Piano or Harpsichord

SKU: BT.EMBZ20018

France 1. By Szilvia Elek_Anikó Horváth. By Szilvia Elek. Classical. Book Only. Composed 2020. 108 pages. Editio Musica Budapest #EMBZ20018. Published by Editio Musica Budapest (BT.EMBZ20018).

Hungarian-English-Germ an-French.

This brand-new series is intended as a guide to the keyboard music of the 16th to 19th centuries for pupils of the piano and the harpsichord, as well as of other early keyboard instruments. Each volume contains pieces by well-known and lesser-known composers from one country or region. The main purpose of the series is to extend the repertoire and stylistic knowledge of both pianists and harpsichordists while also presenting fine pieces and typical genres based on original sources. Our edition retains the performance indications of the composers' manuscripts and contemporary editions. Each volume includes:- suggestions for stylistically appropriate performance bothon the piano and on period instruments- suggested elaborated versions of some pieces and excerpts- a fold-out list of ornamentation signs and the composers' own tables of ornamentation signs- biographies of the composers and the sources of the pieces- translations of foreign-language performance indications. The two volumes devoted to French keyboard music includes close to 50 showy and relatively easy works - preludes, dances, suites, rondeaux, and character pieces - from the early 16th until the late 18th century (ordered chronologically).This publication is printed on high-quality, age-resistant paper that is produced in an environmentally-friendly, climate-neutral manner using renewable raw materials.

Cette toute nouvelle collection est un guide de la musique pour clavier du XVIe au XIXe siècle adressé aux élèves de piano et clavecin, ainsi que d'autres instruments clavier anciens. Chaque volume rassemble des œuvres de compositeurs célèbres et moins célèbres dans un pays ou une région (préludes, danses, suites, rondeaux et pièces de caractère), ainsi que des suggestions de jeu, des versions élaborées suggérées et extraits, une liste dépliante des signes d'ornement et les tables des compositeurs, des biographies des compositeurs et les sources des œuvres. Cette publication a été imprimée sur du papier de qualité, résistant au vieillissement, et produit dans le respectde l'environnement et du climat partir de matières premières renouvelables.

Una nuova collana ideata per offrire una guida alla scoperta della musica per pianoforte e clavicembalo dal sedicesimo al diciannovesimo secolo. Ogni volume include brani di compositori di una specifica nazione o area geografica.
L'intento è amplicare la conoscenza e il repertorio di ogni musicista. Inoltre in ogni edizione sono riportati fedelmente i suggerimenti per l'interpretazione e le indicazioni presenti sui manoscritti originali. I due volumi dedicati alla musica francese includono circa 50 brani significativi - preludi, danze, suites, rondò e altri - che risalgono all'inizio del sedicesimo secolo fino alla fine del diciottesimo secolo, rigorosamente inordine cronologico.

Solo Viola da Gamba (Viola or Violoncello), 2 Violins, Cello/Contrabass, Harpsichord

SKU: CA.3980614

Gambenkonzert in A. Composed by Georg Philipp Telemann. Edited by Wolfgang Hirschmann. Arranged by Wolfgang Hirschmann. Stuttgart Urtext edition. Gambenkonzert In A. Single Part, Violin 2. TWV 51:A5. 4 pages. Duration 10 minutes. Carus Verlag #CV 39.806/14. Published by Carus Verlag (CA.3980614).

ISBN 9790007057084. Key: A major. Language: all languages.

This edition makes available a concerto of Telemann for viola da gamba - the only extant Telemann concerto for this instrument. The quality of this concerto lies in the abundance of the formal and stylistic traditions which it develops, and the resulting individual, unmistakable synthesis of those traditions. Score and part available separately - see item CA.3980600.

Solo Viola da Gamba (Viola or Violoncello), 2 Violins, Cello/Contrabass, Harpsichord

SKU: CA.3980613

Gambenkonzert in A. Composed by Georg Philipp Telemann. Edited by Wolfgang Hirschmann. Arranged by Wolfgang Hirschmann. Stuttgart Urtext edition. Gambenkonzert In A. Single Part, Violin 1. TWV 51:A5. 4 pages. Duration 10 minutes. Carus Verlag #CV 39.806/13. Published by Carus Verlag (CA.3980613).

