France 1. Baroque. Guide to Early Keyboard Music. Softcover. 108 pages. Editio Musica Budapest #EMBZ20018. Published by Editio Musica Budapest

Piano or Harpsichord

SKU: BT.EMBZ20018

France 1. By Szilvia Elek_Anikó Horváth. By Szilvia Elek. Classical. Book Only. Composed 2020. 108 pages. Editio Musica Budapest #EMBZ20018. Published by Editio Musica Budapest (BT.EMBZ20018).

Hungarian-English-Germ an-French.

This brand-new series is intended as a guide to the keyboard music of the 16th to 19th centuries for pupils of the piano and the harpsichord, as well as of other early keyboard instruments. Each volume contains pieces by well-known and lesser-known composers from one country or region. The main purpose of the series is to extend the repertoire and stylistic knowledge of both pianists and harpsichordists while also presenting fine pieces and typical genres based on original sources. Our edition retains the performance indications of the composers' manuscripts and contemporary editions. Each volume includes:- suggestions for stylistically appropriate performance bothon the piano and on period instruments- suggested elaborated versions of some pieces and excerpts- a fold-out list of ornamentation signs and the composers' own tables of ornamentation signs- biographies of the composers and the sources of the pieces- translations of foreign-language performance indications. The two volumes devoted to French keyboard music includes close to 50 showy and relatively easy works - preludes, dances, suites, rondeaux, and character pieces - from the early 16th until the late 18th century (ordered chronologically).This publication is printed on high-quality, age-resistant paper that is produced in an environmentally-friendly, climate-neutral manner using renewable raw materials.

Cette toute nouvelle collection est un guide de la musique pour clavier du XVIe au XIXe siècle adressé aux élèves de piano et clavecin, ainsi que d'autres instruments clavier anciens. Chaque volume rassemble des œuvres de compositeurs célèbres et moins célèbres dans un pays ou une région (préludes, danses, suites, rondeaux et pièces de caractère), ainsi que des suggestions de jeu, des versions élaborées suggérées et extraits, une liste dépliante des signes d'ornement et les tables des compositeurs, des biographies des compositeurs et les sources des œuvres. Cette publication a été imprimée sur du papier de qualité, résistant au vieillissement, et produit dans le respectde l'environnement et du climat partir de matières premières renouvelables.

Una nuova collana ideata per offrire una guida alla scoperta della musica per pianoforte e clavicembalo dal sedicesimo al diciannovesimo secolo. Ogni volume include brani di compositori di una specifica nazione o area geografica.
L'intento è amplicare la conoscenza e il repertorio di ogni musicista. Inoltre in ogni edizione sono riportati fedelmente i suggerimenti per l'interpretazione e le indicazioni presenti sui manoscritti originali. I due volumi dedicati alla musica francese includono circa 50 brani significativi - preludi, danze, suites, rondò e altri - che risalgono all'inizio del sedicesimo secolo fino alla fine del diciottesimo secolo, rigorosamente inordine cronologico.

By Carl Philipp Emanuel Bach (1714-1788). Harpsichord solo - Organ solo - Fortepiano solo. For Harpsichord, Organ, Fortepiano. Facsimiles. Collection FacsiMusic. Grade 0. 12 pages

By Johann Sebastian Bach. Arranged by Tamas Zaszkaliczky. EMB. 58 pages. Published by Editio Musica Budapest.

By Johann Georg Albrechtsberger (1736-1809). Harpsichord solo - Piano or fortepiano solo. For Harpsichord, Piano, Fortepiano. Facsimiles. Collection FacsiMusic. Grade 0. 28 pages

By Madame Ravissa De Turin. Edited by Claudia Schweitzer. For harpsichord or period instrument and modern pianos. Level: intermediate. Full score. Published by Furore-Verlag (German import).

Composed by Gottlieb Muffat. Editio princeps based on sources of the Berlin Sing- Akademie and the Osterreichische Nationalbibliothek. Breitkopf and Haertel #EB 9325. Published by Breitkopf and Haertel

Harpsichord

SKU: OT.21125

Composed by Daniel Akiva. 5 short pieces for harpsichord/cembalo. Classical. Score. OR-TAV Music Publications #21125. Published by OR-TAV Music Publications (OT.21125).

ISBN 9789655051117. 8.27 x 11.69 inches.

The five short movements for solo cembalo are brief, personal prayers that depict how the subject manages a range of feelings and emotions. The miniatures each represent a different emotional state: reflection, searching, meditation, agitation, and resolution. Each is a small-scale representation of a grand, wide-ranging prayer of supplication.
As a composer, performer, and researcher of early music, writing for cembalo allows me not only to express my special connection to the instrument and the period in which it flourished, but also to present its contemporary dimensions as a rich and versatile instrument.
The piece was composed at the request of Hagai Yodan, who performs it with great skill.
Daniel Akiva is a composer, performer, and educator whose performances on guitar and lute have won great acclaim. Mr. Akiva graduated from the Rubin Academy of Music in Jerusalem in 1981, where he studied classical guitar with Haim Asulin and composition with Haim Alexander. In 1987 he completed his studies at the Geneva Conservatorium in Switzerland where he studied lute with Jonathon Rubin and composition with Jean Ballisa. For many years, he headed the Music Department at the WIZO High School for the Arts in Haifa, which he founded in 1986, and served as the Artistic Director of the Guitar Gems Festival from 2006-2019. As part of his work at WIZO High School, he has developed a method for teaching free improvisation that has been incorporated into the music program at the school.
Mr. Akiva has appeared in concert as a guitarist and lutist and given master classes in Israel, Europe, Russia, the United States, and Latin America. Daniel Akiva’s compositional output includes works for solo instruments, chamber ensembles, choir, voice and guitar, piano, and chamber orchestra. His works have been recorded on twelve CDs, the latest of which, Malchut, was issued by OR-TAV in 2014.
A native of Haifa whose family has lived in Israel for over five hundred years, he was steeped in the Sephardic (Jewish-Spanish) tradition from his youth. Much of his compositional output has been devoted to a dialogue with the music of the Sephardic Jews. Daniel Akiva has also maintained a creative dialogue over many years with the poets and writers Amnon Shamash, Rivka Miriam, and Avner Peretz.

