of the
composers' manuscripts
and contemporary
editions. Each volume
includes:- suggestions
for stylistically
appropriate performance
bothon the piano and on
period instruments-
suggested elaborated
versions of some pieces
and excerpts- a fold-out
list of ornamentation
signs and the composers'
own tables of
ornamentation signs-
biographies of the
composers and the sources
of the pieces-
translations of
foreign-language
performance indications.
The two volumes devoted
to French keyboard music
includes close to 50
showy and relatively easy
works - preludes, dances,
suites, rondeaux, and
character pieces - from
the early 16th until the
late 18th century
(ordered
chronologically).This
publication is printed on
high-quality,
age-resistant paper that
is produced in an
environmentally-friendly,
climate-neutral manner
using renewable raw
materials.
Una nuova collana
ideata per offrire una
guida alla scoperta della
musica per pianoforte e
clavicembalo dal
sedicesimo al
diciannovesimo secolo.
Ogni volume include brani
di compositori di una
specifica nazione o area
geografica. L'intento
è amplicare la
conoscenza e il
repertorio di ogni
musicista. Inoltre in
ogni edizione sono
riportati fedelmente i
suggerimenti per
l'interpretazione e le
indicazioni presenti sui
manoscritti originali. I
due volumi dedicati alla
musica francese includono
circa 50 brani
significativi - preludi,
danze, suites, rondò e
altri - che risalgono
all'inizio del sedicesimo
secolo fino alla fine del
diciottesimo secolo,
rigorosamente inordine
cronologico.
Harpsichord SKU: FZ.5835 Serie I - France 1600-1800. Edited by Phi...(+)
Harpsichord
SKU:
FZ.5835
Serie I -
France 1600-1800.
Edited by Philippe
Lescat, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5835).
ISBN
9790230658355. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in two books.
ANCELET - Antoine
BEMETZIEDER (1-2) -
Jean-Laurent de BETHISY -
Michel CORRETTE (2) -
Denis DIDEROT - Jacques
DUPHLY (1-2) -
Encyclopedie -
Encyclopedie methodique -
Louis-Joseph le neveu
FRANCOEUR - Pierre Claude
FOUCQUET (1-2) -
Francois-Alexandre-Pierre
de GARSAULT -
Jean-Benjamin de LABORDE
- Philippe MACQUER -
Friedrich Wilhelm MARPURG
- Jean-Philippe RAMEAU
(4) - Jean-Jacques
ROUSSEAU - Simon SIMON.
Table of contents:
Corrette Michel: Les
amusements du Parnasse -
1749. Foucquet Pierre
Claude: Les caracteres de
la paix - 1749. Foucquet
Pierre Claude: Second
livre de pieces de
clavecin - 1751.
Encyclopedie:
Encyclopedie ou
dictionnaire raisonne -
1751/1772. Duphly
Jacques: Troisieme livre
de pieces de clavecin -
1756. Ancelet:
Observations sur la
musique - 1757. Rameau
Jean-Philippe: Code de
musique pratique - 1760.
Garsault
Francois-Alexandre-Pierre
de: Notionnaire - 1761.
Simon Simon: Pieces de
clavecin - 1761. Bethisy
Jean-Laurent de:
Exposition de la theorie
- 1764. Rousseau
Jean-Jacques:
Dictionnaire de la
musique - 1768. Duphly
Jacques: Du doigter - c.
1769. Diderot Denis:
Manuscrit autographe - s.
d. Bemetzrieder Antoine:
Lecons de clavecin -
1771. Francoeur
Louis-Joseph le neveu:
Diapason general - 1772.
Macquer Philippe:
Dictionnaire raisonne -
1773. Laborde
Jean-Benjamin de: Essai
sur la musique - 1780.
Bemetzrieder Antoine:
Nouvelles lecons de
clavecin - 1783.
Encyclopedie methodique:
Encyclopedie methodique,
arts et metiers
mecaniques - 1788.
Marpurg Friedrich
Wilhelm: L'art de toucher
le clavecin - c. 1797.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from:- National
Library of Paris
(France). - Fitzwilliam
Museum of Cambridge
(England). - Bayerische
Staatsbibliotheck of
Munich (Germany). -
British Library of London
(England). - In Private
collection. Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the harpsichord.
Harpsichord SKU: FZ.5849 Edited by Emer Buckley. This edition: Facsimile....(+)
Harpsichord
SKU:
FZ.5849
Edited by
Emer Buckley. This
edition: Facsimile.
Fac-Similes Enseignement.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5849).
ISBN
9790230658492. 22.00 x
31.00 cm
inches.
These
original publications of
Couperin, Corrette,
Boismortier, Duphly and
Bach are in facsimile on
Fac-similes et
Enseignement collection.
Couperin Francois : L'art
de toucher le clavecin.
Paris, 1717. Allemande.
Couperin Francois :
Quatrieme livre de pieces
de clavecin. Paris, 1730.
Menuets croises. Corrette
Michel : Premier livre de
pieces de clavecin.
Paris, 1734. - Manuscrit,
s. d. Les Giboulees de
Mars. Boismortier Joseph
Bodin de : Quatre suites
de pieces de clavecin.
Paris, 1736. La Rustique.
Duphly Jacques : Pieces
de clavecin, quatrieme
livre. Paris, 1768. La Du
Buq. Bach Carl Philipp
Emmanuel : Kurze und
leichte clavierstucke.
Berlin, c. 1766. Allegro.
Fantasia. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. This facsimile
was realized by Emer
buckley for harpsichord.
Facsimile of copies from:
- National Library of
Paris (France). -
Inguimbertine Library of
Carpentras (France). -
Zentralbibliothek of
Zurich (Switzerland). -
osterreichische
Nationalbibliothek of
Wien (Austria). Anne
Fuzeau Classique propose
period copies of
classical music
scores.
Harpsichord SKU: HL.14020226 Composed by Elizabeth Maconchy. Music Sales ...(+)
Harpsichord
SKU:
HL.14020226
Composed
by Elizabeth Maconchy.
Music Sales America.
Classical. Book
[Softcover]. Composed
2002. 16 pages. Chester
Music #CH55112. Published
by Chester Music
(HL.14020226).
8.25x11.75x0.077
inches.
A
Harpsichord is a musical
instrument played by
means of a keyboard. It
produces sound by
plucking a string when a
key is pressed. The
instrument was widely
used in Renaissance and
Baroque music. During the
late 18th century,it
gradually disappeared
from the musical scene
with the rise of the
Piano. In the 20th
century, it made a
resurgence, being used in
historically informed
performances of older
music, in new
(contemporary)
compositions, and
inpopular
culture.
This piece
is perfect for anyone who
wants to discover this
unique instrument.
Composed in 1966 by
Elizabeth
Maconchy the upbeat
allegro of
Notebook For
Harpsichord
takesapproximately 8
minutes to
perform.