Harpsichord SKU: FZ.5834 Serie I - France 1600-1800. Edited by Phi...(+)
Harpsichord
SKU:
FZ.5834
Serie I -
France 1600-1800.
Edited by Philippe
Lescat, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5834).
ISBN
9790230658348. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in two books.
Anonyme - Jean-Henry
d'ANGLEBERT - Francois
COUPERIN (1-2) -
Jean-Joseph Cassanea de
MONDONVILLE - Michel
CORRETTE (1) - Jacques
Champion de CHAMBONNIERES
- Francois DAGINCOURT -
Jean-Francois DANDRIEU -
Louis Claude DAQUIN -
Jean II DENIS - Francois
DIEUPART - Louis-Antoine
DORNEL - Antoine
FORQUERAY - Antoine
FURETIERE - Charles
Alexandre JOLLAGE -
Nicolas-Antoine LEBEGUE -
Jean Leonor LE GALLOIS -
Gaspard LE ROUX - Marin
MERSENNE - Jean-Philippe
RAMEAU (1-2-3) - Pancrace
ROYER - Michel de SAINT
LAMBERT - Charles Joseph
VAN HELMONT. Table of
contents: Mersenne Marin:
Harmonie universelle -
1636. Denis Jean II:
Traite de l'accord de
l'espinette - 1650.
Chambonnieres Jacques
Champion de: Les pieces
de clavessin - 1670.
Anonyme: Tablature pour
le clavecin - s. d.
Lebegue Nicolas-Antoine:
Les pieces de clavessin -
1677. Le Gallois Jean
Leonor: Lettre de Mr Le
Gallois - 1680. Anglebert
Jean-Henry d': Pieces de
clavecin - 1689.
Furetiere Antoine:
Dictionnaire universel -
1690. Dieupart Francois:
Six suittes de clavessin
- 1701. Saint-Lambert
Michel de: Les principes
du clavecin - 1702. Le
Roux Gaspard: Pieces de
clavessin - 1705.
Couperin Francois: Pieces
de clavecin - 1713.
Couperin Francois: L'art
de toucher le clavecin -
1717. Rameau
Jean-Philippe: Pieces de
clavecin - 1724. Dandrieu
Jean-Francois: Livre de
pieces de clavecin -
1724. Rameau
Jean-Philippe: Nouvelles
suites de pieces de
clavecin - 1728. Dornel
Louis Antoine: Pieces de
clavecin - 1731.
Dagincourt Francois:
Pieces de clavecin -
1733. Corrette Michel:
Premier livre de pieces
de clavecin - 1734.
Daquin Louis Claude: 1er
livre de pieces de
clavecin - 1735. Rameau
Jean-Philippe: Pieces de
clavecin - 1736. Van
Helmont Charles Joseph:
Pieces de clavecin -
1737. Jollage Charles
Alexandre: Premier livre
de pieces de clavecin -
1738. Royer Pancrace:
Pieces de clavecin -
1737. Forqueray Antoine:
Pieces de viole (. . . )
mises en pieces de
clavecin - 1747.
Mondonville Jean-Joseph
Cassanea de: Pieces de
clavecin avec voix ou
violon - 1748. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from:-
Inguimbertine Library of
Carpentras (France). -
Municipal Library of Lyon
(France). - National
Library of Paris
(France). - Sainte
Genevieve Library of
Paris (France). - British
Library of London
(England). - Municipal
Library of Grenoble
(France). - Municipal
Library of Bordeaux
(France). - Gemmente
Museum of The Hague
(Netherlands). - In
Private collection. Anne
Fuzeau Classique propose
the complete theoretic
documentation, methods,
classical music scores on
the harpsichord.
Harpsichord SKU: FZ.5835 Serie I - France 1600-1800. Edited by Phi...(+)
Harpsichord
SKU:
FZ.5835
Serie I -
France 1600-1800.
Edited by Philippe
Lescat, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5835).
