Composed by Gottlieb Muffat. Editio princeps based on sources of the Berlin Sing- Akademie and the Osterreichische Nationalbibliothek. Breitkopf and Haertel #EB 9325. Published by Breitkopf and Haertel

Harpsichord

SKU: HL.14012557

Composed by Per Norgard. Music Sales America. Book Only. Edition Wilhelm Hansen #KP00404. Published by Edition Wilhelm Hansen (HL.14012557).

Danish.

Per Norgard GEMINI RISING for harpsichord soloFirst there is a mountain, then there is no mountain, then there isThe title literally Ascending Twins - was borrowed from astrological terminology but refers, purely musically, to two essential circumnstances in the work: A constant duplicity in the melodic basis, as well as an almost constantly ascending tendency. Even when - as is the case in the start - falling figures appear, the combination of several such figures produces an ascending impression. GEMINI RISING was composed for Elisabeth Chojnacka and premiered at a concert in Copenhagen in November 1990.Per Norgard.

Harpsichord - Level 6

SKU: BA.BA10845

Composed by Francois Couperin. Edited by Denis Herlin. This edition: urtext edition. Paperback. Barenreiter Urtext. With 8 Préludes and 1 Allemande from L'Art de toucher le clavecin (1716–1717). Performance score, anthology. Baerenreiter Verlag #BA10845_00. Published by Baerenreiter Verlag (BA.BA10845).

ISBN 9790006505623. 31 x 24.3 cm inches. Preface: Denis Herlin.

‘Once again the French musicologist Denis Herlin, who mastered the harpsichord under the tutelage of such keyboard legends as Kenneth Gilbert and Huguette Dreyfus, has presented an exemplary edition of a classic from the harpsichord repertoire.’ (Jury of the German Music Edition Prize on BA 10844)

Bärenrei ter presents Book II of Couperin’s “Pièces de clavecin”, first published in 1717, In addition the eight preludes and one allemande from his treatise “L’Art de toucher le clavecin” are included in the appendix. For the first time Denis Herlin has evaluated the many later impressions of the original print, most of which he unearthed himself in international libraries. By preserving the essential features of the original print while largely dispensing with disruptive page-turns within the pieces, the volume brings modern performers close to the special sound of this music. Rounding off this pioneering new edition are an extensive Foreword, notes on historical performance practice, a comprehensive glossary, facsimile pages and a detailed Critical Commentary.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Piano or Harpsichord

SKU: BT.EMBZ20018

France 1. By Szilvia Elek_Anikó Horváth. By Szilvia Elek. Classical. Book Only. Composed 2020. 108 pages. Editio Musica Budapest #EMBZ20018. Published by Editio Musica Budapest (BT.EMBZ20018).

Hungarian-English-Germ an-French.

This brand-new series is intended as a guide to the keyboard music of the 16th to 19th centuries for pupils of the piano and the harpsichord, as well as of other early keyboard instruments. Each volume contains pieces by well-known and lesser-known composers from one country or region. The main purpose of the series is to extend the repertoire and stylistic knowledge of both pianists and harpsichordists while also presenting fine pieces and typical genres based on original sources. Our edition retains the performance indications of the composers' manuscripts and contemporary editions. Each volume includes:- suggestions for stylistically appropriate performance bothon the piano and on period instruments- suggested elaborated versions of some pieces and excerpts- a fold-out list of ornamentation signs and the composers' own tables of ornamentation signs- biographies of the composers and the sources of the pieces- translations of foreign-language performance indications. The two volumes devoted to French keyboard music includes close to 50 showy and relatively easy works - preludes, dances, suites, rondeaux, and character pieces - from the early 16th until the late 18th century (ordered chronologically).This publication is printed on high-quality, age-resistant paper that is produced in an environmentally-friendly, climate-neutral manner using renewable raw materials.

Cette toute nouvelle collection est un guide de la musique pour clavier du XVIe au XIXe siècle adressé aux élèves de piano et clavecin, ainsi que d'autres instruments clavier anciens. Chaque volume rassemble des œuvres de compositeurs célèbres et moins célèbres dans un pays ou une région (préludes, danses, suites, rondeaux et pièces de caractère), ainsi que des suggestions de jeu, des versions élaborées suggérées et extraits, une liste dépliante des signes d'ornement et les tables des compositeurs, des biographies des compositeurs et les sources des œuvres. Cette publication a été imprimée sur du papier de qualité, résistant au vieillissement, et produit dans le respectde l'environnement et du climat partir de matières premières renouvelables.

Una nuova collana ideata per offrire una guida alla scoperta della musica per pianoforte e clavicembalo dal sedicesimo al diciannovesimo secolo. Ogni volume include brani di compositori di una specifica nazione o area geografica.
L'intento è amplicare la conoscenza e il repertorio di ogni musicista. Inoltre in ogni edizione sono riportati fedelmente i suggerimenti per l'interpretazione e le indicazioni presenti sui manoscritti originali. I due volumi dedicati alla musica francese includono circa 50 brani significativi - preludi, danze, suites, rondò e altri - che risalgono all'inizio del sedicesimo secolo fino alla fine del diciottesimo secolo, rigorosamente inordine cronologico.

