Composed by Joseph-Nicolas- Panc Roye. Heugel. Classical. Softcover. 38 pages. Heugel and Cie #HE33676. Published by Heugel and Cie

Harpsichord

SKU: FZ.5834

Serie I - France 1600-1800. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5834).

ISBN 9790230658348. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in two books. Anonyme - Jean-Henry d'ANGLEBERT - Francois COUPERIN (1-2) - Jean-Joseph Cassanea de MONDONVILLE - Michel CORRETTE (1) - Jacques Champion de CHAMBONNIERES - Francois DAGINCOURT - Jean-Francois DANDRIEU - Louis Claude DAQUIN - Jean II DENIS - Francois DIEUPART - Louis-Antoine DORNEL - Antoine FORQUERAY - Antoine FURETIERE - Charles Alexandre JOLLAGE - Nicolas-Antoine LEBEGUE - Jean Leonor LE GALLOIS - Gaspard LE ROUX - Marin MERSENNE - Jean-Philippe RAMEAU (1-2-3) - Pancrace ROYER - Michel de SAINT LAMBERT - Charles Joseph VAN HELMONT. Table of contents: Mersenne Marin: Harmonie universelle - 1636. Denis Jean II: Traite de l'accord de l'espinette - 1650. Chambonnieres Jacques Champion de: Les pieces de clavessin - 1670. Anonyme: Tablature pour le clavecin - s. d. Lebegue Nicolas-Antoine: Les pieces de clavessin - 1677. Le Gallois Jean Leonor: Lettre de Mr Le Gallois - 1680. Anglebert Jean-Henry d': Pieces de clavecin - 1689. Furetiere Antoine: Dictionnaire universel - 1690. Dieupart Francois: Six suittes de clavessin - 1701. Saint-Lambert Michel de: Les principes du clavecin - 1702. Le Roux Gaspard: Pieces de clavessin - 1705. Couperin Francois: Pieces de clavecin - 1713. Couperin Francois: L'art de toucher le clavecin - 1717. Rameau Jean-Philippe: Pieces de clavecin - 1724. Dandrieu Jean-Francois: Livre de pieces de clavecin - 1724. Rameau Jean-Philippe: Nouvelles suites de pieces de clavecin - 1728. Dornel Louis Antoine: Pieces de clavecin - 1731. Dagincourt Francois: Pieces de clavecin - 1733. Corrette Michel: Premier livre de pieces de clavecin - 1734. Daquin Louis Claude: 1er livre de pieces de clavecin - 1735. Rameau Jean-Philippe: Pieces de clavecin - 1736. Van Helmont Charles Joseph: Pieces de clavecin - 1737. Jollage Charles Alexandre: Premier livre de pieces de clavecin - 1738. Royer Pancrace: Pieces de clavecin - 1737. Forqueray Antoine: Pieces de viole (. . . ) mises en pieces de clavecin - 1747. Mondonville Jean-Joseph Cassanea de: Pieces de clavecin avec voix ou violon - 1748. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from:- Inguimbertine Library of Carpentras (France). - Municipal Library of Lyon (France). - National Library of Paris (France). - Sainte Genevieve Library of Paris (France). - British Library of London (England). - Municipal Library of Grenoble (France). - Municipal Library of Bordeaux (France). - Gemmente Museum of The Hague (Netherlands). - In Private collection. Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the harpsichord.

Pan pipe and piano (harpsichord)

SKU: M7.SAE-1-05

Tamerlano. Composed by George Frideric Handel. Arranged by Lucian Moraru. Sheet music. Piano reduction with solo part. SonArt Edition #SAE 1-05. Published by SonArt Edition (M7.SAE-1-05).

ISBN 9790707651513.

This is a unique arrangement for panflute and piano, a work that preserves the beauty of the original work, an icon for classical music repertoire, but at the same time different in essence due to the creative and innovative flavour that was introduced in orchestration on this occasion. The piece has been carefully adapted to suit the technical needs of each instrument, being a smart choice for the players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.

