Harpsichord (harpsichord)

SKU: HL.48188867

Composed by Johann Jakob Froberger. Leduc. Softcover. 108 pages. Heugel & Cie #HE33702. Published by Heugel & Cie (HL.48188867).

UPC: 888680872946. 9.0x12.0x0.264 inches. French.

Second volume of the second tome and fourth book of the Complete Harpsichord Work by Johann Jakob Froberger, this volume is a set of twenty-five pieces for Harpsichord. Edited by Howard Schott, the book has its preface and information in French, English and German. It features eighteen suites numbered from Suite XIII to Suite XXX, as well as seven other works, including three guigues and four other pieces. The works are of medium difficulty and can be played by intermediate players. Johann Jakob Froberger (1616-1667) is a German Baroque composer. He was a famous musician among his peers and influenced many of them..

Harpsichord

SKU: HL.48188387

Composed by Johann Jakob Froberger. Leduc. Softcover. 104 pages. Heugel & Cie #HE32487. Published by Heugel & Cie (HL.48188387).

UPC: 888680866143. 9.0x12.0x0.31 inches. French.

First volume of the first tome of the Complete Harpsichord Work by Johann Jakob Froberger, this book (Version 1649) is a set of twenty-four pieces for Harpsichord. Edited by Howard Schott, the book has its preface and information in French, English and German. It features six Toccatas, six Fantasias, six Canzones, 5 Suites and a partite. The works are of medium difficulty and can be played by intermediate players. Johann Jakob Froberger (1616-1667) is a German Baroque composer. He was a really famous musician amongst his peers and influenced many of them..

Harpsichord

SKU: BT.ALHE32487

Composed by Johann Jakob Froberger. Le Pupitre - Heugel. Book Only. 104 pages. Heugel & Cie #ALHE32487. Published by Heugel & Cie (BT.ALHE32487).

French.

First volume of the first tome of the Complete Harpsichord Work by Johann Jakob Froberger, this book (Version 1649) is a set of twenty-four pieces for Harpsichord. Edited by Howard Schott, the book has its preface and informationin French, English and German. It features six Toccatas, six Fantasias, six Canzones, 5 Suites and a partite. The works are of medium difficulty and can be played by intermediate players. Johann Jakob Froberger (1616-1667)is a German Baroque composer. He was a really famous musician amongst his peers and influenced many of them.

Piano, harpsichord

SKU: BA.BA05070-41

The Well-Tempered Clavier I. Composed by Johann Sebastian Bach. Edited by Alfred Durr. This edition: Complete edition. Linen. New Bach Edition (NBA) V/6/1. Complete edition, Critical commentary, anthology. BWV 846-869. 448 pages. Baerenreiter Verlag #BA05070_41. Published by Baerenreiter Verlag (BA.BA05070-41).

ISBN 9790006463480. 24.5 x 17.5 cm inches.

This separately published Critical Commentary offers extensive information on the genesis, reception, sources, and readings of the works included in the music volume.

Recorder c2, 2 Recorders f1, Organ (Harpsichord)

SKU: CA.1122100

Composed by Daniel Bollius. This edition: Paperbound. German title: Symphonia. Full score. 12 pages. Carus Verlag #CV 11.221/00. Published by Carus Verlag (CA.1122100).

ISBN 9790007026288. Language: all languages.

Recorder c2, 2 Recorders f1, Organ (Harpsichord)

SKU: CA.1122121

Composed by Daniel Bollius. German title: Symphonia. Single Part, Recorder 1. 2 pages. Carus Verlag #CV 11.221/21. Published by Carus Verlag (CA.1122121).

Language: all languages.

Score available separately - see item CA.1122100.

Harpsichord - advanced

SKU: HL.49005300

For harpsichord. Composed by Jean Franç and aix. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Composed 1953. 20 pages. Duration 11'. Schott Music #ED4977. Published by Schott Music (HL.49005300).

ISBN 9790001056984. UPC: 884088023904. 9.0x12.0x0.086 inches.

Piano or harpsichord.

Recorder c2, 2 Recorders f1, Organ (Harpsichord)

SKU: CA.1122122

Composed by Daniel Bollius. German title: Symphonia. Single Part, Recorder 2. 2 pages. Carus Verlag #CV 11.221/22. Published by Carus Verlag (CA.1122122).

Language: all languages.

Score available separately - see item CA.1122100.

