Piano or Harpsichord SKU: BT.EMBZ20018 France 1. By Szilvia Elek_A...(+)
Piano or Harpsichord
SKU: BT.EMBZ20018
France 1. By
Szilvia Elek_Anikó
Horváth. By Szilvia
Elek. Classical. Book
Only. Composed 2020. 108
pages. Editio Musica
Budapest #EMBZ20018.
Published by Editio
Musica Budapest
(BT.EMBZ20018).
Hungarian-English-Germ
an-French.
This
brand-new series is
intended as a guide to
the keyboard music of the
16th to 19th centuries
for pupils of the piano
and the harpsichord, as
well as of other early
keyboard instruments.
Each volume contains
pieces by well-known and
lesser-known composers
from one country or
region. The main purpose
of the series is to
extend the repertoire and
stylistic knowledge of
both pianists and
harpsichordists while
also presenting fine
pieces and typical genres
based on original
sources. Our edition
retains the performance
indications of the
composers' manuscripts
and contemporary
editions. Each volume
includes:- suggestions
for stylistically
appropriate performance
bothon the piano and on
period instruments-
suggested elaborated
versions of some pieces
and excerpts- a fold-out
list of ornamentation
signs and the composers'
own tables of
ornamentation signs-
biographies of the
composers and the sources
of the pieces-
translations of
foreign-language
performance indications.
The two volumes devoted
to French keyboard music
includes close to 50
showy and relatively easy
works - preludes, dances,
suites, rondeaux, and
character pieces - from
the early 16th until the
late 18th century
(ordered
chronologically).This
publication is printed on
high-quality,
age-resistant paper that
is produced in an
environmentally-friendly,
climate-neutral manner
using renewable raw
materials.
Una nuova collana
ideata per offrire una
guida alla scoperta della
musica per pianoforte e
clavicembalo dal
sedicesimo al
diciannovesimo secolo.
Ogni volume include brani
di compositori di una
specifica nazione o area
geografica. L'intento
è amplicare la
conoscenza e il
repertorio di ogni
musicista. Inoltre in
ogni edizione sono
riportati fedelmente i
suggerimenti per
l'interpretazione e le
indicazioni presenti sui
manoscritti originali. I
due volumi dedicati alla
musica francese includono
circa 50 brani
significativi - preludi,
danze, suites, rondò e
altri - che risalgono
all'inizio del sedicesimo
secolo fino alla fine del
diciottesimo secolo,
rigorosamente inordine
cronologico.
Composed by
Rhian Samuel. Octavo.
Stainer & Bell Ltd.
#Y231. Published by
Stainer & Bell Ltd.
(ST.Y231).
ISBN
9790220221767.
Writ
ten for harpsichordist
Jane Chapman, and clearly
inspired by her
virtuosity, Copper
Ribbons is a
fantasy-movement of
throbbing tremolandi and
scrunchy arpeggiated
chords that both support
and intrude upon a
recitative-like 'line' of
elusive, questioning
melody. Exploiting the
instruments rich variety
of tone colours with a
Debussian passion for
texture and timbre, the
composer here creates a
miniature tone-poem,
which sustains to its
closing bars a sense of
mystery and suggestion.
The work may stand alone,
or as a pair with its
companion-piece Silver
Threads, which should
precede it.
By Nicolas Clerambault. Edited by Jean Saint-Arroman, Philippe Lescat. Harpsicho...(+)
By Nicolas Clerambault.
Edited by Jean
Saint-Arroman, Philippe
Lescat. Harpsichord solo.
For Harpsichord.
Facsimiles. La Musique
Francaise Classique de
1650 a 1800. Grade 0. 52
pages
Harpsichord SKU: FZ.5834 Serie I - France 1600-1800. Edited by Phi...(+)
Harpsichord
SKU:
FZ.5834
Serie I -
France 1600-1800.
Edited by Philippe
Lescat, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5834).
ISBN
9790230658348. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in two books.
Anonyme - Jean-Henry
d'ANGLEBERT - Francois
COUPERIN (1-2) -
Jean-Joseph Cassanea de
MONDONVILLE - Michel
CORRETTE (1) - Jacques
Champion de CHAMBONNIERES
- Francois DAGINCOURT -
Jean-Francois DANDRIEU -
Louis Claude DAQUIN -
Jean II DENIS - Francois
DIEUPART - Louis-Antoine
DORNEL - Antoine
FORQUERAY - Antoine
FURETIERE - Charles
Alexandre JOLLAGE -
Nicolas-Antoine LEBEGUE -
Jean Leonor LE GALLOIS -
Gaspard LE ROUX - Marin
MERSENNE - Jean-Philippe
RAMEAU (1-2-3) - Pancrace
ROYER - Michel de SAINT
LAMBERT - Charles Joseph
VAN HELMONT. Table of
contents: Mersenne Marin:
Harmonie universelle -
1636. Denis Jean II:
Traite de l'accord de
l'espinette - 1650.
