Harpsichord - intermediate SKU: HL.49008078 Three Pieces. Composed...(+)
Harpsichord -
intermediate
SKU:
HL.49008078
Three
Pieces. Composed by
Hans-Martin Linde. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Composed 1991.
8 pages. Schott Music #ED
8542. Published by Schott
Music (HL.49008078).
ISBN 9790001114790.
9.0x12.0x0.102
inches.
Though
technically not too
difficult, these 3 pieces
by Hans-Martin Linde
demand an acute awareness
of their rhythmical
complexities from the
player. The title also
contains programmatic
allusions: the tonal and
rhythmical structural
subtleties require a
heightened perception
from the listener. The
pieces are suitable for
competition as well as
concert performance.
Harpsichord SKU: OT.21125 Composed by Daniel Akiva. 5 short pieces for ha...(+)
Harpsichord
SKU:
OT.21125
Composed by
Daniel Akiva. 5 short
pieces for
harpsichord/cembalo.
Classical. Score. OR-TAV
Music Publications
#21125. Published by
OR-TAV Music Publications
(OT.21125).
ISBN
9789655051117. 8.27 x
11.69 inches.
The
five short movements for
solo cembalo are brief,
personal prayers that
depict how the subject
manages a range of
feelings and emotions.
The miniatures each
represent a different
emotional state:
reflection, searching,
meditation, agitation,
and resolution. Each is a
small-scale
representation of a
grand, wide-ranging
prayer of
supplication. As a
composer, performer, and
researcher of early
music, writing for
cembalo allows me not
only to express my
special connection to the
instrument and the period
in which it flourished,
but also to present its
contemporary dimensions
as a rich and versatile
instrument. The
piece was composed at the
request of Hagai Yodan,
who performs it with
great skill. Daniel
Akiva is a composer,
performer, and educator
whose performances on
guitar and lute have won
great acclaim. Mr. Akiva
graduated from the Rubin
Academy of Music in
Jerusalem in 1981, where
he studied classical
guitar with Haim Asulin
and composition with Haim
Alexander. In 1987 he
completed his studies at
the Geneva Conservatorium
in Switzerland where he
studied lute with
Jonathon Rubin and
composition with Jean
Ballisa. For many years,
he headed the Music
Department at the WIZO
High School for the Arts
in Haifa, which he
founded in 1986, and
served as the Artistic
Director of the Guitar
Gems Festival from
2006-2019. As part of his
work at WIZO High School,
he has developed a method
for teaching free
improvisation that has
been incorporated into
the music program at the
school. Mr. Akiva has
appeared in concert as a
guitarist and lutist and
given master classes in
Israel, Europe, Russia,
the United States, and
Latin America. Daniel
Akiva’s
compositional output
includes works for solo
instruments, chamber
ensembles, choir, voice
and guitar, piano, and
chamber orchestra. His
works have been recorded
on twelve CDs, the latest
of which, Malchut, was
issued by OR-TAV in
2014. A native of
Haifa whose family has
lived in Israel for over
five hundred years, he
was steeped in the
Sephardic
(Jewish-Spanish)
tradition from his youth.
Much of his compositional
output has been devoted
to a dialogue with the
music of the Sephardic
Jews. Daniel Akiva has
also maintained a
creative dialogue over
many years with the poets
and writers Amnon
Shamash, Rivka Miriam,
and Avner Peretz.
Pan pipe and piano (harpsichord) SKU: M7.SAE-1-05 Tamerlano. Compo...(+)
Pan pipe and piano
(harpsichord)
SKU:
M7.SAE-1-05
Tamerlano.
Composed by George
Frideric Handel. Arranged
by Lucian Moraru. Sheet
music. Piano reduction
with solo part. SonArt
Edition #SAE 1-05.
Published by SonArt
Edition (M7.SAE-1-05).
ISBN
9790707651513.
This
is a unique arrangement
for panflute and piano, a
work that preserves the
beauty of the original
work, an icon for
classical music
repertoire, but at the
same time different in
essence due to the
creative and innovative
flavour that was
introduced in
orchestration on this
occasion. The piece has
been carefully adapted to
suit the technical needs
of each instrument, being
a smart choice for the
players that want to
achieve the acclaim from
the audience. This piece
of music is suitable both
for concerts given by
professionals and for
auditions in schools,
colleges, conservatories
or can be used in various
other private events.
Harpsichord; Piano (Harpsichord) SKU: HL.49047178 For Harpsichord or P...(+)
Harpsichord; Piano
(Harpsichord)
SKU:
HL.49047178
For
Harpsichord or Piano.
Composed by Fazil Say.
Piano. Classical, Jazz.
Softcover. 12 pages.
Duration 420 seconds.
Schott Music #ED23543.
Published by Schott Music
(HL.49047178).
ISBN
9781705197486. UPC:
842819115908.
9.0x12.0x0.075
inches.
Are you a
lover of classical piano
music looking for
something new and
exciting to add to your
repertoire? Look no
further than Goldberg in
Istanbul, the stunning
op. 94 composition by
Fazil Say. This concert
and encore piece takes
the well-known themes of
theGoldberg Variations by
Johann Sebastian Bach and
infuses them with Turkish
maqams, jazz elements,
and Istanbul rhythms. The
result is a breathtaking
fusion of cultures and
styles that is sure to
captivate any audience.
Whether you're a pianist
or harpsichordist, this
sheet music publication
is a must-have for any
performer looking to add
something fresh and
unique to their
repertoire. Get your copy
of Goldberg in Istanbul
today and experience the
magic for yourself.
Harpsichord SKU: HL.50511093 Tastenmusik aus dem 16. und 17. Jahrhunde...(+)
Harpsichord
SKU:
HL.50511093
Tastenmusik aus dem
16. und 17.
Jahrhundert. By
Katalin Fittler. By
Ottavio Bariola.
Renaissance. EMB. Book
Only. Editio Musica
Budapest #Z13121.
Published by Editio
Musica Budapest
(HL.50511093).
ISBN
9790080131213. UPC:
073999750416. Bach (23 x
30,2 cm) inches.
Hungarian, English,
German. Ottavio Bariola;
Szilvia Katalin
Fittler.
Ottavio
Bariola was a famous
Milanese organist in the
late 16th century. Only a
relatively small number
of his works is known to
survive, among them a
collection of ricercares
and canzonas. The present
edition offers a
selection of ten pieces
of the latter collection.
In agreement with their
genre the compositions
are strictly polyphonic
in structure. In this
edition the works are
included in a four-part
setting with consistent
part-writing. Due to
their volume and grade of
difficulty the pieces are
not meant for concert
hall performance in the
first place but for
enriching the repertoire
of church organists and
lovers of early
music.