Piano or Harpsichord

SKU: BT.EMBZ20018

France 1. By Szilvia Elek_Anikó Horváth. By Szilvia Elek. Classical. Book Only. Composed 2020. 108 pages. Editio Musica Budapest #EMBZ20018. Published by Editio Musica Budapest (BT.EMBZ20018).

Hungarian-English-Germ an-French.

This brand-new series is intended as a guide to the keyboard music of the 16th to 19th centuries for pupils of the piano and the harpsichord, as well as of other early keyboard instruments. Each volume contains pieces by well-known and lesser-known composers from one country or region. The main purpose of the series is to extend the repertoire and stylistic knowledge of both pianists and harpsichordists while also presenting fine pieces and typical genres based on original sources. Our edition retains the performance indications of the composers' manuscripts and contemporary editions. Each volume includes:- suggestions for stylistically appropriate performance bothon the piano and on period instruments- suggested elaborated versions of some pieces and excerpts- a fold-out list of ornamentation signs and the composers' own tables of ornamentation signs- biographies of the composers and the sources of the pieces- translations of foreign-language performance indications. The two volumes devoted to French keyboard music includes close to 50 showy and relatively easy works - preludes, dances, suites, rondeaux, and character pieces - from the early 16th until the late 18th century (ordered chronologically).This publication is printed on high-quality, age-resistant paper that is produced in an environmentally-friendly, climate-neutral manner using renewable raw materials.

Cette toute nouvelle collection est un guide de la musique pour clavier du XVIe au XIXe siècle adressé aux élèves de piano et clavecin, ainsi que d'autres instruments clavier anciens. Chaque volume rassemble des œuvres de compositeurs célèbres et moins célèbres dans un pays ou une région (préludes, danses, suites, rondeaux et pièces de caractère), ainsi que des suggestions de jeu, des versions élaborées suggérées et extraits, une liste dépliante des signes d'ornement et les tables des compositeurs, des biographies des compositeurs et les sources des œuvres. Cette publication a été imprimée sur du papier de qualité, résistant au vieillissement, et produit dans le respectde l'environnement et du climat partir de matières premières renouvelables.

Una nuova collana ideata per offrire una guida alla scoperta della musica per pianoforte e clavicembalo dal sedicesimo al diciannovesimo secolo. Ogni volume include brani di compositori di una specifica nazione o area geografica.
L'intento è amplicare la conoscenza e il repertorio di ogni musicista. Inoltre in ogni edizione sono riportati fedelmente i suggerimenti per l'interpretazione e le indicazioni presenti sui manoscritti originali. I due volumi dedicati alla musica francese includono circa 50 brani significativi - preludi, danze, suites, rondò e altri - che risalgono all'inizio del sedicesimo secolo fino alla fine del diciottesimo secolo, rigorosamente inordine cronologico.

Solo Viola da Gamba (Viola or Violoncello), 2 Violins, Cello/Contrabass, Harpsichord

SKU: CA.3980614

Gambenkonzert in A. Composed by Georg Philipp Telemann. Edited by Wolfgang Hirschmann. Arranged by Wolfgang Hirschmann. Stuttgart Urtext edition. Gambenkonzert In A. Single Part, Violin 2. TWV 51:A5. 4 pages. Duration 10 minutes. Carus Verlag #CV 39.806/14. Published by Carus Verlag (CA.3980614).

ISBN 9790007057084. Key: A major. Language: all languages.

This edition makes available a concerto of Telemann for viola da gamba - the only extant Telemann concerto for this instrument. The quality of this concerto lies in the abundance of the formal and stylistic traditions which it develops, and the resulting individual, unmistakable synthesis of those traditions. Score and part available separately - see item CA.3980600.

Solo Viola da Gamba (Viola or Violoncello), 2 Violins, Cello/Contrabass, Harpsichord

SKU: CA.3980613

Gambenkonzert in A. Composed by Georg Philipp Telemann. Edited by Wolfgang Hirschmann. Arranged by Wolfgang Hirschmann. Stuttgart Urtext edition. Gambenkonzert In A. Single Part, Violin 1. TWV 51:A5. 4 pages. Duration 10 minutes. Carus Verlag #CV 39.806/13. Published by Carus Verlag (CA.3980613).

ISBN 9790007057077. Key: A major. Language: all languages.