Harpsichord

SKU: SU.50032150

For Harpsichord. Composed by William Sydeman. Keyboard, Piano/Harpsichord. Harpsichord. Score. Seesaw Music Corp #50032150. Published by Seesaw Music Corp (SU.50032150).

Published by: Seesaw Music.

Harpsichord

SKU: SU.50025690

For Harpsichord. Composed by Paul Reale. Keyboard, Piano/Harpsichord. Score. Seesaw Music Corp #50025690. Published by Seesaw Music Corp (SU.50025690).

Copyright 1975. Published by: Seesaw Music.

Harpsichord

SKU: SU.50027820

For Harpsichord. Composed by Robert Rollin. Keyboard, Piano/Harpsichord. Score. Seesaw Music Corp #50027820. Published by Seesaw Music Corp (SU.50027820).

Copyright 1990. Published by: Seesaw Music.

Harpsichord

SKU: SU.50026180

For Harpsichord. Composed by Thomas Rice. Keyboard, Piano/Harpsichord. Score. Seesaw Music Corp #50026180. Published by Seesaw Music Corp (SU.50026180).

Published by: Seesaw Music.

Harpsichord

SKU: SU.92050400

For Harpsichord. Composed by Roberto Sierra. Keyboard, Piano/Harpsichord. Harpsichord. Score. Subito Music Corporation #92050400. Published by Subito Music Corporation (SU.92050400).

Instrumentation : Harpsichord
Duration: 4'
Composed: 2017
Published by: Subito Music Publishing.

Harpsichord

SKU: SU.60000970

For Harpsichord. Composed by Elinor Armer. Keyboard, Piano/Harpsichord. Harpsichord. Score. Subito Music Corporation #60000970. Published by Subito Music Corporation (SU.60000970).

Commissioned by Laurette Goldberg to be played alongside Sweelinck’s variations on the same theme. harpsichord Duration: 8 ' Composed: 1972 Published by: J.B. Elkus Music.

Harpsichord

SKU: SU.50034200

For Harpsichord. Composed by Paul Turok. Keyboard, Piano/Harpsichord. Harpsichord. Score. Seesaw Music Corp #50034200. Published by Seesaw Music Corp (SU.50034200).

Published by: Seesaw Music.

Harpsichord

SKU: ST.MB106

Composed by Maurice Greene. Piano & keyboard music. Stainer & Bell Ltd. #MB106. Published by Stainer & Bell Ltd. (ST.MB106).

ISBN 9790220226427.

Sonatas for Harpsichord. Composed by Domenico Scarlatti (1685-1757). Edited by Emilia Fadini and Marco Moiraghi. Piano. Softcover. 296 pages. Ricordi #ER2757. Published by Ricordi (HL.50600627).

Edited by Emer Buckley. For Harpsichord. This edition: Facsimile. Fac-Similes Enseignement. Score. 16 pages. Published by Anne Fuzeau Productions - France

Harpsichord

SKU: HL.14020226

Composed by Elizabeth Maconchy. Music Sales America. Classical. Book [Softcover]. Composed 2002. 16 pages. Chester Music #CH55112. Published by Chester Music (HL.14020226).

8.25x11.75x0.077 inches.

A Harpsichord is a musical instrument played by means of a keyboard. It produces sound by plucking a string when a key is pressed. The instrument was widely used in Renaissance and Baroque music. During the late 18th century,it gradually disappeared from the musical scene with the rise of the Piano. In the 20th century, it made a resurgence, being used in historically informed performances of older music, in new (contemporary) compositions, and inpopular culture.

This piece is perfect for anyone who wants to discover this unique instrument. Composed in 1966 by Elizabeth Maconchy the upbeat allegro of Notebook For Harpsichord takesapproximately 8 minutes to perform.

Pan pipe and piano (harpsichord)

SKU: M7.SAE-1-05

Tamerlano. Composed by George Frideric Handel. Arranged by Lucian Moraru. Sheet music. Piano reduction with solo part. SonArt Edition #SAE 1-05. Published by SonArt Edition (M7.SAE-1-05).

ISBN 9790707651513.

This is a unique arrangement for panflute and piano, a work that preserves the beauty of the original work, an icon for classical music repertoire, but at the same time different in essence due to the creative and innovative flavour that was introduced in orchestration on this occasion. The piece has been carefully adapted to suit the technical needs of each instrument, being a smart choice for the players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.