Par SOLER ANTONIO. Soler (1729-83) was one of the outstanding keyboard composers of 18th-century Spain. His sonatas show great brilliance and originality, many of them influenced by the characteristic colours of Iberian popular music. This edition offers a selection of 14 of the best sonatas from the set given by the composer to Viscount Fitzwilliam in 1772, as well as editorial notes from Kenneth Gilbert. **ABRSM selected piece (Piano 2019-2020): Sonata in D minor, R. 25  / Piano Music / Recueil / Clavecin

La cour d'organiste Antonio de CabezĂłn, qui a Ă©tĂ© nommĂ© Ă  la chapelle de la cour de la Reine Isabelle de Toledo Ă  l'Ăąge de 16 ans, a Ă©tĂ© considĂ©rĂ© Ă  juste titre par ses contemporains comme l'organiste espagnole leader et claviĂ©riste du 16 Ăšme siĂšcle. Ses hymnes et des versets sont basĂ©es sur courte, harmonisations dĂ©corĂ©e des tonalitĂ©s psaume. Dans le tientos, la transformation du style motet vocal Ă  un style d'Ă©criture appropriĂ© pour les instruments Ă  clavier est parfaitement exĂ©cutĂ©.Cette Ă©dition Urtext contient une sĂ©lection des meilleurs Cabezon de travaux connus et se composera de quatre volumes. Il a Ă©tĂ© prĂ©parĂ© par deux rĂ©dacteurs en chef travaillant dans les universitĂ©s portugaises et espagnoles qui sont tous deux grands spĂ©cialistes des oeuvres de CabezĂłn et reflĂšte les derniers rĂ©sultats de recherche.- PremiĂšre Ă©dition critique universitaire, des oeuvres sĂ©lectionnĂ©es par l'organiste leader espagnol- ReflĂšte les derniers rĂ©sultats de la recherche- Chaque volume avec une prĂ©face (Ger / Eng) avec des conseils sur la technique de rĂ©daction, le commentaire critique (Ger / Eng) et l'indice de sources'Les Ă©diteurs ont fait un excellent choix parmi le grand nombre de piĂšces disponibles et ont probablement fait le meilleur choix en gardant le intabulations en deux volumes distincts de la tientos et piĂšces liturgiques. Cette Ă©dition fortement recommandĂ©e va un long chemin Ă  offrir un tel choix reprĂ©sentatif, et sera peut-ĂȘtre mener les amateurs d'oeuvres sĂ©lectionnĂ©es, et restera l'anthologie standard pour de nombreuses annĂ©es. '(Le Diapason AoĂ»t 2011) / Orgue, Piano, Clavecin

PiĂšces De Clavecin D'Orgue Et De Forte Piano - LP. 52 by C.B Ballastreis a selection of twenty-three pieces chosen by Alan Curtis that can be played by a Harpsichordist, an Organist or a Pianist with upper-intermediate to advanced skills but seem better suited for a Pianist. The twenty-three pieces are: - Fugue - La de Caze - La d'HĂ©ricourt - La SĂ©gur - La Monmartel ou La Brunoy - La Boullongne - La Castelmore - La Courteille - La Bellaud - La Lamarck - La Berville - La Lugeac - La Suzanne - La Genty - La Malesherbe - La Berryer ou La Lamoignon - La Laporte - La Morisseau - PrĂ©lude - Fugue - Sonate en Quatuor, IV: Allegro / Andante Pastoralle / Allegro - La d'Esclignac - Marche des Marseillois et l'Air Ça ira C. B. Balbastre (1724-1799) is one of the most famous musicians of his era. He was a great composer who could play the Harpsichord, the Piano and the Organ.