Chambonnieres Jacques
Champion de: Les pieces
de clavessin - 1670.
Anonyme: Tablature pour
le clavecin - s. d.
Lebegue Nicolas-Antoine:
Les pieces de clavessin -
1677. Le Gallois Jean
Leonor: Lettre de Mr Le
Gallois - 1680. Anglebert
Jean-Henry d': Pieces de
clavecin - 1689.
Furetiere Antoine:
Dictionnaire universel -
1690. Dieupart Francois:
Six suittes de clavessin
- 1701. Saint-Lambert
Michel de: Les principes
du clavecin - 1702. Le
Roux Gaspard: Pieces de
clavessin - 1705.
Couperin Francois: Pieces
de clavecin - 1713.
Couperin Francois: L'art
de toucher le clavecin -
1717. Rameau
Jean-Philippe: Pieces de
clavecin - 1724. Dandrieu
Jean-Francois: Livre de
pieces de clavecin -
1724. Rameau
Jean-Philippe: Nouvelles
suites de pieces de
clavecin - 1728. Dornel
Louis Antoine: Pieces de
clavecin - 1731.
Dagincourt Francois:
Pieces de clavecin -
1733. Corrette Michel:
Premier livre de pieces
de clavecin - 1734.
Daquin Louis Claude: 1er
livre de pieces de
clavecin - 1735. Rameau
Jean-Philippe: Pieces de
clavecin - 1736. Van
Helmont Charles Joseph:
Pieces de clavecin -
1737. Jollage Charles
Alexandre: Premier livre
de pieces de clavecin -
1738. Royer Pancrace:
Pieces de clavecin -
1737. Forqueray Antoine:
Pieces de viole (. . . )
mises en pieces de
clavecin - 1747.
Mondonville Jean-Joseph
Cassanea de: Pieces de
clavecin avec voix ou
violon - 1748. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from:-
Inguimbertine Library of
Carpentras (France). -
Municipal Library of Lyon
(France). - National
Library of Paris
(France). - Sainte
Genevieve Library of
Paris (France). - British
Library of London
(England). - Municipal
Library of Grenoble
(France). - Municipal
Library of Bordeaux
(France). - Gemmente
Museum of The Hague
(Netherlands). - In
Private collection. Anne
Fuzeau Classique propose
the complete theoretic
documentation, methods,
classical music scores on
the harpsichord.
Composed by
Rhian Samuel. Octavo.
Stainer & Bell Ltd.
#Y232. Published by
Stainer & Bell Ltd.
(ST.Y232).
ISBN
9790220221750.
With
Copper Ribbons,
Silver Threads is
one of a pair of virtuoso
harpsichord pieces by
Rhian Samuel, and the two
may be programmed
together or performed as
separate recital items.
The music of Silver
Threads is the
restless pursuit of a
single idea through fleet
textures, dividing an
unbroken line of melody
between the hands and
manuals throughout the
register of the
instrument.
Harpsichord SKU: ST.Y234 Composed by Bayan Northcott. Octavo. Stainer & B...(+)
Harpsichord
SKU:
ST.Y234
Composed by
Bayan Northcott. Octavo.
Stainer & Bell Ltd.
#Y234. Published by
Stainer & Bell Ltd.
(ST.Y234).
ISBN
9790220221804.
Insp
ired by Antonio Soler's
work of the same name
Fandango for
harpsichord was composed
between January and March
2006 and first performed
by its dedicatee,
Chau-Yee Lo, in the
Library of the Reform
Club, Pall Mall, on 6
April 2006. Duration:
c.6 minutes.
Harpsichord SKU: HL.48188013 Composed by Franç and ois Couperin. Le...(+)
Harpsichord
SKU:
HL.48188013
Composed
by Franç and ois
Couperin. Leduc. Baroque.
Softcover. 150 pages.
Heugel & Cie #HE31971.
Published by Heugel & Cie
(HL.48188013).
UPC:
888680908263.
9.0x12.0x0.499
inches.
