ISBN 9790006505623. 31
x 24.3 cm inches.
Preface: Denis
Herlin.
‘Once
again the French
musicologist Denis
Herlin, who mastered the
harpsichord under the
tutelage of such keyboard
legends as Kenneth
Gilbert and Huguette
Dreyfus, has presented an
exemplary edition of a
classic from the
harpsichord
repertoire.’ (Jury
of the German Music
Edition Prize on BA
10844)
Bärenrei
ter presents Book II of
Couperin’s
“Pièces de
clavecinâ€, first
published in 1717, In
addition the eight
preludes and one
allemande from his
treatise
“L’Art de
toucher le
clavecin†are
included in the appendix.
For the first time Denis
Herlin has evaluated the
many later impressions of
the original print, most
of which he unearthed
himself in international
libraries. By preserving
the essential features of
the original print while
largely dispensing with
disruptive page-turns
within the pieces, the
volume brings modern
performers close to the
special sound of this
music. Rounding off this
pioneering new edition
are an extensive
Foreword, notes on
historical performance
practice, a comprehensive
glossary, facsimile pages
and a detailed Critical
Commentary.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Harpsichord SKU: HL.48181261 Composed by Jacques-Francois Ibert. Leduc. C...(+)
Harpsichord
SKU:
HL.48181261
Composed
by Jacques-Francois
Ibert. Leduc. Classical.
16 pages. Alphonse Leduc
#AL20630. Published by
Alphonse Leduc
(HL.48181261).
UPC:
888680787110.
9.25x12.25x0.083
inches.
“Bein
g an unusual composer of
his day, Ibert did not
attach himself to any of
the predominant genres of
music of the time.
Described as elicit, the
composer's Deux
Interludes for Flute,
Violin and Harpsichord is
pleasantly unusual in
instrumentation, creating
a worthy addition to the
classical music
repertoire. Ibert stands
out as a composer who
tackled all styles with
equal success, his Deux
Interludes for Flute,
Violin and Harpsichord
being no exception. With
clear, separate parts,
this edition is a must
buy for aspiring
musicians seeking to
expand their
repertoire.â€.