Edited by Emer Buckley. For Harpsichord. This edition: Facsimile. Fac-Similes En...(+)
Edited by Emer Buckley.
For Harpsichord. This
edition: Facsimile.
Fac-Similes Enseignement.
Score. 16 pages.
Published by Anne Fuzeau
Productions - France
Harpsichord SKU: FZ.5834 Serie I - France 1600-1800. Edited by Phi...(+)
Harpsichord
SKU:
FZ.5834
Serie I -
France 1600-1800.
Edited by Philippe
Lescat, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5834).
ISBN
9790230658348. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in two books.
Anonyme - Jean-Henry
d'ANGLEBERT - Francois
COUPERIN (1-2) -
Jean-Joseph Cassanea de
MONDONVILLE - Michel
CORRETTE (1) - Jacques
Champion de CHAMBONNIERES
- Francois DAGINCOURT -
Jean-Francois DANDRIEU -
Louis Claude DAQUIN -
Jean II DENIS - Francois
DIEUPART - Louis-Antoine
DORNEL - Antoine
FORQUERAY - Antoine
FURETIERE - Charles
Alexandre JOLLAGE -
Nicolas-Antoine LEBEGUE -
Jean Leonor LE GALLOIS -
Gaspard LE ROUX - Marin
MERSENNE - Jean-Philippe
RAMEAU (1-2-3) - Pancrace
ROYER - Michel de SAINT
LAMBERT - Charles Joseph
VAN HELMONT. Table of
contents: Mersenne Marin:
Harmonie universelle -
1636. Denis Jean II:
Traite de l'accord de
l'espinette - 1650.
Chambonnieres Jacques
Champion de: Les pieces
de clavessin - 1670.
Anonyme: Tablature pour
le clavecin - s. d.
Lebegue Nicolas-Antoine:
Les pieces de clavessin -
1677. Le Gallois Jean
Leonor: Lettre de Mr Le
Gallois - 1680. Anglebert
Jean-Henry d': Pieces de
clavecin - 1689.
Furetiere Antoine:
Dictionnaire universel -
1690. Dieupart Francois:
Six suittes de clavessin
- 1701. Saint-Lambert
Michel de: Les principes
du clavecin - 1702. Le
Roux Gaspard: Pieces de
clavessin - 1705.
Couperin Francois: Pieces
de clavecin - 1713.
Couperin Francois: L'art
de toucher le clavecin -
1717. Rameau
Jean-Philippe: Pieces de
clavecin - 1724. Dandrieu
Jean-Francois: Livre de
pieces de clavecin -
1724. Rameau
Jean-Philippe: Nouvelles
suites de pieces de
clavecin - 1728. Dornel
Louis Antoine: Pieces de
clavecin - 1731.
Dagincourt Francois:
Pieces de clavecin -
1733. Corrette Michel:
Premier livre de pieces
de clavecin - 1734.
Daquin Louis Claude: 1er
livre de pieces de
clavecin - 1735. Rameau
Jean-Philippe: Pieces de
clavecin - 1736. Van
Helmont Charles Joseph:
Pieces de clavecin -
1737. Jollage Charles
Alexandre: Premier livre
de pieces de clavecin -
1738. Royer Pancrace:
Pieces de clavecin -
1737. Forqueray Antoine:
Pieces de viole (. . . )
mises en pieces de
clavecin - 1747.
Mondonville Jean-Joseph
Cassanea de: Pieces de
clavecin avec voix ou
violon - 1748. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from:-
Inguimbertine Library of
Carpentras (France). -
Municipal Library of Lyon
(France). - National
Library of Paris
(France). - Sainte
Genevieve Library of
Paris (France). - British
Library of London
(England). - Municipal
Library of Grenoble
(France). - Municipal
Library of Bordeaux
(France). - Gemmente
Museum of The Hague
(Netherlands). - In
Private collection. Anne
Fuzeau Classique propose
the complete theoretic
documentation, methods,
classical music scores on
the harpsichord.
Harpsichord SKU: FZ.5849 Edited by Emer Buckley. This edition: Facsimile....(+)
Harpsichord
SKU:
FZ.5849
Edited by
Emer Buckley. This
edition: Facsimile.
Fac-Similes Enseignement.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5849).
ISBN
9790230658492. 22.00 x
31.00 cm
inches.
These
original publications of
Couperin, Corrette,
Boismortier, Duphly and
Bach are in facsimile on
Fac-similes et
Enseignement collection.
Couperin Francois : L'art
de toucher le clavecin.
Paris, 1717. Allemande.
Couperin Francois :
Quatrieme livre de pieces
de clavecin. Paris, 1730.
Menuets croises. Corrette
Michel : Premier livre de
pieces de clavecin.
Paris, 1734. - Manuscrit,
s. d. Les Giboulees de
Mars. Boismortier Joseph
Bodin de : Quatre suites
de pieces de clavecin.
Paris, 1736. La Rustique.
