Composed by Gottlieb Muffat. Editio princeps based on sources of the Berlin Si...(+)
Composed by Gottlieb
Muffat.
Editio princeps based on
sources of the Berlin
Sing-
Akademie and the
Osterreichische
Nationalbibliothek.
Breitkopf
and Haertel #EB 9325.
Published by Breitkopf
and
Haertel
Piano or Harpsichord SKU: BT.EMBZ20018 France 1. By Szilvia Elek_A...(+)
Piano or Harpsichord
SKU: BT.EMBZ20018
France 1. By
Szilvia Elek_Anikó
Horváth. By Szilvia
Elek. Classical. Book
Only. Composed 2020. 108
pages. Editio Musica
Budapest #EMBZ20018.
Published by Editio
Musica Budapest
(BT.EMBZ20018).
Hungarian-English-Germ
an-French.
This
brand-new series is
intended as a guide to
the keyboard music of the
16th to 19th centuries
for pupils of the piano
and the harpsichord, as
well as of other early
keyboard instruments.
Each volume contains
pieces by well-known and
lesser-known composers
from one country or
region. The main purpose
of the series is to
extend the repertoire and
stylistic knowledge of
both pianists and
harpsichordists while
also presenting fine
pieces and typical genres
based on original
sources. Our edition
retains the performance
indications of the
composers' manuscripts
and contemporary
editions. Each volume
includes:- suggestions
for stylistically
appropriate performance
bothon the piano and on
period instruments-
suggested elaborated
versions of some pieces
and excerpts- a fold-out
list of ornamentation
signs and the composers'
own tables of
ornamentation signs-
biographies of the
composers and the sources
of the pieces-
translations of
foreign-language
performance indications.
The two volumes devoted
to French keyboard music
includes close to 50
showy and relatively easy
works - preludes, dances,
suites, rondeaux, and
character pieces - from
the early 16th until the
late 18th century
(ordered
chronologically).This
publication is printed on
high-quality,
age-resistant paper that
is produced in an
environmentally-friendly,
climate-neutral manner
using renewable raw
materials.
Una nuova collana
ideata per offrire una
guida alla scoperta della
musica per pianoforte e
clavicembalo dal
sedicesimo al
diciannovesimo secolo.
Ogni volume include brani
di compositori di una
specifica nazione o area
geografica. L'intento
è amplicare la
conoscenza e il
repertorio di ogni
musicista. Inoltre in
ogni edizione sono
riportati fedelmente i
suggerimenti per
l'interpretazione e le
indicazioni presenti sui
manoscritti originali. I
due volumi dedicati alla
musica francese includono
circa 50 brani
significativi - preludi,
danze, suites, rondò e
altri - che risalgono
all'inizio del sedicesimo
secolo fino alla fine del
diciottesimo secolo,
rigorosamente inordine
cronologico.
Composed by Lennox Berkeley (1903-1989). Edited by Christopher D. Lewis. Music S...(+)
Composed by Lennox
Berkeley (1903-1989).
Edited by Christopher D.
Lewis. Music Sales
America. Classical.
Softcover. 16 pages.
Chester Music #CH84810.
Published by Chester
Music (HL.14048181).
Sonatas for Harpsichord. Composed by Domenico Scarlatti (1685-1757). Edit...(+)
Sonatas for
Harpsichord. Composed
by Domenico Scarlatti
(1685-1757). Edited by
Emilia Fadini and Marco
Moiraghi. Piano.
Softcover. 296 pages.
Ricordi #ER2757.
Published by Ricordi
(HL.50600627).
Suites, Partitas, Sonatas. Composed by Johann Sebastian Bach (1685-1750). Edit...(+)
Suites, Partitas,
Sonatas.
Composed by Johann
Sebastian
Bach (1685-1750). Edited
by
Siebe Henstra. Arranged
by
Gustav Leonhardt. This
edition: Urtext edition.
Transcribed for
harpsichord.
Collection. Published by
Baerenreiter Verlag
Composed by Charles Dieupart (1667-1740). Edited by Andrew Wooley. For Harpsicho...(+)
Composed by Charles
Dieupart (1667-1740).
Edited by Andrew Wooley.
For Harpsichord. Playing
score. 30(xv) pages.
Published by Edition HH
Music Publishers
Harpsichord SKU: HL.48188874 By Diana Petech. By Joseph-Hector Fiocco. Le...(+)
Harpsichord
SKU:
HL.48188874
By Diana
Petech. By Joseph-Hector
Fiocco. Leduc. Classical.