ISBN
9790230658355. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in two books.
ANCELET - Antoine
BEMETZIEDER (1-2) -
Jean-Laurent de BETHISY -
Michel CORRETTE (2) -
Denis DIDEROT - Jacques
DUPHLY (1-2) -
Encyclopedie -
Encyclopedie methodique -
Louis-Joseph le neveu
FRANCOEUR - Pierre Claude
FOUCQUET (1-2) -
Francois-Alexandre-Pierre
de GARSAULT -
Jean-Benjamin de LABORDE
- Philippe MACQUER -
Friedrich Wilhelm MARPURG
- Jean-Philippe RAMEAU
(4) - Jean-Jacques
ROUSSEAU - Simon SIMON.
Table of contents:
Corrette Michel: Les
amusements du Parnasse -
1749. Foucquet Pierre
Claude: Les caracteres de
la paix - 1749. Foucquet
Pierre Claude: Second
livre de pieces de
clavecin - 1751.
Encyclopedie:
Encyclopedie ou
dictionnaire raisonne -
1751/1772. Duphly
Jacques: Troisieme livre
de pieces de clavecin -
1756. Ancelet:
Observations sur la
musique - 1757. Rameau
Jean-Philippe: Code de
musique pratique - 1760.
Garsault
Francois-Alexandre-Pierre
de: Notionnaire - 1761.
Simon Simon: Pieces de
clavecin - 1761. Bethisy
Jean-Laurent de:
Exposition de la theorie
- 1764. Rousseau
Jean-Jacques:
Dictionnaire de la
musique - 1768. Duphly
Jacques: Du doigter - c.
1769. Diderot Denis:
Manuscrit autographe - s.
d. Bemetzrieder Antoine:
Lecons de clavecin -
1771. Francoeur
Louis-Joseph le neveu:
Diapason general - 1772.
Macquer Philippe:
Dictionnaire raisonne -
1773. Laborde
Jean-Benjamin de: Essai
sur la musique - 1780.
Bemetzrieder Antoine:
Nouvelles lecons de
clavecin - 1783.
Encyclopedie methodique:
Encyclopedie methodique,
arts et metiers
mecaniques - 1788.
Marpurg Friedrich
Wilhelm: L'art de toucher
le clavecin - c. 1797.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from:- National
Library of Paris
(France). - Fitzwilliam
Museum of Cambridge
(England). - Bayerische
Staatsbibliotheck of
Munich (Germany). -
British Library of London
(England). - In Private
collection. Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the harpsichord.
Harpsichord SKU: FZ.5849 Edited by Emer Buckley. This edition: Facsimile....(+)
Harpsichord
SKU:
FZ.5849
Edited by
Emer Buckley. This
edition: Facsimile.
Fac-Similes Enseignement.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5849).
ISBN
9790230658492. 22.00 x
31.00 cm
inches.
These
original publications of
Couperin, Corrette,
Boismortier, Duphly and
Bach are in facsimile on
Fac-similes et
Enseignement collection.
Couperin Francois : L'art
de toucher le clavecin.
Paris, 1717. Allemande.
Couperin Francois :
Quatrieme livre de pieces
de clavecin. Paris, 1730.
Menuets croises. Corrette
Michel : Premier livre de
pieces de clavecin.
Paris, 1734. - Manuscrit,
s. d. Les Giboulees de
Mars. Boismortier Joseph
Bodin de : Quatre suites
de pieces de clavecin.
Paris, 1736. La Rustique.
Duphly Jacques : Pieces
de clavecin, quatrieme
livre. Paris, 1768. La Du
Buq. Bach Carl Philipp
Emmanuel : Kurze und
leichte clavierstucke.
Berlin, c. 1766. Allegro.
Fantasia. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. This facsimile
was realized by Emer
buckley for harpsichord.
