For Harpsichord. By Vincent Persichetti. Solo piano. For Harpsichord. Classical. Solo part. Opus 149. 16 pages. Duration 9:10. Published by Theodore Presser Company.

For Harpsichord. By Vincent Persichetti. Solo piano. For Harpsichord. Classical. Solo part. Opus 151. 16 pages. Duration 9:30. Published by Theodore Presser Company.

By Vincent Persichetti. For Harpsichord. Classical. Solo part. Opus 156. 11 pages. Duration 7:00. Published by Theodore Presser Company.

For Harpsichord. By Vincent Persichetti. Solo piano. For Harpsichord. Classical. Solo part. Opus 152. 19 pages. Duration 9:30. Published by Theodore Presser Company.

Harpsichord

SKU: FZ.5834

Serie I - France 1600-1800. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5834).

ISBN 9790230658348. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in two books. Anonyme - Jean-Henry d'ANGLEBERT - Francois COUPERIN (1-2) - Jean-Joseph Cassanea de MONDONVILLE - Michel CORRETTE (1) - Jacques Champion de CHAMBONNIERES - Francois DAGINCOURT - Jean-Francois DANDRIEU - Louis Claude DAQUIN - Jean II DENIS - Francois DIEUPART - Louis-Antoine DORNEL - Antoine FORQUERAY - Antoine FURETIERE - Charles Alexandre JOLLAGE - Nicolas-Antoine LEBEGUE - Jean Leonor LE GALLOIS - Gaspard LE ROUX - Marin MERSENNE - Jean-Philippe RAMEAU (1-2-3) - Pancrace ROYER - Michel de SAINT LAMBERT - Charles Joseph VAN HELMONT. Table of contents: Mersenne Marin: Harmonie universelle - 1636. Denis Jean II: Traite de l'accord de l'espinette - 1650. Chambonnieres Jacques Champion de: Les pieces de clavessin - 1670. Anonyme: Tablature pour le clavecin - s. d. Lebegue Nicolas-Antoine: Les pieces de clavessin - 1677. Le Gallois Jean Leonor: Lettre de Mr Le Gallois - 1680. Anglebert Jean-Henry d': Pieces de clavecin - 1689. Furetiere Antoine: Dictionnaire universel - 1690. Dieupart Francois: Six suittes de clavessin - 1701. Saint-Lambert Michel de: Les principes du clavecin - 1702. Le Roux Gaspard: Pieces de clavessin - 1705. Couperin Francois: Pieces de clavecin - 1713. Couperin Francois: L'art de toucher le clavecin - 1717. Rameau Jean-Philippe: Pieces de clavecin - 1724. Dandrieu Jean-Francois: Livre de pieces de clavecin - 1724. Rameau Jean-Philippe: Nouvelles suites de pieces de clavecin - 1728. Dornel Louis Antoine: Pieces de clavecin - 1731. Dagincourt Francois: Pieces de clavecin - 1733. Corrette Michel: Premier livre de pieces de clavecin - 1734. Daquin Louis Claude: 1er livre de pieces de clavecin - 1735. Rameau Jean-Philippe: Pieces de clavecin - 1736. Van Helmont Charles Joseph: Pieces de clavecin - 1737. Jollage Charles Alexandre: Premier livre de pieces de clavecin - 1738. Royer Pancrace: Pieces de clavecin - 1737. Forqueray Antoine: Pieces de viole (. . . ) mises en pieces de clavecin - 1747. Mondonville Jean-Joseph Cassanea de: Pieces de clavecin avec voix ou violon - 1748. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from:- Inguimbertine Library of Carpentras (France). - Municipal Library of Lyon (France). - National Library of Paris (France). - Sainte Genevieve Library of Paris (France). - British Library of London (England). - Municipal Library of Grenoble (France). - Municipal Library of Bordeaux (France). - Gemmente Museum of The Hague (Netherlands). - In Private collection. Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the harpsichord.

Piano or Harpsichord

SKU: BT.EMBZ20018

France 1. By Szilvia Elek_Anikó Horváth. By Szilvia Elek. Classical. Book Only. Composed 2020. 108 pages. Editio Musica Budapest #EMBZ20018. Published by Editio Musica Budapest (BT.EMBZ20018).

Hungarian-English-Germ an-French.

This brand-new series is intended as a guide to the keyboard music of the 16th to 19th centuries for pupils of the piano and the harpsichord, as well as of other early keyboard instruments. Each volume contains pieces by well-known and lesser-known composers from one country or region. The main purpose of the series is to extend the repertoire and stylistic knowledge of both pianists and harpsichordists while also presenting fine pieces and typical genres based on original sources. Our edition retains the performance indications of the composers' manuscripts and contemporary editions. Each volume includes:- suggestions for stylistically appropriate performance bothon the piano and on period instruments- suggested elaborated versions of some pieces and excerpts- a fold-out list of ornamentation signs and the composers' own tables of ornamentation signs- biographies of the composers and the sources of the pieces- translations of foreign-language performance indications. The two volumes devoted to French keyboard music includes close to 50 showy and relatively easy works - preludes, dances, suites, rondeaux, and character pieces - from the early 16th until the late 18th century (ordered chronologically).This publication is printed on high-quality, age-resistant paper that is produced in an environmentally-friendly, climate-neutral manner using renewable raw materials.