Softcover. 67 pages.
Heugel & Cie #HE33712.
Published by Heugel & Cie
(HL.48188874).
UPC:
888680873066. 9x12
inches.
French.
“Harp
sichord Pieces, LP. 78 is
a set of works for
Harpsichord, written by
Joseph Hector Fiocco and
edited by Diana Petech.
This edition includes a
really complete preface,
with comments and advice
to work through this book
and explanations of all
the symbols that can be
found in it. It features
24 pieces divided in two
suites, with the second
suite set in a more
traditional layout than
the first one. The name
of each piece is also not
especially appropriate
regarding their style.
First suite: - L'anglaise
- L'harmonieuse - La
plaintive - La
villageoise - Les
promenades -
L'inconfiante -
L'italienne - La
française -
L'adagio - L'alegro -
L'andante - La vivace
Second suite: -
L'alemande - La
legère - La guigue
- La farabande -
L'inquiette - La gavotte
- Les menuets - Les
sautèrelles -
L'agitée - Les
zéphirs - La
musette - La fringuante
Joseph Hector Fiocco
(1703-1741) is a Belgian
harpsichordist who had
Italian origins.He was
Deputy Choir Master at
the court and resigned to
become Choir Master in
another French city. He
composed numerous
religious music
works.&rdquo.
Harpsichord - easy to intermediate SKU: HL.49003712 A collection of ea...(+)
Harpsichord - easy to
intermediate
SKU:
HL.49003712
A
collection of easy
original compositions of
the masters from the
16-1800 years. Edited
by Willy Rehberg.
Arranged by Willy
Rehberg. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. 39
pages. Schott Music #ED
2348. Published by Schott
Music (HL.49003712).
ISBN 9790001037037.
UPC: 073999265491.
9.0x12.0x0.129
inches.
Harpsichord SKU: HL.14023645 Composed by Michael Nyman. Music Sales Ameri...(+)
Harpsichord
SKU:
HL.14023645
Composed
by Michael Nyman. Music
Sales America. Classical.
Book [Softcover].
Composed 2000. 56 pages.
Chester Music #CH61496.
Published by Chester
Music (HL.14023645).
ISBN 9780711983281.
9.0x12.0x0.162
inches.
These three
solo harpsichord pieces
are a collection of
recent compositions, each
with an individual theme
and idea. The first, The
convertibility of Lute
Strings, was first
performed at the Purcell
Room, London in 1992. The
second, Tango for Tim was
written in memory of a
friend and composer Tim
Souster, which was
composed and first
performed in 1994. The
third piece, Elisabeth
Gets Her Way, is an
extended version of the
cadenza which Elisabeth
Chojnacka persuaded
Michael Nyman to add to
his Harpsichord Concerto,
which includes material
from the first two pieces
in this album.
Harpsichord SKU: BT.ALHE32487 Composed by Johann Jakob Froberger. Le Pupi...(+)
Harpsichord
SKU:
BT.ALHE32487
Composed
by Johann Jakob
Froberger. Le Pupitre -
Heugel. Book Only. 104
pages. Heugel & Cie
#ALHE32487. Published by
Heugel & Cie
(BT.ALHE32487).
French.
First
volume of the first tome
of the Complete
Harpsichord Work by
Johann Jakob Froberger,
this book (Version 1649)
is a set of twenty-four
pieces for Harpsichord.
Edited by Howard Schott,
the book has its preface
and informationin French,
English and German. It
features six Toccatas,
six Fantasias, six
Canzones, 5 Suites and a
partite. The works are of
medium difficulty and can
be played by intermediate
players. Johann Jakob
Froberger (1616-1667)is a
German Baroque composer.
He was a really famous
musician amongst his
peers and influenced many
of them.
Harpsichord SKU: OT.21125 Composed by Daniel Akiva. 5 short pieces for ha...(+)
Harpsichord
SKU:
OT.21125
Composed by
Daniel Akiva. 5 short
pieces for
harpsichord/cembalo.
Classical. Score. OR-TAV
Music Publications
#21125. Published by
OR-TAV Music Publications
(OT.21125).
ISBN
9789655051117. 8.27 x
11.69 inches.
The
five short movements for
solo cembalo are brief,
personal prayers that
depict how the subject
manages a range of
feelings and emotions.