Harpsichord

SKU: HL.48181261

Composed by Jacques-Francois Ibert. Leduc. Classical. 16 pages. Alphonse Leduc #AL20630. Published by Alphonse Leduc (HL.48181261).

UPC: 888680787110. 9.25x12.25x0.083 inches.

“Bein g an unusual composer of his day, Ibert did not attach himself to any of the predominant genres of music of the time. Described as elicit, the composer's Deux Interludes for Flute, Violin and Harpsichord is pleasantly unusual in instrumentation, creating a worthy addition to the classical music repertoire. Ibert stands out as a composer who tackled all styles with equal success, his Deux Interludes for Flute, Violin and Harpsichord being no exception. With clear, separate parts, this edition is a must buy for aspiring musicians seeking to expand their repertoire.”.

(Harpsichord). By William Bolcom. Edited by Davitt Moroney. For Harpsichord. E.B. Marks. 24 pages. Published by Edward B. Marks Music

(Harpsichord)

SKU: HL.49017379

For Harpsichord. Composed by Viktor Kalabis. PANTON. 24 pages. Hal Leonard #P2822. Published by Hal Leonard (HL.49017379).

ISBN 9788070391952. 9.25x12.0x0.111 inches.

(For Harpsichord). By Samuel Adler. For Harpsichord Solo. Classical. Solo part. Standard notation. Composed 24-Sep-89. 7 pages

By Kenneth Gilbert. By Domenico Scarlatti (1685- 1757). Leduc. Classical. Softcover. 212 pages. Heugel and Cie #HE32121. Published by Heugel and Cie

Harpsichord

SKU: HL.48188417

Composed by Domenico Scarlatti. Edited by Kenneth Gilbert. Heugel. Baroque. Softcover. 200 pages. Heugel & Cie #HE32522. Published by Heugel & Cie (HL.48188417).

UPC: 888680866266. 9.0x12.0x0.53 inches.

“Ital ian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this second volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The second volume, comprising Sonatas 53-103, includes the popular and recognised Sonatas in F minor (K. 69) and B minor (K. 87). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre. ”.

By Kenneth Gilbert. By Domenico Scarlatti (1685- 1757). Le Pupitre - Heugel. Classical. Book Only. Heugel & Cie #ALHE32210. Published by Heugel & Cie

Volume 11, K. 507-555. Composed by Domenico Scarlatti (1685-1757). Leduc. Classical. Softcover. 195 pages. Heugel and Cie #HE32298. Published by Heugel and Cie

Harpsichord (Harpsichord)

SKU: HL.48188514

Volume 1, K.1-52. Composed by Domenico Scarlatti. Edited by Kenneth Gilbert. Leduc. Baroque. Softcover. 204 pages. Heugel and Cie #HE32645. Published by Heugel and Cie (HL.48188514).

UPC: 888680872649. 9.0x12.0x0.562 inches.

â??Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this first volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. This first volume, comprising Sonatas 1-52, includes the popular and recognised Sonatas in D minor (K. 9), E major (K. 20) and B minor (K. 27). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre. â?.

Harpsichord

SKU: BT.ALHE32201

By Kenneth Gilbert. By Domenico Scarlatti. Le Pupitre - Heugel. Classical. Book Only. 196 pages. Heugel & Cie #ALHE32201. Published by Heugel & Cie (BT.ALHE32201).

French.

Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this ninth volume is indispensable toperformers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much ofScarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The ninth volume, comprising Sonatas 408-457,includes many of the popular and recognised Sonatas in a variety of keys. Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of tworoyal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.

Harpsichord

SKU: HL.48188166

K. 408-457. Composed by Domenico Scarlatti. Edited by Kenneth Gilbert. Leduc. Classical. Softcover. 202 pages. Heugel & Cie #HE32201. Published by Heugel & Cie (HL.48188166).

UPC: 888680975623. 9.0x12.0x0.528 inches.