This edition makes available a concerto of Telemann for viola da gamba - the only extant Telemann concerto for this instrument. The quality of this concerto lies in the abundance of the formal and stylistic traditions which it develops, and the resulting individual, unmistakable synthesis of those traditions. Score and part available separately - see item CA.3980600.

Solo Viola da Gamba (Viola or Violoncello), 2 Violins, Cello/Contrabass, Harpsichord

SKU: CA.3980615

Gambenkonzert in A. Composed by Georg Philipp Telemann. Edited by Wolfgang Hirschmann. Arranged by Wolfgang Hirschmann. Stuttgart Urtext edition. Gambenkonzert In A. Single Part, basso continuo. TWV 51:A5. 4 pages. Duration 10 minutes. Carus Verlag #CV 39.806/15. Published by Carus Verlag (CA.3980615).

ISBN 9790007057091. Key: A major. Language: all languages.

This edition makes available a concerto of Telemann for viola da gamba - the only extant Telemann concerto for this instrument. The quality of this concerto lies in the abundance of the formal and stylistic traditions which it develops, and the resulting individual, unmistakable synthesis of those traditions. Score and part available separately - see item CA.3980600.

Solo Viola da Gamba (Viola or Violoncello), 2 Violins, Cello/Contrabass, Harpsichord

SKU: CA.3980612

Gambenkonzert in A. Composed by Georg Philipp Telemann. Edited by Wolfgang Hirschmann. Arranged by Wolfgang Hirschmann. Stuttgart Urtext edition. Gambenkonzert In A. Single Part, Viola-Solostimme Altschlussel. TWV 51:A5. 8 pages. Duration 10 minutes. Carus Verlag #CV 39.806/12. Published by Carus Verlag (CA.3980612).

ISBN 9790007057060. Key: A major. Language: all languages.

This edition makes available a concerto of Telemann for viola da gamba - the only extant Telemann concerto for this instrument. The quality of this concerto lies in the abundance of the formal and stylistic traditions which it develops, and the resulting individual, unmistakable synthesis of those traditions. Score and part available separately - see item CA.3980600.

Composed by Johann Sebastian Bach. Edited by Matan Entin, Norbert Mü, and llemann. Henle Music Folios. Classical. Softcover. 60 pages. G. Henle #HN7381. Published by G. Henle

Harpsichord

SKU: BT.ALHE32121

By Kenneth Gilbert. By Domenico Scarlatti. Le Pupitre - Heugel. Classical. Book Only. 208 pages. Heugel & Cie #ALHE32121. Published by Heugel & Cie (BT.ALHE32121).

French.

Itali an composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this eighth volumeis indispensable to performers of the genre.

Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations toremote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royalfamilies.The eighth volume, comprising Sonatas 358-407, includes the popular and recognised Sonatas in B minor (K. 377) and E major (K. 380). Bearing in mind that Domenico Scarlatti was a highly competentand popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essentialaddition to the repertoire of all Keyboard players of the Baroque genre.

Harpsichord; Early Music

SKU: UT.HS-307

Composed by Antonio Valente. Edited by Maria Luisa Baldassari. Paperback (Soft Cover). Classical. Ut Orpheus #HS 307. Published by Ut Orpheus (UT.HS-307).

ISBN 9790215327146. 9 x 12 inches.

Antonio Valente blind, Neapolitan since a long time according to the list of Neapolitan musicians by Scipione Cerreto and organist in S. Angelo a Nilo in Naples, is known in modern times for his two volumes of keyboard music: Versi spirituali published in 1580 and, some years before, the volume here in transcription, Intavolatura de cimbalo, printed by Giuseppe Cacchio in 1576.
This volume has many original features: first keyboard tablature ever printed in Naples, itâ??s not written in musical characters but in a number-based system never met, according to the current studies, in any other print or manuscript both in and outside Italy. The dedication letter, written by Fraâ?? Alberto Mazza, praises Valente as the inventor of this writing method, so easy and effective that everybody, even uncouth youths that did not know music and keyboard, could attain the result of playing from it in two months.
The Intavolatura presents different genres of music: a fantasia, six ricercatas, a Salve Regina on a cantus firmus, four vocal chansons intabulated for keyboard with more or less diminutions,and nine dances, variations and dance/variations on long-living tenors like Romanesca or Zefiro. There are no liturgical compositions, both because unsuitable in a collection for amateurs and because Valente will publish a new book of sacred music in a few years.
The book is a sort of compendium of the keyboard genres of the period, similar to some older Spanish publications and to the later Neapolitan ones by Trabaci and Majone. Other contemporary volumes on the contrary choose to present a single type of composition: this is the case of the Versetti by Valente and the Ricercate by Rocco Rodio.