The miniatures each
represent a different
emotional state:
reflection, searching,
meditation, agitation,
and resolution. Each is a
small-scale
representation of a
grand, wide-ranging
prayer of
supplication. As a
composer, performer, and
researcher of early
music, writing for
cembalo allows me not
only to express my
special connection to the
instrument and the period
in which it flourished,
but also to present its
contemporary dimensions
as a rich and versatile
instrument. The
piece was composed at the
request of Hagai Yodan,
who performs it with
great skill. Daniel
Akiva is a composer,
performer, and educator
whose performances on
guitar and lute have won
great acclaim. Mr. Akiva
graduated from the Rubin
Academy of Music in
Jerusalem in 1981, where
he studied classical
guitar with Haim Asulin
and composition with Haim
Alexander. In 1987 he
completed his studies at
the Geneva Conservatorium
in Switzerland where he
studied lute with
Jonathon Rubin and
composition with Jean
Ballisa. For many years,
he headed the Music
Department at the WIZO
High School for the Arts
in Haifa, which he
founded in 1986, and
served as the Artistic
Director of the Guitar
Gems Festival from
2006-2019. As part of his
work at WIZO High School,
he has developed a method
for teaching free
improvisation that has
been incorporated into
the music program at the
school. Mr. Akiva has
appeared in concert as a
guitarist and lutist and
given master classes in
Israel, Europe, Russia,
the United States, and
Latin America. Daniel
Akiva’s
compositional output
includes works for solo
instruments, chamber
ensembles, choir, voice
and guitar, piano, and
chamber orchestra. His
works have been recorded
on twelve CDs, the latest
of which, Malchut, was
issued by OR-TAV in
2014. A native of
Haifa whose family has
lived in Israel for over
five hundred years, he
was steeped in the
Sephardic
(Jewish-Spanish)
tradition from his youth.
Much of his compositional
output has been devoted
to a dialogue with the
music of the Sephardic
Jews. Daniel Akiva has
also maintained a
creative dialogue over
many years with the poets
and writers Amnon
Shamash, Rivka Miriam,
and Avner Peretz.
Piano, harpsichord SKU: BA.BA04028 Individual Suites and Pieces - Part...(+)
Piano, harpsichord
SKU: BA.BA04028
Individual Suites and
Pieces - Part 1 (Nos.
1-22). Composed by
George Frideric Handel.
Edited by Terence Best.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series IV,
Volume 6. Complete
edition, Performance
score, anthology.
Baerenreiter Verlag
#BA04028_00. Published by
Baerenreiter Verlag
(BA.BA04028).
ISBN
9790006443321. 33 x 25.6
cm inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Piano, harpsichord SKU: BA.BA04032 Individual Suites and Pieces - Part...(+)
Piano, harpsichord
SKU: BA.BA04032
Individual Suites and
Pieces - Part 2 (Nos.
1-34). Composed by
George Frideric Handel.
Edited by Terence Best.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series IV,
Volume 17. Suiten, Barock
(Suites, Baroque).
Complete edition,
Performance score,
anthology. Duration 1
hour, 39 minutes, 59
seconds. Baerenreiter
Verlag #BA04032_00.
Published by Baerenreiter
Verlag (BA.BA04032).
ISBN 9790006443390. 33
x 25.8 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Harpsichord SKU: HL.48181261 Composed by Jacques-Francois Ibert. Leduc. C...(+)
Harpsichord
SKU:
HL.48181261
Composed
by Jacques-Francois
Ibert. Leduc. Classical.
16 pages. Alphonse Leduc
#AL20630. Published by
Alphonse Leduc
(HL.48181261).
UPC:
888680787110.
9.25x12.25x0.083
inches.
“Bein
g an unusual composer of
his day, Ibert did not
attach himself to any of
the predominant genres of
music of the time.
Described as elicit, the
composer's Deux
Interludes for Flute,
Violin and Harpsichord is
pleasantly unusual in
instrumentation, creating
a worthy addition to the
classical music
repertoire. Ibert stands
out as a composer who
tackled all styles with
equal success, his Deux
Interludes for Flute,
Violin and Harpsichord
being no exception. With
clear, separate parts,
this edition is a must
buy for aspiring
musicians seeking to
expand their
repertoire.â€.
Chamber Music Harpsichord SKU: PR.110418390 Composed by Eric Ewazen. Full...(+)
Chamber Music Harpsichord
SKU: PR.110418390
Composed by Eric Ewazen.
Full score. 11 pages.
Duration 10 minutes.
Theodore Presser Company
#110-41839. Published by
Theodore Presser Company
(PR.110418390).
ISBN
9781491134603. UPC:
680160685158.