“Ital ian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this ninth volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The ninth volume, comprising Sonatas 408-457, includes many of the popular and recognised Sonatas in a variety of keys. Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre. ”.

Volume 10, K.458-506. Composed by Domenico Scarlatti (1685-1757). Leduc. Baroque. Softcover. 210 pages. Heugel and Cie #HE32210. Published by Heugel and Cie

Harpsichord; Early Music

SKU: UT.HS-307

Composed by Antonio Valente. Edited by Maria Luisa Baldassari. Paperback (Soft Cover). Classical. Ut Orpheus #HS 307. Published by Ut Orpheus (UT.HS-307).

ISBN 9790215327146. 9 x 12 inches.

Antonio Valente blind, Neapolitan since a long time according to the list of Neapolitan musicians by Scipione Cerreto and organist in S. Angelo a Nilo in Naples, is known in modern times for his two volumes of keyboard music: Versi spirituali published in 1580 and, some years before, the volume here in transcription, Intavolatura de cimbalo, printed by Giuseppe Cacchio in 1576.
This volume has many original features: first keyboard tablature ever printed in Naples, itâ??s not written in musical characters but in a number-based system never met, according to the current studies, in any other print or manuscript both in and outside Italy. The dedication letter, written by Fraâ?? Alberto Mazza, praises Valente as the inventor of this writing method, so easy and effective that everybody, even uncouth youths that did not know music and keyboard, could attain the result of playing from it in two months.
The Intavolatura presents different genres of music: a fantasia, six ricercatas, a Salve Regina on a cantus firmus, four vocal chansons intabulated for keyboard with more or less diminutions,and nine dances, variations and dance/variations on long-living tenors like Romanesca or Zefiro. There are no liturgical compositions, both because unsuitable in a collection for amateurs and because Valente will publish a new book of sacred music in a few years.
The book is a sort of compendium of the keyboard genres of the period, similar to some older Spanish publications and to the later Neapolitan ones by Trabaci and Majone. Other contemporary volumes on the contrary choose to present a single type of composition: this is the case of the Versetti by Valente and the Ricercate by Rocco Rodio.

Harpsichord (harpsichord)

SKU: HL.48188386

Volume 4, K.156-205. Composed by Domenico Scarlatti. Edited by Kenneth Gilbert. Leduc. Baroque. Softcover. 212 pages. Heugel & Cie #HE32486. Published by Heugel & Cie (HL.48188386).

UPC: 888680866136. 9.0x12.0x0.565 inches.

Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this fourth volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The fourth volume, comprising Sonatas 156-205, includes the popular and recognisable Sonata in C major (K. 159). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre. .

Harpsichord

SKU: BT.ALHE32121

By Kenneth Gilbert. By Domenico Scarlatti. Le Pupitre - Heugel. Classical. Book Only. 208 pages. Heugel & Cie #ALHE32121. Published by Heugel & Cie (BT.ALHE32121).

French.

Itali an composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this eighth volumeis indispensable to performers of the genre.

Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations toremote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royalfamilies.The eighth volume, comprising Sonatas 358-407, includes the popular and recognised Sonatas in B minor (K. 377) and E major (K. 380). Bearing in mind that Domenico Scarlatti was a highly competentand popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essentialaddition to the repertoire of all Keyboard players of the Baroque genre.

Harpsichord

SKU: BT.ALHE32645

By Kenneth Gilbert. By Domenico Scarlatti. Le Pupitre - Heugel. Classical. Book Only. 204 pages. Heugel & Cie #ALHE32645. Published by Heugel & Cie (BT.ALHE32645).

French.

Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this first volume is indispensable toperformers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much ofScarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. This first volume, comprising Sonatas 1-52, includesthe popular and recognised Sonatas in D minor (K. 9), E major (K. 20) and B minor (K. 27). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed inthe service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.

By Kenneth Gilbert. By Domenico Scarlatti (1685- 1757). Heugel. Classical. Softcover. 228 pages. Heugel and Cie #HE32300. Published by Heugel and Cie