Duphly Jacques : Pieces
de clavecin, quatrieme
livre. Paris, 1768. La Du
Buq. Bach Carl Philipp
Emmanuel : Kurze und
leichte clavierstucke.
Berlin, c. 1766. Allegro.
Fantasia. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. This facsimile
was realized by Emer
buckley for harpsichord.
Facsimile of copies from:
- National Library of
Paris (France). -
Inguimbertine Library of
Carpentras (France). -
Zentralbibliothek of
Zurich (Switzerland). -
osterreichische
Nationalbibliothek of
Wien (Austria). Anne
Fuzeau Classique propose
period copies of
classical music
scores.
Harpsichord SKU: BR.EB-9211 Composed by Adriana Holszky. Solo instruments...(+)
Harpsichord
SKU:
BR.EB-9211
Composed
by Adriana Holszky. Solo
instruments; Softcover.
Edition Breitkopf.
World premiere:
Stuttgart, June 7,
1983
Music post-1945;
New music (post-2000).
Score. Composed 1983. 12
pages. Duration 7'.
Breitkopf and Haertel #EB
9211. Published by
Breitkopf and Haertel
(BR.EB-9211).
ISBN
9790004184073. 9.5 x 13.5
inches.
CD: Maria
Grossmann (harpsichord)
Aulos 53595 und
Koch-Schwann-Aulos 3-1417
2 Bibliography : Petersen
, Birger: Neue Musik.
Analysen, Berlin: Simon
Verlag fur
Bibliothekswissen 2013,
pp. 97-110.
Chamber Music Harpsichord SKU: PR.110418390 Composed by Eric Ewazen. Full...(+)
Chamber Music Harpsichord
SKU: PR.110418390
Composed by Eric Ewazen.
Full score. 11 pages.
Duration 10 minutes.
Theodore Presser Company
#110-41839. Published by
Theodore Presser Company
(PR.110418390).
ISBN
9781491134603. UPC:
680160685158.
Eric
Ewazen’s THREE
INVENTIONS were inspired
by Bach’s Two-part
Inventions, yet they
sound thoroughly like
Ewazen. Composed for
harpsichord (with a piano
adaptation following
later), Ewazen’s
inventions maintain a
pure “one note per
hand†texture until
their final chord, with
strong-but-free imitative
counterpoint between the
two voices. While Ewazen
may be best known for his
wind music, he is a
pianist himself, and
composers’ works
for their own instrument
are a direct insight into
how they write for their
own performances. The
piano adaptation of THREE
INVENTIONS is also
available as a separate
publication. THREE
INVENTIONS was written
for my dear friend Maria
Rojas, who premiered the
work on a faculty recital
at Juilliard. Maria is
both a pianist and a
harpsichordist, and I
first met her when she
gave a demonstration of
the harpsichord for the
students in my theory
classes.I’ve
always been captivated by
Bach’s series of
Two-Part and Three-Part
Inventions. With the
Two-Part Inventions,
I’m amazed how
Bach could create such
wonderful intricacy and
counterpoint with only
two voices. I
consequently modeled my
inventions after the
counterpoint of Bach,
involving the traditional
contrapuntal devices he
used: imitation,
development, harmonic and
modal shifts,
fragmentation, and
sequence, essentially
creating a dialog between
two completely equal
voices conversing with
each other!Bach wrote 15
Two-Part Inventions (as
well as 15 Three-Part
Inventions, not to
mention the 48 preludes
and fugues in The
Well-Tempered Clavier!),
and that’s just
the start of his
voluminous repertoire for
the keyboard! I was happy
just to write
three!!!Each of my
inventions has a
distinctive mood. The
first is in a relaxed,
yet cheerful C Major
tonality (as a nod to
Bach’s Invention
No. 1 in C Major); the
second is heartfelt and
lyrical; and the third
invention (involving a
Gigue rhythm in the
compound meter of 12/8)
is energetic, and full of
life and spontaneity. The
third is primarily in a
minor tonality, resulting
in a feeling of drama,
bringing the THREE
INVENTIONS to an exciting
finale.
Harpsichord SKU: HL.14012557 Composed by Per Norgard. Music Sales America...(+)
Harpsichord
SKU:
HL.14012557
Composed
by Per Norgard. Music
Sales America. Book Only.
Edition Wilhelm Hansen
#KP00404. Published by
Edition Wilhelm Hansen
(HL.14012557).
Danish.
Per
Norgard GEMINI RISING for
harpsichord soloFirst
there is a mountain, then
there is no mountain,
then there isThe title
literally Ascending Twins
- was borrowed from
astrological terminology
but refers, purely
musically, to two
essential circumnstances
in the work: A constant
duplicity in the melodic
basis, as well as an
almost constantly
ascending tendency. Even
when - as is the case in
the start - falling
figures appear, the
combination of several
such figures produces an
ascending impression.
GEMINI RISING was
composed for Elisabeth
Chojnacka and premiered
at a concert in
Copenhagen in November
1990.Per Norgard.