Eric
Ewazen’s THREE
INVENTIONS were inspired
by Bach’s Two-part
Inventions, yet they
sound thoroughly like
Ewazen. Composed for
harpsichord (with a piano
adaptation following
later), Ewazen’s
inventions maintain a
pure “one note per
hand†texture until
their final chord, with
strong-but-free imitative
counterpoint between the
two voices. While Ewazen
may be best known for his
wind music, he is a
pianist himself, and
composers’ works
for their own instrument
are a direct insight into
how they write for their
own performances. The
piano adaptation of THREE
INVENTIONS is also
available as a separate
publication. THREE
INVENTIONS was written
for my dear friend Maria
Rojas, who premiered the
work on a faculty recital
at Juilliard. Maria is
both a pianist and a
harpsichordist, and I
first met her when she
gave a demonstration of
the harpsichord for the
students in my theory
classes.I’ve
always been captivated by
Bach’s series of
Two-Part and Three-Part
Inventions. With the
Two-Part Inventions,
I’m amazed how
Bach could create such
wonderful intricacy and
counterpoint with only
two voices. I
consequently modeled my
inventions after the
counterpoint of Bach,
involving the traditional
contrapuntal devices he
used: imitation,
development, harmonic and
modal shifts,
fragmentation, and
sequence, essentially
creating a dialog between
two completely equal
voices conversing with
each other!Bach wrote 15
Two-Part Inventions (as
well as 15 Three-Part
Inventions, not to
mention the 48 preludes
and fugues in The
Well-Tempered Clavier!),
and that’s just
the start of his
voluminous repertoire for
the keyboard! I was happy
just to write
three!!!Each of my
inventions has a
distinctive mood. The
first is in a relaxed,
yet cheerful C Major
tonality (as a nod to
Bach’s Invention
No. 1 in C Major); the
second is heartfelt and
lyrical; and the third
invention (involving a
Gigue rhythm in the
compound meter of 12/8)
is energetic, and full of
life and spontaneity. The
third is primarily in a
minor tonality, resulting
in a feeling of drama,
bringing the THREE
INVENTIONS to an exciting
finale.
Harpsichord; Early Music SKU: UT.HS-307 Composed by Antonio Valente. Edit...(+)
Harpsichord; Early Music
SKU: UT.HS-307
Composed by Antonio
Valente. Edited by Maria
Luisa Baldassari.
Paperback (Soft Cover).
Classical. Ut Orpheus #HS
307. Published by Ut
Orpheus (UT.HS-307).
ISBN 9790215327146. 9
x 12
inches.
Antonio
Valente blind,
Neapolitan since a
long time according
to the list of Neapolitan
musicians by Scipione
Cerreto and organist in
S. Angelo a Nilo in
Naples, is known in
modern times for his two
volumes of keyboard
music: Versi
spirituali published
in 1580 and, some years
before, the volume here
in transcription,
Intavolatura de
cimbalo, printed by
Giuseppe Cacchio in
1576. This volume has
many original features:
first keyboard tablature
ever printed in Naples,
itâ??s not written in
musical characters but in
a number-based system
never met, according to
the current studies, in
any other print or
manuscript both in and
outside Italy. The
dedication letter,
written by Fraâ??
Alberto Mazza, praises
Valente as the inventor
of this writing method,
so easy and effective
that everybody, even
uncouth youths that did
not know music and
keyboard, could attain
the result of playing
from it in two
months. The
Intavolatura presents
different genres of
music: a fantasia, six
ricercatas, a Salve
Regina on a cantus
firmus, four vocal
chansons
intabulated for keyboard
with more or less
diminutions,and nine
dances, variations and
dance/variations on
long-living tenors like
Romanesca or
Zefiro. There are
no liturgical
compositions, both
because unsuitable in a
collection for amateurs
and because Valente will
publish a new book of
sacred music in a few
years. The book is a
sort of compendium of the
keyboard genres of the
period, similar to some
older Spanish
publications and to the
later Neapolitan ones by
Trabaci and Majone. Other
contemporary volumes on
the contrary choose to
present a single type of
composition: this is the
case of the
Versetti by
Valente and the
Ricercate by Rocco
Rodio.
By Johann Sebastian Bach. For 4 Harpsichords, Strings. This edition: Harpsichord...(+)
By Johann Sebastian Bach.
For 4 Harpsichords,
Strings. This edition:
Harpsichord 4 solo.
Breitkopf Orchestral
Library. 8 pages.
Published by Breitkopf
and Haertel (German
import).