The first
volume of Couperin's
Harpsichord Pieces does
not contain a date of
publication, however, it
is thought to have been
composed during
1716-1717, due to the
address which the
composer gave on his
other Harpsichord
compositions. Yet, the
compilation remains a
favourite. Francois
Couperin (1668-1733) is
often nicknamed 'Couperin
the Great' to distinguish
him from other members of
the musical family. Many
of the composer's works
have picturesque titles.
Examples of this in his
first volume of Pieces
for Harpsichord include,
Les Papillons (The
Butterflies),
L'Enchanteresse (The
Enchanting) and Les
Plaisirs de Saint Germain
en Laye (The Pleasures of
Saint Germain en Laye).
Couperin's moods are
expressed through choices
of keys, adventurous
harmonies and discords.
With a significant amount
of variation and
inspiration, Pieces for
Harpsichord is essential
to the repertoire of
aspiring players of the
instrument..
Harpsichord SKU: FZ.5835 Serie I - France 1600-1800. Edited by Phi...(+)
Harpsichord
SKU:
FZ.5835
Serie I -
France 1600-1800.
Edited by Philippe
Lescat, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5835).
ISBN
9790230658355. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in two books.
ANCELET - Antoine
BEMETZIEDER (1-2) -
Jean-Laurent de BETHISY -
Michel CORRETTE (2) -
Denis DIDEROT - Jacques
DUPHLY (1-2) -
Encyclopedie -
Encyclopedie methodique -
Louis-Joseph le neveu
FRANCOEUR - Pierre Claude
FOUCQUET (1-2) -
Francois-Alexandre-Pierre
de GARSAULT -
Jean-Benjamin de LABORDE
- Philippe MACQUER -
Friedrich Wilhelm MARPURG
- Jean-Philippe RAMEAU
(4) - Jean-Jacques
ROUSSEAU - Simon SIMON.
Table of contents:
Corrette Michel: Les
amusements du Parnasse -
1749. Foucquet Pierre
Claude: Les caracteres de
la paix - 1749. Foucquet
Pierre Claude: Second
livre de pieces de
clavecin - 1751.
Encyclopedie:
Encyclopedie ou
dictionnaire raisonne -
1751/1772. Duphly
Jacques: Troisieme livre
de pieces de clavecin -
1756. Ancelet:
Observations sur la
musique - 1757. Rameau
Jean-Philippe: Code de
musique pratique - 1760.
Garsault
Francois-Alexandre-Pierre
de: Notionnaire - 1761.
Simon Simon: Pieces de
clavecin - 1761. Bethisy
Jean-Laurent de:
Exposition de la theorie
- 1764. Rousseau
Jean-Jacques:
Dictionnaire de la
musique - 1768. Duphly
Jacques: Du doigter - c.
1769. Diderot Denis:
Manuscrit autographe - s.
d. Bemetzrieder Antoine:
Lecons de clavecin -
1771. Francoeur
Louis-Joseph le neveu:
Diapason general - 1772.
Macquer Philippe:
Dictionnaire raisonne -
1773. Laborde
Jean-Benjamin de: Essai
sur la musique - 1780.
Bemetzrieder Antoine:
Nouvelles lecons de
clavecin - 1783.
Encyclopedie methodique:
Encyclopedie methodique,
arts et metiers
mecaniques - 1788.
Marpurg Friedrich
Wilhelm: L'art de toucher
le clavecin - c. 1797.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from:- National
Library of Paris
(France). - Fitzwilliam
Museum of Cambridge
(England). - Bayerische
Staatsbibliotheck of
Munich (Germany). -
British Library of London
(England). - In Private
collection. Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the harpsichord.
Harpsichord SKU: FZ.5849 Edited by Emer Buckley. This edition: Facsimile....(+)
Harpsichord
SKU:
FZ.5849
Edited by
Emer Buckley. This
edition: Facsimile.
Fac-Similes Enseignement.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5849).
ISBN
9790230658492. 22.00 x
31.00 cm
inches.
These
original publications of
Couperin, Corrette,
Boismortier, Duphly and
Bach are in facsimile on
Fac-similes et
Enseignement collection.
Couperin Francois : L'art
de toucher le clavecin.
Paris, 1717. Allemande.
Couperin Francois :
Quatrieme livre de pieces
de clavecin. Paris, 1730.
Menuets croises. Corrette
Michel : Premier livre de
pieces de clavecin.
Paris, 1734. - Manuscrit,
s. d. Les Giboulees de
Mars. Boismortier Joseph
Bodin de : Quatre suites
de pieces de clavecin.