Johann Jacob FrobergerSuites pour clavecinPieter Dirksen (Editeur) On ne considĂšre certes plus aujourd’hui Froberger comme l’inventeur de la suite pour clavier. Pourtant, ses suites pour clavecin ont sans aucun doute exercĂ© une grande influence sur le dĂ©veloppement de ce genre. Ses suites Ă  programmes, dont certaines sont Ă  caractĂšre autobiographique, connurent une grande notoriĂ©tĂ©. D’autres portent des sous-titres comme «Tombeau» ou «MĂ©ditation», dans la perspective de sa propre mort. Toutes les suites font maintenant l’objet d’une publication urtext en un volume - une compilation sans Ă©gal de l’art de Froberger, Ă©ditĂ©e par le claveciniste Peter Dirksen. Un must non seulement pour les fans de Froberger et les clavecinistes, mais aussi pour les pianistes dĂ©sireux de dĂ©couvrir ce rĂ©pertoire sur les touches du piano.Suite 1 FbWV 601 la mineurSuite 2 FbWV 602 rĂ© mineurSuite 3 FbWV 603 Sol majeurSuite 4 FbWV 604 Fa majeurSuite 5 FbWV 605 Ut majeur[Suite 6] Auff die Maijerin FbWV 606 Sol majeurSuite 7 FbWV 607 mi mineurSuite 8 FbWV 608 La majeurSuite 9 FbWV 609 sol mineurSuite 10 FbWV 610 la mineurSuite 11 FbWV 611 RĂ© majeurSuite 12 FbWV 612 Ut majeurSuite 13 FbWV 613 rĂ© mineurSuite 14 FbWV 614 sol mineurSuite 15 FbWV 615 la mineurSuite 16 FbWV 616 Sol majeurSuite 17 FbWV 617 F majeurSuite 18 FbWV 618 sol mineurSuite 19 FbWV 619 ut mineurSuite 20 FbWV 620 RĂ© majeurSuite 21 FbWV 621 Fa majeurSuite [22] FbWV 637 Sol majeurSuite 23 FbWV 623 mi mineurSuite 24 FbWV 624 RĂ© majeurSuite 25 FbWV 625 rĂ© mineurSuite 26 FbWV 626 si mineurSuite 27 FbWV 627 mi mineurSuite 28 FbWV 628 la mineurSuite 30 FbWV 630 la mineurTombeau FbWV 632 ut mineurTombeau FbWV 633 Fa majeurAppendiceSuite in a FbWV deestSuite in A FbWV 638Suite in d FbWV 639Suite in Es FbWV 631 / Clavecin / Henle Verlag

talian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this second volume is indispensable toperformers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much ofScarlatti\'s Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The second volume, comprising Sonatas 53-103,includes the popular and recognised Sonatas in F minor (K. 69) and B minor (K. 87). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in theservice of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre. / Partitions classique / Piano - instruments Ă  clavier / Clavecin / HEUGEL

Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this tenth volume is indispensable toperformers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much ofScarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The tenth volume, comprising Sonatas 458-506,includes the popular and recognisable Sonata in F minor (K. 466). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royalfamilies, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre. / Clavecin / Heugel

Par GREEN MAURICE. The suites, lessons and miscellaneous short pieces for harpsichord by Maurice Greene published in MB106 form an important corpus of eighteenth-century English keyboard music, complementary to the works of Handel, Thomas Roseingrave and Greene?s mentor Giovanni Bononcini, and also showing the influence of Domenico Scarlatti. The volume also includes a set of six overtures for the harpsichord, ?Being proper Pieces for the Improvement of the Hand?, which were first published in 1745 and are arrangements of earlier orchestral originals. / Date parution : 2022-10-25/ Recueil / Clavecin

Par BACH JOHANN SEBASTIAN. / Date parution : 2022-10-12/ RĂ©pertoire / Clavecin et Piano

The seventh volume of the series of twelve, Sonatas - Volume VII, LP. 37 features the Sonatas K.306 to K.357. Composed by Domenico Scarlatti, this edition by the Harpsichordist Kenneth Gilbert regroups the 555 sonatas arranged forPiano. Based on the two sets of books discovered in Venice and in Parma, this edition still contains some of the annotations initially suggested by Kirkpatrick, whose book can be considered as an essential guide for this series. / Clavecin / Heugel

EditĂ©e au cours de l'exercice 2011-2012 par les Ă©ditions Fertile Plaine, la partition qui a pour titre Sonade no 3 du compositeur Mereaux Max a Ă©tĂ© cataloguĂ©e sous la rĂ©fĂ©rence FP 989 par l'Ă©diteur. Cette oeuvre est Ă©crite pour Clavecin. En 3 clics et quelques jours elle peut ĂȘtre chez vous. / Clavecin / Partition

EditĂ©e au cours de l'exercice 2011-2012 par les Ă©ditions Fertile Plaine, la partition qui a pour titre Sonade no 6 du compositeur Mereaux Max a Ă©tĂ© cataloguĂ©e sous la rĂ©fĂ©rence FP 1131 par l'Ă©diteur. Cette oeuvre est Ă©crite pour Clavecin. En 3 clics et quelques jours elle peut ĂȘtre chez vous. / Clavecin / Partition

The third volume of this series of 12 Sonatas, this book contains the Sonatas K.104 to K.155. Composed by Domenico Scarlatti, this edition by the harpsichordist Kenneth Gilbert regroups the 555 sonatas arranged for Piano. Basedon the two sets of books discovered in Venice and in Parma, this edition still contains some of the annotations initially suggested by Kirkpatrick, whose book can be considered as an essential guide for this series. / Partitions classique / Piano - instruments Ă  clavier / Clavecin / HEUGEL