ISBN 9790007057077. Key: A major. Language: all languages.

This edition makes available a concerto of Telemann for viola da gamba - the only extant Telemann concerto for this instrument. The quality of this concerto lies in the abundance of the formal and stylistic traditions which it develops, and the resulting individual, unmistakable synthesis of those traditions. Score and part available separately - see item CA.3980600.

Solo Viola da Gamba (Viola or Violoncello), 2 Violins, Cello/Contrabass, Harpsichord

SKU: CA.3980615

Gambenkonzert in A. Composed by Georg Philipp Telemann. Edited by Wolfgang Hirschmann. Arranged by Wolfgang Hirschmann. Stuttgart Urtext edition. Gambenkonzert In A. Single Part, basso continuo. TWV 51:A5. 4 pages. Duration 10 minutes. Carus Verlag #CV 39.806/15. Published by Carus Verlag (CA.3980615).

ISBN 9790007057091. Key: A major. Language: all languages.

This edition makes available a concerto of Telemann for viola da gamba - the only extant Telemann concerto for this instrument. The quality of this concerto lies in the abundance of the formal and stylistic traditions which it develops, and the resulting individual, unmistakable synthesis of those traditions. Score and part available separately - see item CA.3980600.

Solo Viola da Gamba (Viola or Violoncello), 2 Violins, Cello/Contrabass, Harpsichord

SKU: CA.3980612

Gambenkonzert in A. Composed by Georg Philipp Telemann. Edited by Wolfgang Hirschmann. Arranged by Wolfgang Hirschmann. Stuttgart Urtext edition. Gambenkonzert In A. Single Part, Viola-Solostimme Altschlussel. TWV 51:A5. 8 pages. Duration 10 minutes. Carus Verlag #CV 39.806/12. Published by Carus Verlag (CA.3980612).

ISBN 9790007057060. Key: A major. Language: all languages.

This edition makes available a concerto of Telemann for viola da gamba - the only extant Telemann concerto for this instrument. The quality of this concerto lies in the abundance of the formal and stylistic traditions which it develops, and the resulting individual, unmistakable synthesis of those traditions. Score and part available separately - see item CA.3980600.

Harpsichord

SKU: FG.55011-499-9

Composed by Jyrki Linjama. Fennica Gehrman #55011-499-9. Published by Fennica Gehrman (FG.55011-499-9).

ISBN 9790550114999.

Sona ta da chiesa III was commissioned by Petteri Pitko, who played the first perfor-mance in Kemionsaaren Musiikkijuhlat in the summer of 2016. The sonata has three movements, each of which has a definite liturgical character and a choral tune as a can-tus firmus. Hence the music can be performed either in a concert or as a part of liturgy.

From the composer's foreword: The first movement, Kyrie, has got an introvert mood. The choral melody is veiled, an indirect part of arpeggiated texture. The Gloria is open, even brilliant: the cantus firmus is worked out to a virtuosic, dance-like texture. The third movement closes the music by means of polyphony and bird singing. Concerning the harpsichord, for me it is essen-tial not to use equal temperament: the possibility to play with pure or almost pure in-tervals is crucial to the sound, having very high and strong overtones.

Duration c. 12'.

(for Cembalo or Harpsichord). By Hermann Schroeder (1904-1984). For Harpsichord, Cembalo. Schott. Softcover. 12 pages. Schott Music #ED20936. Published by Schott Music

Harpsichord

SKU: HL.48188013

Composed by Franç and ois Couperin. Leduc. Baroque. Softcover. 150 pages. Heugel & Cie #HE31971. Published by Heugel & Cie (HL.48188013).

UPC: 888680908263. 9.0x12.0x0.499 inches.