Cette toute nouvelle collection est un guide de la musique pour clavier du XVIe au XIXe siècle adressé aux élèves de piano et clavecin, ainsi que d'autres instruments clavier anciens. Chaque volume rassemble des œuvres de compositeurs célèbres et moins célèbres dans un pays ou une région (préludes, danses, suites, rondeaux et pièces de caractère), ainsi que des suggestions de jeu, des versions élaborées suggérées et extraits, une liste dépliante des signes d'ornement et les tables des compositeurs, des biographies des compositeurs et les sources des œuvres. Cette publication a été imprimée sur du papier de qualité, résistant au vieillissement, et produit dans le respectde l'environnement et du climat partir de matières premières renouvelables.

Una nuova collana ideata per offrire una guida alla scoperta della musica per pianoforte e clavicembalo dal sedicesimo al diciannovesimo secolo. Ogni volume include brani di compositori di una specifica nazione o area geografica.
L'intento è amplicare la conoscenza e il repertorio di ogni musicista. Inoltre in ogni edizione sono riportati fedelmente i suggerimenti per l'interpretazione e le indicazioni presenti sui manoscritti originali. I due volumi dedicati alla musica francese includono circa 50 brani significativi - preludi, danze, suites, rondò e altri - che risalgono all'inizio del sedicesimo secolo fino alla fine del diciottesimo secolo, rigorosamente inordine cronologico.

Chamber Music Harpsichord

SKU: PR.110418390

Composed by Eric Ewazen. Full score. 11 pages. Duration 10 minutes. Theodore Presser Company #110-41839. Published by Theodore Presser Company (PR.110418390).

ISBN 9781491134603. UPC: 680160685158.

Eric Ewazen’s THREE INVENTIONS were inspired by Bach’s Two-part Inventions, yet they sound thoroughly like Ewazen. Composed for harpsichord (with a piano adaptation following later), Ewazen’s inventions maintain a pure “one note per hand” texture until their final chord, with strong-but-free imitative counterpoint between the two voices. While Ewazen may be best known for his wind music, he is a pianist himself, and composers’ works for their own instrument are a direct insight into how they write for their own performances. The piano adaptation of THREE INVENTIONS is also available as a separate publication.
THREE INVENTIONS was written for my dear friend Maria Rojas, who premiered the work on a faculty recital at Juilliard. Maria is both a pianist and a harpsichordist, and I first met her when she gave a demonstration of the harpsichord for the students in my theory classes.I’ve always been captivated by Bach’s series of Two-Part and Three-Part Inventions. With the Two-Part Inventions, I’m amazed how Bach could create such wonderful intricacy and counterpoint with only two voices. I consequently modeled my inventions after the counterpoint of Bach, involving the traditional contrapuntal devices he used: imitation, development, harmonic and modal shifts, fragmentation, and sequence, essentially creating a dialog between two completely equal voices conversing with each other!Bach wrote 15 Two-Part Inventions (as well as 15 Three-Part Inventions, not to mention the 48 preludes and fugues in The Well-Tempered Clavier!), and that’s just the start of his voluminous repertoire for the keyboard! I was happy just to write three!!!Each of my inventions has a distinctive mood. The first is in a relaxed, yet cheerful C Major tonality (as a nod to Bach’s Invention No. 1 in C Major); the second is heartfelt and lyrical; and the third invention (involving a Gigue rhythm in the compound meter of 12/8) is energetic, and full of life and spontaneity. The third is primarily in a minor tonality, resulting in a feeling of drama, bringing the THREE INVENTIONS to an exciting finale.

Harpsichord

SKU: FZ.5835

Serie I - France 1600-1800. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5835).

