(Divertimenti 1-3 (D-Dur WV 21, GDur WV 1, F-Dur WV 38)). By Georg Christoph Wagenseil (1715-1777). Harpsichord/clavichord. For harpsichord. 2-3. Op. 1. 24 pages

Edited by Emer Buckley. For Harpsichord. This edition: Facsimile. Fac-Similes Enseignement. Score. 16 pages. Published by Anne Fuzeau Productions - France

(Divertimenti 4-8 (E-Dur WV 32, C-Dur WV 64, B-Dur WV 80)). By Georg Christoph Wagenseil (1715-1777). Harpsichord/clavichord. For harpsichord. 3. Op. 1. 32 pages

Harpsichord

SKU: FZ.5849

Edited by Emer Buckley. This edition: Facsimile. Fac-Similes Enseignement. Score. Published by Anne Fuzeau Productions - France (FZ.5849).

ISBN 9790230658492. 22.00 x 31.00 cm inches.

These original publications of Couperin, Corrette, Boismortier, Duphly and Bach are in facsimile on Fac-similes et Enseignement collection. Couperin Francois : L'art de toucher le clavecin. Paris, 1717. Allemande. Couperin Francois : Quatrieme livre de pieces de clavecin. Paris, 1730. Menuets croises. Corrette Michel : Premier livre de pieces de clavecin. Paris, 1734. - Manuscrit, s. d. Les Giboulees de Mars. Boismortier Joseph Bodin de : Quatre suites de pieces de clavecin. Paris, 1736. La Rustique. Duphly Jacques : Pieces de clavecin, quatrieme livre. Paris, 1768. La Du Buq. Bach Carl Philipp Emmanuel : Kurze und leichte clavierstucke. Berlin, c. 1766. Allegro. Fantasia. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. This facsimile was realized by Emer buckley for harpsichord. Facsimile of copies from: - National Library of Paris (France). - Inguimbertine Library of Carpentras (France). - Zentralbibliothek of Zurich (Switzerland). - osterreichische Nationalbibliothek of Wien (Austria). Anne Fuzeau Classique propose period copies of classical music scores.

Composed by Muzio Clementi (1752-1832). For Harpsichord (Piano). Early Music. 140 pages. Published by Ut Orpheus

Harpsichord

SKU: BT.ALHE33874

Composed by Richard Siegel. Book with Online Audio. 60 pages. Heugel & Cie #ALHE33874. Published by Heugel & Cie (BT.ALHE33874).

French.

Richard Siegel won prizes for the Harpsichord and Chamber Music at the Paris Conservatoire before going on the win first prize in the 1977 International Harpsichord Competition. He has since recorded over 30 CDs and his passionfor the instrument has been further apparent in his production of Apprendre Toucher le Clavecin. As stated in the preface, the study of the Harpsichord has long been reserved, frequently dismissed as an 'old-fashioned'instrument . However, a recent rise in the popularity of early music has rekindled interest in the Harpsichord. In Apprendre Toucher le Clavecin, volume 1 being the first of two helpful volumes to aid student's learning andprogression, Siegel enables Harpsichord beginners to learn through repertoire pieces themselves, drawn from the Keyboard masters of the Baroque period. The pupil will be guided towards an understanding of technique and stylesuited to the Harpsichord. Furthermore, Apprendre Toucher le Clavecin, which is accompanied by a CD, enables adults who learnt the instrument as a child to return to the instrument and have the instant feeling of making music.

Harpsichord

SKU: BT.ALHE32440

Composed by Jean-Henri D'Anglebert. Le Pupitre - Heugel. Book Only. 108 pages. Heugel & Cie #ALHE32440. Published by Heugel & Cie (BT.ALHE32440).

English.

Jean-He nri d'Anglebert (1629-1691) was one of the foremost composers of Keyboard music of his day. Therefore, the collection of his works, Pieces for Harpsichord is essential to all players of early Baroque Keyboard music. D'Anglebert's Pieces for Harpsichord represents some of the finest achievements of the French Harpsichord school and shows the composer's mastery of counterpoint as well as his ability to experiment with texture to achieveorchestral sonority. Moreover, d'Anglebert's collection contains a table of ornaments which formed the basis of those of J. S. Bach and other significant composers. The first volume of Pieces for Harpsichord comprises fourHarpsichord Suites composed by d'Anglebert, each of which consist of the usual dance movements together with transcriptions from Lully's operas. Furthermore, the three unmeasured preludes included in Suites one, two and three aretruly remarkable examples of their kind. With a descriptive preface in French, English and German, volume one of d'Anglebert's Pieces for Harpsichord is a sublime addition to the repertoire of early Baroque Keyboard music.

Harpsichord

SKU: BT.ALHE32645

By Kenneth Gilbert. By Domenico Scarlatti. Le Pupitre - Heugel. Classical. Book Only. 204 pages. Heugel & Cie #ALHE32645. Published by Heugel & Cie (BT.ALHE32645).

French.

Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this first volume is indispensable toperformers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much ofScarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. This first volume, comprising Sonatas 1-52, includesthe popular and recognised Sonatas in D minor (K. 9), E major (K. 20) and B minor (K. 27). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed inthe service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.