By Kenneth Gilbert. By Domenico Scarlatti (1685- 1757). Leduc. Classical. Softcover. 212 pages. Heugel and Cie #HE32121. Published by Heugel and Cie

Volume 11, K. 507-555. Composed by Domenico Scarlatti (1685-1757). Leduc. Classical. Softcover. 195 pages. Heugel and Cie #HE32298. Published by Heugel and Cie

Harpsichord (Harpsichord)

SKU: HL.48188514

Volume 1, K.1-52. Composed by Domenico Scarlatti. Edited by Kenneth Gilbert. Leduc. Baroque. Softcover. 204 pages. Heugel and Cie #HE32645. Published by Heugel and Cie (HL.48188514).

UPC: 888680872649. 9.0x12.0x0.562 inches.

â??Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this first volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. This first volume, comprising Sonatas 1-52, includes the popular and recognised Sonatas in D minor (K. 9), E major (K. 20) and B minor (K. 27). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre. â?.

Harpsichord (harpsichord)

SKU: HL.48188386

Volume 4, K.156-205. Composed by Domenico Scarlatti. Edited by Kenneth Gilbert. Leduc. Baroque. Softcover. 212 pages. Heugel & Cie #HE32486. Published by Heugel & Cie (HL.48188386).

UPC: 888680866136. 9.0x12.0x0.565 inches.

Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this fourth volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The fourth volume, comprising Sonatas 156-205, includes the popular and recognisable Sonata in C major (K. 159). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre. .

Harpsichord

SKU: BT.ALHE32645

By Kenneth Gilbert. By Domenico Scarlatti. Le Pupitre - Heugel. Classical. Book Only. 204 pages. Heugel & Cie #ALHE32645. Published by Heugel & Cie (BT.ALHE32645).

French.

Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this first volume is indispensable toperformers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much ofScarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. This first volume, comprising Sonatas 1-52, includesthe popular and recognised Sonatas in D minor (K. 9), E major (K. 20) and B minor (K. 27). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed inthe service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.

Chamber Music Harpsichord

SKU: PR.110418390

Composed by Eric Ewazen. Full score. 11 pages. Duration 10 minutes. Theodore Presser Company #110-41839. Published by Theodore Presser Company (PR.110418390).

ISBN 9781491134603. UPC: 680160685158.

Eric Ewazen’s THREE INVENTIONS were inspired by Bach’s Two-part Inventions, yet they sound thoroughly like Ewazen. Composed for harpsichord (with a piano adaptation following later), Ewazen’s inventions maintain a pure “one note per hand” texture until their final chord, with strong-but-free imitative counterpoint between the two voices. While Ewazen may be best known for his wind music, he is a pianist himself, and composers’ works for their own instrument are a direct insight into how they write for their own performances. The piano adaptation of THREE INVENTIONS is also available as a separate publication.
THREE INVENTIONS was written for my dear friend Maria Rojas, who premiered the work on a faculty recital at Juilliard. Maria is both a pianist and a harpsichordist, and I first met her when she gave a demonstration of the harpsichord for the students in my theory classes.I’ve always been captivated by Bach’s series of Two-Part and Three-Part Inventions. With the Two-Part Inventions, I’m amazed how Bach could create such wonderful intricacy and counterpoint with only two voices. I consequently modeled my inventions after the counterpoint of Bach, involving the traditional contrapuntal devices he used: imitation, development, harmonic and modal shifts, fragmentation, and sequence, essentially creating a dialog between two completely equal voices conversing with each other!Bach wrote 15 Two-Part Inventions (as well as 15 Three-Part Inventions, not to mention the 48 preludes and fugues in The Well-Tempered Clavier!), and that’s just the start of his voluminous repertoire for the keyboard! I was happy just to write three!!!Each of my inventions has a distinctive mood. The first is in a relaxed, yet cheerful C Major tonality (as a nod to Bach’s Invention No. 1 in C Major); the second is heartfelt and lyrical; and the third invention (involving a Gigue rhythm in the compound meter of 12/8) is energetic, and full of life and spontaneity. The third is primarily in a minor tonality, resulting in a feeling of drama, bringing the THREE INVENTIONS to an exciting finale.