ISBN 9790230658355. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in two books. ANCELET - Antoine BEMETZIEDER (1-2) - Jean-Laurent de BETHISY - Michel CORRETTE (2) - Denis DIDEROT - Jacques DUPHLY (1-2) - Encyclopedie - Encyclopedie methodique - Louis-Joseph le neveu FRANCOEUR - Pierre Claude FOUCQUET (1-2) - Francois-Alexandre-Pierre de GARSAULT - Jean-Benjamin de LABORDE - Philippe MACQUER - Friedrich Wilhelm MARPURG - Jean-Philippe RAMEAU (4) - Jean-Jacques ROUSSEAU - Simon SIMON. Table of contents: Corrette Michel: Les amusements du Parnasse - 1749. Foucquet Pierre Claude: Les caracteres de la paix - 1749. Foucquet Pierre Claude: Second livre de pieces de clavecin - 1751. Encyclopedie: Encyclopedie ou dictionnaire raisonne - 1751/1772. Duphly Jacques: Troisieme livre de pieces de clavecin - 1756. Ancelet: Observations sur la musique - 1757. Rameau Jean-Philippe: Code de musique pratique - 1760. Garsault Francois-Alexandre-Pierre de: Notionnaire - 1761. Simon Simon: Pieces de clavecin - 1761. Bethisy Jean-Laurent de: Exposition de la theorie - 1764. Rousseau Jean-Jacques: Dictionnaire de la musique - 1768. Duphly Jacques: Du doigter - c. 1769. Diderot Denis: Manuscrit autographe - s. d. Bemetzrieder Antoine: Lecons de clavecin - 1771. Francoeur Louis-Joseph le neveu: Diapason general - 1772. Macquer Philippe: Dictionnaire raisonne - 1773. Laborde Jean-Benjamin de: Essai sur la musique - 1780. Bemetzrieder Antoine: Nouvelles lecons de clavecin - 1783. Encyclopedie methodique: Encyclopedie methodique, arts et metiers mecaniques - 1788. Marpurg Friedrich Wilhelm: L'art de toucher le clavecin - c. 1797. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from:- National Library of Paris (France). - Fitzwilliam Museum of Cambridge (England). - Bayerische Staatsbibliotheck of Munich (Germany). - British Library of London (England). - In Private collection. Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the harpsichord.

Harpsichord

SKU: KU.GM-751_CEMB

Composed by Franz Joseph Haydn. Edited by Howard Chandler Robbins Landon. Arranged by Howard Chandler Robbins Landon. DIN-A4. Hob Viia:I. Staple Bound. Part. 14 pages. Edition Kunzelmann #GM-751_CEMB. Published by Edition Kunzelmann (KU.GM-751_CEMB).

Harpsichord

SKU: KU.OCT-10009_CEMB

Composed by Antonio Vivaldi. Edited by Rudolf Eller. Arranged by Rudolf Eller. Bach format (230 x 302). Rv 519, Pv 212, F. I/175, Ric. 410. Staple Bound. Part. Op. 3/5. 6 pages. Edition Kunzelmann #OCT-10009_CEMB. Published by Edition Kunzelmann (KU.OCT-10009_CEMB).

Key: A major.

(Hob. I:26). By Franz Joseph Haydn (1732-1809). Edited by H. C. Robbins Landon. For orchestra (0,2,0,1-2,0,0,0 - Harpsichord - Strings). Orchestral music. Score. 16 pages. Published by Doblinger Music Publishers

Harpsichord

SKU: FG.55011-764-8

Composed by Esa Pietilä. Classical, contemporary. Book. Fennica Gehrman #55011-764-8. Published by Fennica Gehrman (FG.55011-764-8).

ISBN 9790550117648.

The title of Esa Pietilä’s solo harpsichord work Fata morgana (2019) refers to a special weather con-dition, which creates illusory effect of mirage-like fairy castle-like monuments in the horizon of the sea. The piece brings forth the frightening bass sonority on double manual, full size harpsichord and the brightness on the treble and makes a dialogue out of them. “I got fasci-nated by the sonority, character and power of the low register sound on the instrument, es-pecially when used in non-traditional way and found some kind of especially delightful and outlandish cluster-mud and airy glimmering things which seem to play together, the com-poser describes. The challenges of the piece lie in rhythmical ideas, which are surprisingly multi-faceted and in the short, improvised section.

Duration: c. 6’

Esa Pietilän soolo-cembalolle tehdyn sävellyksen otsikko Fata morgana (2019) viittaa erityisen sääil-miön aiheuttamaan illusatoriseen kangastuksen tapaiseen efektiin, joka tuo esiin satulinnojen kaltaisten rakennelmien ilmaantumisen meren horisonttiin. Sävellys tuo esiin cembalon bas-sorekisterin pelottavuuden sekä diskantin kirkkauden ja käy niillä vuoropuhelua. Haltioiduin cembalon alarekisterin erityisestä soinnista, karakteerista ja voimasta, jos sitä käyttää hyvinkin ei-perinteisesti. Löysin myös erityisen hauskasti soivaa klusteri-mutaa ja ilmavaa kimallusta, jotka sointuvat yhteen, Pietilä kuvaa sävellystään. Kappaleen haasteena ovat rytmisesti yllät-tävät ja monitahoiset ideat sekä lyhyt improvisaatiojakso.

9 Suites for Harpsichord. By Johann Caspar Ferdinand Fischer. Schott. Size 9x12 inches. 72 pages. Published by Schott.

Harpsichord - difficult

SKU: HL.49014922

For Harpsichord. Composed by Gavin Bryars. This edition: ED12607. Sheet music. Edition Schott. Classical. Composed 1995. 12 pages. Duration 10'. Schott Music #ED 12607. Published by Schott Music (HL.49014922).

ISBN 9790220118906. UPC: 073999743944. 8.25x11.75x0.07 inches.

'This piece for solo harpsichord (1995, duration 10 minutes) was commissioned by Maggie Cole. '... I have offered many options with ornamentation, suggesting some, writing out others completely, but also encouraging the player to use their invention and instincts to add others where not specified and generally to adopt an open approach to the piece.'.