(Manuscrit autographe, 1702). By Bernardo Pasquini (1637-1710). Edited by Emer Buckley. For Harpsichord solo. This edition: Facsimile. Collection Dominantes. Score. 264 pages. Published by Anne Fuzeau Productions - France

By Johann Kuhnau (1660-1722). Edited by Philippe Lescat. Harpischord solo. For Harpsichord. Facsimiles. Collection Dominantes. Grade 0. 105 pages

(Manuscrit autographe, 1702). By Bernardo Pasquini (1637-1710). Edited by Emer Buckley. For Harpsichord. Facsimiles. Collection Dominantes. Grade 0. 488 pages

(Manuscrit autographe, 1702). By Bernardo Pasquini (1637-1710). Edited by Emer Buckley. For Harpsichord. Facsimiles. Collection Dominantes. Grade 0

By Christoph Graupner. Edited by Oswald Bill. Harpischord solo. For Harpsichord. Facsimiles. Collection Dominantes. Level: Grade 0. 140 pages. Published by Editions Fuzeau Classique - France (French import).

Editions de 1780 et 1792-1795. By Daniel Gottlob Turk. Edited by Emer Buckley. Harpischord solo. For Harpsichord. Facsimiles. Collection Dominantes. Level: Grade 0. 136 pages. Published by Editions Fuzeau Classique - France (French import).

Harpsichord

SKU: FZ.5904

Manuscrit autographe, 1702. Composed by Bernardo Pasquini. Edited by Emer Buckley. This edition: Facsimile. Collection Dominantes. CD. Published by Anne Fuzeau Productions - France (FZ.5904).

12.50 x 14.00 cm inches.

Anne Fuzeau Classique propose to discover our facsimiles' music in CD. Extracts of the manuscript of Pasquini. Harpsichord : Emer Buckley. Accord Mesotonique : Partite del Saltarello, Partite diverse di Follia, Tastata per Milone, Bergamasca, Passacaglia, Sarabanda, Partite di Bargamasca, Toccata terza, Variationi Capricciose.
Accord Italie, XVIIIe siecle: Alemanda Scozzese Corrente (GIGA), Capriccio, Variationi per Francia, Tastata per lo Scozzese, Variationi per il paggio tedesco, Toccata con lo Scherzo del Cucco.

Harpsichord

SKU: BT.ALHE31972

Le Pupitre. Composed by Francois Couperin. Le Pupitre - Heugel. Book Only. 140 pages. Heugel & Cie #ALHE31972. Published by Heugel & Cie (BT.ALHE31972).

French.

Harpsich ord work - Volume 4, LP.24 by Francois Couperin is the fourth in a series of 4 volumes of suites for Harpsichord. Published in 1930, three years before Couperin_x001A_s death, when he was very ill, this volume initiallypresented some small mistakes and some white pages. It features seven Ordres, from the 20th to the 27th, with a total of 43 pieces. For upper-intermediate players, this volume was edited by Kenneth Gilbert. François Couperinwas a very famous French composer who played the Harpsichord, the Organ. Coming from a famous family of musicians, he was nicknamed _x001A_Couperin le Grand_x001A_ (Couperin the Great).

Harpsichord

SKU: HL.48188014

Composed by Francois Couperin. Leduc. Baroque. Softcover. 140 pages. Heugel and Cie #HE31972. Published by Heugel and Cie (HL.48188014).

UPC: 888680844363. 9.0x12.0x0.39 inches.

â??Harpsic hord work - Volume 4, LP.24 by Francois Couperin is the fourth in a series of 4 volumes of suites for Harpsichord. Published in 1930, three years before Couperin?s death, when he was very ill, this volume initially presented some small mistakes and some white pages. It features seven Ordres, from the 20th to the 27th, with a total of 43 pieces. For upper-intermediate players, this volume was edited by Kenneth Gilbert. François Couperin was a very famous French composer who played the Harpsichord, the Organ. Coming from a famous family of musicians, he was nicknamed ?Couperin le Grand? (â?â??Couperin the Greatâ?â??).â?.

Harpsichord

SKU: HL.48181261

Composed by Jacques-Francois Ibert. Leduc. Classical. 16 pages. Alphonse Leduc #AL20630. Published by Alphonse Leduc (HL.48181261).

UPC: 888680787110. 9.25x12.25x0.083 inches.

“Bein g an unusual composer of his day, Ibert did not attach himself to any of the predominant genres of music of the time. Described as elicit, the composer's Deux Interludes for Flute, Violin and Harpsichord is pleasantly unusual in instrumentation, creating a worthy addition to the classical music repertoire. Ibert stands out as a composer who tackled all styles with equal success, his Deux Interludes for Flute, Violin and Harpsichord being no exception. With clear, separate parts, this edition is a must buy for aspiring musicians seeking to expand their repertoire.”.