Facsimile of copies from:
- National Library of
Paris (France). -
Inguimbertine Library of
Carpentras (France). -
Zentralbibliothek of
Zurich (Switzerland). -
osterreichische
Nationalbibliothek of
Wien (Austria). Anne
Fuzeau Classique propose
period copies of
classical music
scores.
Composed by Charles Dieupart (1667-1740). Edited by Andrew Wooley. For Harpsicho...(+)
Composed by Charles
Dieupart (1667-1740).
Edited by Andrew Wooley.
For Harpsichord. Playing
score. 30(xv) pages.
Published by Edition HH
Music Publishers
Harpsichord SKU: OT.21125 Composed by Daniel Akiva. 5 short pieces for ha...(+)
Harpsichord
SKU:
OT.21125
Composed by
Daniel Akiva. 5 short
pieces for
harpsichord/cembalo.
Classical. Score. OR-TAV
Music Publications
#21125. Published by
OR-TAV Music Publications
(OT.21125).
ISBN
9789655051117. 8.27 x
11.69 inches.
The
five short movements for
solo cembalo are brief,
personal prayers that
depict how the subject
manages a range of
feelings and emotions.
The miniatures each
represent a different
emotional state:
reflection, searching,
meditation, agitation,
and resolution. Each is a
small-scale
representation of a
grand, wide-ranging
prayer of
supplication. As a
composer, performer, and
researcher of early
music, writing for
cembalo allows me not
only to express my
special connection to the
instrument and the period
in which it flourished,
but also to present its
contemporary dimensions
as a rich and versatile
instrument. The
piece was composed at the
request of Hagai Yodan,
who performs it with
great skill. Daniel
Akiva is a composer,
performer, and educator
whose performances on
guitar and lute have won
great acclaim. Mr. Akiva
graduated from the Rubin
Academy of Music in
Jerusalem in 1981, where
he studied classical
guitar with Haim Asulin
and composition with Haim
Alexander. In 1987 he
completed his studies at
the Geneva Conservatorium
in Switzerland where he
studied lute with
Jonathon Rubin and
composition with Jean
Ballisa. For many years,
he headed the Music
Department at the WIZO
High School for the Arts
in Haifa, which he
founded in 1986, and
served as the Artistic
Director of the Guitar
Gems Festival from
2006-2019. As part of his
work at WIZO High School,
he has developed a method
for teaching free
improvisation that has
been incorporated into
the music program at the
school. Mr. Akiva has
appeared in concert as a
guitarist and lutist and
given master classes in
Israel, Europe, Russia,
the United States, and
Latin America. Daniel
Akiva’s
compositional output
includes works for solo
instruments, chamber
ensembles, choir, voice
and guitar, piano, and
chamber orchestra. His
works have been recorded
on twelve CDs, the latest
of which, Malchut, was
issued by OR-TAV in
2014. A native of
Haifa whose family has
lived in Israel for over
five hundred years, he
was steeped in the
Sephardic
(Jewish-Spanish)
tradition from his youth.
Much of his compositional
output has been devoted
to a dialogue with the
music of the Sephardic
Jews. Daniel Akiva has
also maintained a
creative dialogue over
many years with the poets
and writers Amnon
Shamash, Rivka Miriam,
and Avner Peretz.
Composed by
Rhian Samuel. Octavo.
Stainer & Bell Ltd.
#Y231. Published by
Stainer & Bell Ltd.
(ST.Y231).
ISBN
9790220221767.
Writ
ten for harpsichordist
Jane Chapman, and clearly
inspired by her
virtuosity, Copper
Ribbons is a
fantasy-movement of
throbbing tremolandi and
scrunchy arpeggiated
chords that both support
and intrude upon a
recitative-like 'line' of
elusive, questioning
melody. Exploiting the
instruments rich variety
of tone colours with a
Debussian passion for
texture and timbre, the
composer here creates a
miniature tone-poem,
which sustains to its
closing bars a sense of
mystery and suggestion.
The work may stand alone,
or as a pair with its
companion-piece Silver
Threads, which should
precede it.