Harpsichord

SKU: FZ.5835

Serie I - France 1600-1800. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5835).

ISBN 9790230658355. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in two books. ANCELET - Antoine BEMETZIEDER (1-2) - Jean-Laurent de BETHISY - Michel CORRETTE (2) - Denis DIDEROT - Jacques DUPHLY (1-2) - Encyclopedie - Encyclopedie methodique - Louis-Joseph le neveu FRANCOEUR - Pierre Claude FOUCQUET (1-2) - Francois-Alexandre-Pierre de GARSAULT - Jean-Benjamin de LABORDE - Philippe MACQUER - Friedrich Wilhelm MARPURG - Jean-Philippe RAMEAU (4) - Jean-Jacques ROUSSEAU - Simon SIMON. Table of contents: Corrette Michel: Les amusements du Parnasse - 1749. Foucquet Pierre Claude: Les caracteres de la paix - 1749. Foucquet Pierre Claude: Second livre de pieces de clavecin - 1751. Encyclopedie: Encyclopedie ou dictionnaire raisonne - 1751/1772. Duphly Jacques: Troisieme livre de pieces de clavecin - 1756. Ancelet: Observations sur la musique - 1757. Rameau Jean-Philippe: Code de musique pratique - 1760. Garsault Francois-Alexandre-Pierre de: Notionnaire - 1761. Simon Simon: Pieces de clavecin - 1761. Bethisy Jean-Laurent de: Exposition de la theorie - 1764. Rousseau Jean-Jacques: Dictionnaire de la musique - 1768. Duphly Jacques: Du doigter - c. 1769. Diderot Denis: Manuscrit autographe - s. d. Bemetzrieder Antoine: Lecons de clavecin - 1771. Francoeur Louis-Joseph le neveu: Diapason general - 1772. Macquer Philippe: Dictionnaire raisonne - 1773. Laborde Jean-Benjamin de: Essai sur la musique - 1780. Bemetzrieder Antoine: Nouvelles lecons de clavecin - 1783. Encyclopedie methodique: Encyclopedie methodique, arts et metiers mecaniques - 1788. Marpurg Friedrich Wilhelm: L'art de toucher le clavecin - c. 1797. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from:- National Library of Paris (France). - Fitzwilliam Museum of Cambridge (England). - Bayerische Staatsbibliotheck of Munich (Germany). - British Library of London (England). - In Private collection. Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the harpsichord.

By Various. Edited by Christopher Hogwood. For Clavichord, harpsichord, organ. Playing score. Published by Edition HH Music Publishers (U.K. Import).

By Madame Ravissa De Turin. Edited by Claudia Schweitzer. For harpsichord or period instrument and modern pianos. Level: intermediate. Full score. Published by Furore-Verlag (German import).

Harpsichord (Harpsichord)

SKU: HL.48188514

Volume 1, K.1-52. Composed by Domenico Scarlatti. Edited by Kenneth Gilbert. Leduc. Baroque. Softcover. 204 pages. Heugel and Cie #HE32645. Published by Heugel and Cie (HL.48188514).

UPC: 888680872649. 9.0x12.0x0.562 inches.

â??Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this first volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. This first volume, comprising Sonatas 1-52, includes the popular and recognised Sonatas in D minor (K. 9), E major (K. 20) and B minor (K. 27). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre. â?.

(Divertimenti 1-3 (C-Dur WV 3, G-Dur WV 53, F-Dur WV 39)). By Georg Christoph Wagenseil (1715-1777). Harpsichord/clavichord. For harpsichord. 2-3. Op. 2. 31 pages

Harpsichord

SKU: FZ.5834

Serie I - France 1600-1800. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5834).