Harpsichord; Early Music

SKU: UT.HS-307

Composed by Antonio Valente. Edited by Maria Luisa Baldassari. Paperback (Soft Cover). Classical. Ut Orpheus #HS 307. Published by Ut Orpheus (UT.HS-307).

ISBN 9790215327146. 9 x 12 inches.

Antonio Valente blind, Neapolitan since a long time according to the list of Neapolitan musicians by Scipione Cerreto and organist in S. Angelo a Nilo in Naples, is known in modern times for his two volumes of keyboard music: Versi spirituali published in 1580 and, some years before, the volume here in transcription, Intavolatura de cimbalo, printed by Giuseppe Cacchio in 1576.
This volume has many original features: first keyboard tablature ever printed in Naples, itâ??s not written in musical characters but in a number-based system never met, according to the current studies, in any other print or manuscript both in and outside Italy. The dedication letter, written by Fraâ?? Alberto Mazza, praises Valente as the inventor of this writing method, so easy and effective that everybody, even uncouth youths that did not know music and keyboard, could attain the result of playing from it in two months.
The Intavolatura presents different genres of music: a fantasia, six ricercatas, a Salve Regina on a cantus firmus, four vocal chansons intabulated for keyboard with more or less diminutions,and nine dances, variations and dance/variations on long-living tenors like Romanesca or Zefiro. There are no liturgical compositions, both because unsuitable in a collection for amateurs and because Valente will publish a new book of sacred music in a few years.
The book is a sort of compendium of the keyboard genres of the period, similar to some older Spanish publications and to the later Neapolitan ones by Trabaci and Majone. Other contemporary volumes on the contrary choose to present a single type of composition: this is the case of the Versetti by Valente and the Ricercate by Rocco Rodio.

9 Suites for Harpsichord. By Johann Caspar Ferdinand Fischer. Schott. Size 9x12 inches. 72 pages. Published by Schott.

Recorder c2, 2 Recorders f1, Organ (Harpsichord)

SKU: CA.1122123

Composed by Daniel Bollius. German title: Symphonia. Single Part, Recorder 3. 2 pages. Carus Verlag #CV 11.221/23. Published by Carus Verlag (CA.1122123).

Language: all languages.

Score available separately - see item CA.1122100.

Harpsichord

SKU: OT.21125

Composed by Daniel Akiva. 5 short pieces for harpsichord/cembalo. Classical. Score. OR-TAV Music Publications #21125. Published by OR-TAV Music Publications (OT.21125).

ISBN 9789655051117. 8.27 x 11.69 inches.

The five short movements for solo cembalo are brief, personal prayers that depict how the subject manages a range of feelings and emotions. The miniatures each represent a different emotional state: reflection, searching, meditation, agitation, and resolution. Each is a small-scale representation of a grand, wide-ranging prayer of supplication.
As a composer, performer, and researcher of early music, writing for cembalo allows me not only to express my special connection to the instrument and the period in which it flourished, but also to present its contemporary dimensions as a rich and versatile instrument.
The piece was composed at the request of Hagai Yodan, who performs it with great skill.
Daniel Akiva is a composer, performer, and educator whose performances on guitar and lute have won great acclaim. Mr. Akiva graduated from the Rubin Academy of Music in Jerusalem in 1981, where he studied classical guitar with Haim Asulin and composition with Haim Alexander. In 1987 he completed his studies at the Geneva Conservatorium in Switzerland where he studied lute with Jonathon Rubin and composition with Jean Ballisa. For many years, he headed the Music Department at the WIZO High School for the Arts in Haifa, which he founded in 1986, and served as the Artistic Director of the Guitar Gems Festival from 2006-2019. As part of his work at WIZO High School, he has developed a method for teaching free improvisation that has been incorporated into the music program at the school.
Mr. Akiva has appeared in concert as a guitarist and lutist and given master classes in Israel, Europe, Russia, the United States, and Latin America. Daniel Akiva’s compositional output includes works for solo instruments, chamber ensembles, choir, voice and guitar, piano, and chamber orchestra. His works have been recorded on twelve CDs, the latest of which, Malchut, was issued by OR-TAV in 2014.
A native of Haifa whose family has lived in Israel for over five hundred years, he was steeped in the Sephardic (Jewish-Spanish) tradition from his youth. Much of his compositional output has been devoted to a dialogue with the music of the Sephardic Jews. Daniel Akiva has also maintained a creative dialogue over many years with the poets and writers Amnon Shamash, Rivka Miriam, and Avner Peretz.