The first volume of Couperin's Harpsichord Pieces does not contain a date of publication, however, it is thought to have been composed during 1716-1717, due to the address which the composer gave on his other Harpsichord compositions. Yet, the compilation remains a favourite. Francois Couperin (1668-1733) is often nicknamed 'Couperin the Great' to distinguish him from other members of the musical family. Many of the composer's works have picturesque titles. Examples of this in his first volume of Pieces for Harpsichord include, Les Papillons (The Butterflies), L'Enchanteresse (The Enchanting) and Les Plaisirs de Saint Germain en Laye (The Pleasures of Saint Germain en Laye). Couperin's moods are expressed through choices of keys, adventurous harmonies and discords. With a significant amount of variation and inspiration, Pieces for Harpsichord is essential to the repertoire of aspiring players of the instrument..

Composed by Francois Couperin (1668-1733). Leduc. Baroque. Softcover. Heugel and Cie #HE31970. Published by Heugel and Cie

Harpsichord

SKU: BT.ALHE31970

Le Pupitre. Composed by Francois Couperin. Book Only. Heugel & Cie #ALHE31970. Published by Heugel & Cie (BT.ALHE31970).

French.

The third volume of Couperin's Pieces for Harpsichord does not contain a date of publication, however it is thought to have been composed during 1716-1717, due to the address which the composer gave on his other Harpsichordcompositions. Yet, the compilation remains a favourite. François Couperin (1668-1733) is often nicknamed 'Couperin the Great' to distinguish him from other members of the musical family. Many of the composer's works havepicturesque titles. Examples of this in his third volume of Pieces for Harpsichord include, La Langueur (Languor), Le Petit-Rien (The Little-Nothing) and L'Artiste (The Artist). Couperin's moods are expressed through choices ofkeys, adventurous harmonies and discords. With a significant amount of variation and inspiration, these Pieces for Harpsichord are essential to the repertoire of aspiring players of the instrument.

Composed by Francois Couperin (1668-1733). Leduc. Baroque. Softcover. 132 pages. Heugel and Cie #HE31833. Published by Heugel and Cie

Harpsichord

SKU: HL.48024704

Harpsichord. Composed by Jyrki Linjama. BH Piano. Classical. Softcover. Fennica Gehrman #M550114999. Published by Fennica Gehrman (HL.48024704).

ISBN 9781540059857. UPC: 888680955199.

The church sonata has three movements, each of which has a definite liturgical character and a choral tune as cantus firmus. Hence the music can be performed either in a concert or as a part of liturgy.

By Jean-Philippe Rameau (1683-1764). Edited by Jean Saint-Arroman, Philippe Lescat. Harpsichord solo. For Harpsichord. Facsimiles. La Musique Francaise Classique de 1650 a 1800. Grade 0. 64 pages

Pan pipe and piano (harpsichord)

SKU: M7.SAE-1-05

Tamerlano. Composed by George Frideric Handel. Arranged by Lucian Moraru. Sheet music. Piano reduction with solo part. SonArt Edition #SAE 1-05. Published by SonArt Edition (M7.SAE-1-05).

ISBN 9790707651513.

This is a unique arrangement for panflute and piano, a work that preserves the beauty of the original work, an icon for classical music repertoire, but at the same time different in essence due to the creative and innovative flavour that was introduced in orchestration on this occasion. The piece has been carefully adapted to suit the technical needs of each instrument, being a smart choice for the players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.

(Harpsichord). By William Bolcom. Edited by Davitt Moroney. For Harpsichord. E.B. Marks. 24 pages. Published by Edward B. Marks Music

Harpsichord

SKU: HL.48188166

K. 408-457. Composed by Domenico Scarlatti. Edited by Kenneth Gilbert. Leduc. Classical. Softcover. 202 pages. Heugel & Cie #HE32201. Published by Heugel & Cie (HL.48188166).

UPC: 888680975623. 9.0x12.0x0.528 inches.

“Ital ian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this ninth volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The ninth volume, comprising Sonatas 408-457, includes many of the popular and recognised Sonatas in a variety of keys. Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre. ”.

By Kenneth Gilbert. By Domenico Scarlatti (1685- 1757). Heugel. Classical. Softcover. 228 pages. Heugel and Cie #HE32300. Published by Heugel and Cie