ISBN 9790230658348. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in two books. Anonyme - Jean-Henry d'ANGLEBERT - Francois COUPERIN (1-2) - Jean-Joseph Cassanea de MONDONVILLE - Michel CORRETTE (1) - Jacques Champion de CHAMBONNIERES - Francois DAGINCOURT - Jean-Francois DANDRIEU - Louis Claude DAQUIN - Jean II DENIS - Francois DIEUPART - Louis-Antoine DORNEL - Antoine FORQUERAY - Antoine FURETIERE - Charles Alexandre JOLLAGE - Nicolas-Antoine LEBEGUE - Jean Leonor LE GALLOIS - Gaspard LE ROUX - Marin MERSENNE - Jean-Philippe RAMEAU (1-2-3) - Pancrace ROYER - Michel de SAINT LAMBERT - Charles Joseph VAN HELMONT. Table of contents: Mersenne Marin: Harmonie universelle - 1636. Denis Jean II: Traite de l'accord de l'espinette - 1650. Chambonnieres Jacques Champion de: Les pieces de clavessin - 1670. Anonyme: Tablature pour le clavecin - s. d. Lebegue Nicolas-Antoine: Les pieces de clavessin - 1677. Le Gallois Jean Leonor: Lettre de Mr Le Gallois - 1680. Anglebert Jean-Henry d': Pieces de clavecin - 1689. Furetiere Antoine: Dictionnaire universel - 1690. Dieupart Francois: Six suittes de clavessin - 1701. Saint-Lambert Michel de: Les principes du clavecin - 1702. Le Roux Gaspard: Pieces de clavessin - 1705. Couperin Francois: Pieces de clavecin - 1713. Couperin Francois: L'art de toucher le clavecin - 1717. Rameau Jean-Philippe: Pieces de clavecin - 1724. Dandrieu Jean-Francois: Livre de pieces de clavecin - 1724. Rameau Jean-Philippe: Nouvelles suites de pieces de clavecin - 1728. Dornel Louis Antoine: Pieces de clavecin - 1731. Dagincourt Francois: Pieces de clavecin - 1733. Corrette Michel: Premier livre de pieces de clavecin - 1734. Daquin Louis Claude: 1er livre de pieces de clavecin - 1735. Rameau Jean-Philippe: Pieces de clavecin - 1736. Van Helmont Charles Joseph: Pieces de clavecin - 1737. Jollage Charles Alexandre: Premier livre de pieces de clavecin - 1738. Royer Pancrace: Pieces de clavecin - 1737. Forqueray Antoine: Pieces de viole (. . . ) mises en pieces de clavecin - 1747. Mondonville Jean-Joseph Cassanea de: Pieces de clavecin avec voix ou violon - 1748. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from:- Inguimbertine Library of Carpentras (France). - Municipal Library of Lyon (France). - National Library of Paris (France). - Sainte Genevieve Library of Paris (France). - British Library of London (England). - Municipal Library of Grenoble (France). - Municipal Library of Bordeaux (France). - Gemmente Museum of The Hague (Netherlands). - In Private collection. Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the harpsichord.

By Vincent Persichetti. For Harpsichord. Classical. Solo part. Opus 158. 18 pages. Duration 10:00. Published by Theodore Presser Company.

Composed by Richard Siegel. Leduc. CD. 60 pages. Heugel and Cie #HE33874. Published by Heugel and Cie

By Antonio Vivaldi. Edited by Hogwood, Christopher. For Harpsichord. Single Part. Op. 8, Nr. 1-4. Published by Baerenreiter-Ausgaben (German import). (BA6994 68)

Piano or Harpsichord

SKU: BT.EMBZ20018

France 1. By Szilvia Elek_Anikó Horváth. By Szilvia Elek. Classical. Book Only. Composed 2020. 108 pages. Editio Musica Budapest #EMBZ20018. Published by Editio Musica Budapest (BT.EMBZ20018).

Hungarian-English-Germ an-French.

This brand-new series is intended as a guide to the keyboard music of the 16th to 19th centuries for pupils of the piano and the harpsichord, as well as of other early keyboard instruments. Each volume contains pieces by well-known and lesser-known composers from one country or region. The main purpose of the series is to extend the repertoire and stylistic knowledge of both pianists and harpsichordists while also presenting fine pieces and typical genres based on original sources. Our edition retains the performance indications of the composers' manuscripts and contemporary editions. Each volume includes:- suggestions for stylistically appropriate performance bothon the piano and on period instruments- suggested elaborated versions of some pieces and excerpts- a fold-out list of ornamentation signs and the composers' own tables of ornamentation signs- biographies of the composers and the sources of the pieces- translations of foreign-language performance indications. The two volumes devoted to French keyboard music includes close to 50 showy and relatively easy works - preludes, dances, suites, rondeaux, and character pieces - from the early 16th until the late 18th century (ordered chronologically).This publication is printed on high-quality, age-resistant paper that is produced in an environmentally-friendly, climate-neutral manner using renewable raw materials.

Cette toute nouvelle collection est un guide de la musique pour clavier du XVIe au XIXe siècle adressé aux élèves de piano et clavecin, ainsi que d'autres instruments clavier anciens. Chaque volume rassemble des œuvres de compositeurs célèbres et moins célèbres dans un pays ou une région (préludes, danses, suites, rondeaux et pièces de caractère), ainsi que des suggestions de jeu, des versions élaborées suggérées et extraits, une liste dépliante des signes d'ornement et les tables des compositeurs, des biographies des compositeurs et les sources des œuvres. Cette publication a été imprimée sur du papier de qualité, résistant au vieillissement, et produit dans le respectde l'environnement et du climat partir de matières premières renouvelables.

Una nuova collana ideata per offrire una guida alla scoperta della musica per pianoforte e clavicembalo dal sedicesimo al diciannovesimo secolo. Ogni volume include brani di compositori di una specifica nazione o area geografica.
L'intento è amplicare la conoscenza e il repertorio di ogni musicista. Inoltre in ogni edizione sono riportati fedelmente i suggerimenti per l'interpretazione e le indicazioni presenti sui manoscritti originali. I due volumi dedicati alla musica francese includono circa 50 brani significativi - preludi, danze, suites, rondò e altri - che risalgono all'inizio del sedicesimo secolo fino alla fine del diciottesimo secolo, rigorosamente inordine cronologico.