Paris, 1736. La Rustique.
Duphly Jacques : Pieces
de clavecin, quatrieme
livre. Paris, 1768. La Du
Buq. Bach Carl Philipp
Emmanuel : Kurze und
leichte clavierstucke.
Berlin, c. 1766. Allegro.
Fantasia. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. This facsimile
was realized by Emer
buckley for harpsichord.
Facsimile of copies from:
- National Library of
Paris (France). -
Inguimbertine Library of
Carpentras (France). -
Zentralbibliothek of
Zurich (Switzerland). -
osterreichische
Nationalbibliothek of
Wien (Austria). Anne
Fuzeau Classique propose
period copies of
classical music
scores.
ISBN 9790006505623. 31
x 24.3 cm inches.
Preface: Denis
Herlin.
‘Once
again the French
musicologist Denis
Herlin, who mastered the
harpsichord under the
tutelage of such keyboard
legends as Kenneth
Gilbert and Huguette
Dreyfus, has presented an
exemplary edition of a
classic from the
harpsichord
repertoire.’ (Jury
of the German Music
Edition Prize on BA
10844)
Bärenrei
ter presents Book II of
Couperin’s
“Pièces de
clavecinâ€, first
published in 1717, In
addition the eight
preludes and one
allemande from his
treatise
“L’Art de
toucher le
clavecin†are
included in the appendix.
For the first time Denis
Herlin has evaluated the
many later impressions of
the original print, most
of which he unearthed
himself in international
libraries. By preserving
the essential features of
the original print while
largely dispensing with
disruptive page-turns
within the pieces, the
volume brings modern
performers close to the
special sound of this
music. Rounding off this
pioneering new edition
are an extensive
Foreword, notes on
historical performance
practice, a comprehensive
glossary, facsimile pages
and a detailed Critical
Commentary.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Edited by Emer Buckley. For Harpsichord. This edition: Facsimile. Fac-Similes En...(+)
Edited by Emer Buckley.
For Harpsichord. This
edition: Facsimile.
Fac-Similes Enseignement.
Score. 16 pages.
Published by Anne Fuzeau
Productions - France
Harpsichord SKU: BT.ALHE32649 Composed by Jacques Duphly. Le Pupitre - He...(+)
Harpsichord
SKU:
BT.ALHE32649
Composed
by Jacques Duphly. Le
Pupitre - Heugel.
Classical. Score Only.
188 pages. Heugel & Cie
#ALHE32649. Published by
Heugel & Cie
(BT.ALHE32649).
French.
Duphly's
Harpsichord Pieces is in
two volumes and the
compilation remains a
favourite in the
Harpsichord repertoire.
Jacques Duphly
(1715-1789) studied the
Harpsichord and Organ as
a boy, becoming a
virtuoso of both
instruments.Comprising
Gavottes, Menuets, and
other works, this second
volume of La Pupite's
collection of Duphly's
Harpsichord Pieces,,
exemplifies the
composer's skills on the
Harpsichord. The second
volume of Harpsichord
Pieces alsohelpfully
contains a table of
ornaments, demonstrating
how each should be
performed. Duphly's
Harpsichord Pieces is
essential to the
repertoire of aspiring
players of the
instrument.
Harpsichord SKU: BT.ALHE31970 Le Pupitre. Composed by Francois Cou...(+)
Harpsichord
SKU:
BT.ALHE31970
Le
Pupitre. Composed by
Francois Couperin. Book
Only. Heugel & Cie
#ALHE31970. Published by
Heugel & Cie
(BT.ALHE31970).
French.
The
third volume of
Couperin's Pieces for
Harpsichord does not
contain a date of
publication, however it
is thought to have been
composed during
1716-1717, due to the
address which the
composer gave on his
other
Harpsichordcompositions.
Yet, the compilation
remains a favourite.
François Couperin
(1668-1733) is often
nicknamed 'Couperin the
Great' to distinguish him
from other members of the
musical family. Many of
the composer's works
havepicturesque titles.
Examples of this in his
third volume of Pieces
for Harpsichord include,
La Langueur (Languor), Le
Petit-Rien (The
Little-Nothing) and
L'Artiste (The Artist).
Couperin's moods are
expressed through choices
ofkeys, adventurous
harmonies and discords.
With a significant amount
of variation and
inspiration, these Pieces
for Harpsichord are
essential to the
repertoire of aspiring
players of the
instrument.