Harpsichord

SKU: BT.ALHE32629

Le Pupitre - Heugel. Book Only. 97 pages. Heugel & Cie #ALHE32629. Published by Heugel & Cie (BT.ALHE32629).

French.

De La Guerre's Harpsichord Pieces was composed in 1687. The compilation remains a favourite in the Harpsichord repertoire. Elisabeth Jacquet de La Guerre (1665-1729) was born into an important family of musicians in Paris.Comprising four Suites, de La Guerre exemplified in her compositions her own skills on the Harpsichord. Each of the Suites begin with a Prelude, Allemande, two Courantes, Sarabande and a Gigue. The following movements include aCannaris, Chaconne Gavott and Menuet. Pieces for Harpsichord is essential to the repertoire of aspiring players of the instrument.

Harpsichord

SKU: BT.ALHE32649

Composed by Jacques Duphly. Le Pupitre - Heugel. Classical. Score Only. 188 pages. Heugel & Cie #ALHE32649. Published by Heugel & Cie (BT.ALHE32649).

French.

Duphly's Harpsichord Pieces is in two volumes and the compilation remains a favourite in the Harpsichord repertoire. Jacques Duphly (1715-1789) studied the Harpsichord and Organ as a boy, becoming a virtuoso of both instruments.Comprising Gavottes, Menuets, and other works, this second volume of La Pupite's collection of Duphly's Harpsichord Pieces,, exemplifies the composer's skills on the Harpsichord. The second volume of Harpsichord Pieces alsohelpfully contains a table of ornaments, demonstrating how each should be performed. Duphly's Harpsichord Pieces is essential to the repertoire of aspiring players of the instrument.

Composed by Joseph-Nicolas- Panc Roye. Heugel. Classical. Softcover. 38 pages. Heugel and Cie #HE33676. Published by Heugel and Cie

Composed by Jacques Duphly (1715-1789). Leduc. Classical. Softcover. 188 pages. Heugel and Cie #HE32649. Published by Heugel and Cie

Harpsichord

SKU: ST.Y231

Composed by Rhian Samuel. Octavo. Stainer & Bell Ltd. #Y231. Published by Stainer & Bell Ltd. (ST.Y231).

ISBN 9790220221767.

Writ ten for harpsichordist Jane Chapman, and clearly inspired by her virtuosity, Copper Ribbons is a fantasy-movement of throbbing tremolandi and scrunchy arpeggiated chords that both support and intrude upon a recitative-like 'line' of elusive, questioning melody. Exploiting the instruments rich variety of tone colours with a Debussian passion for texture and timbre, the composer here creates a miniature tone-poem, which sustains to its closing bars a sense of mystery and suggestion. The work may stand alone, or as a pair with its companion-piece Silver Threads, which should precede it.

France 1. Baroque. Guide to Early Keyboard Music. Softcover. 108 pages. Editio Musica Budapest #EMBZ20018. Published by Editio Musica Budapest

By George Frideric Handel (1685-1759). Edited by Terence Best. For harpsichord. This edition: Stapled, Urtext edition. Replaces BA 4207, BA 4018 is not compatible. Single part. HWV 348-350. 23 pages. Duration 58 minutes. Published by Baerenreiter Verlag (. single part.

Harpsichord

SKU: FG.55011-499-9

Composed by Jyrki Linjama. Fennica Gehrman #55011-499-9. Published by Fennica Gehrman (FG.55011-499-9).

ISBN 9790550114999.

Sona ta da chiesa III was commissioned by Petteri Pitko, who played the first perfor-mance in Kemionsaaren Musiikkijuhlat in the summer of 2016. The sonata has three movements, each of which has a definite liturgical character and a choral tune as a can-tus firmus. Hence the music can be performed either in a concert or as a part of liturgy.

From the composer's foreword: The first movement, Kyrie, has got an introvert mood. The choral melody is veiled, an indirect part of arpeggiated texture. The Gloria is open, even brilliant: the cantus firmus is worked out to a virtuosic, dance-like texture. The third movement closes the music by means of polyphony and bird singing. Concerning the harpsichord, for me it is essen-tial not to use equal temperament: the possibility to play with pure or almost pure in-tervals is crucial to the sound, having very high and strong overtones.

Duration c. 12'.

Harpsichord

SKU: FG.55011-764-8

Composed by Esa Pietilä. Classical, contemporary. Book. Fennica Gehrman #55011-764-8. Published by Fennica Gehrman (FG.55011-764-8).

ISBN 9790550117648.

The title of Esa Pietilä’s solo harpsichord work Fata morgana (2019) refers to a special weather con-dition, which creates illusory effect of mirage-like fairy castle-like monuments in the horizon of the sea. The piece brings forth the frightening bass sonority on double manual, full size harpsichord and the brightness on the treble and makes a dialogue out of them. “I got fasci-nated by the sonority, character and power of the low register sound on the instrument, es-pecially when used in non-traditional way and found some kind of especially delightful and outlandish cluster-mud and airy glimmering things which seem to play together, the com-poser describes. The challenges of the piece lie in rhythmical ideas, which are surprisingly multi-faceted and in the short, improvised section.

Duration: c. 6’

Esa Pietilän soolo-cembalolle tehdyn sävellyksen otsikko Fata morgana (2019) viittaa erityisen sääil-miön aiheuttamaan illusatoriseen kangastuksen tapaiseen efektiin, joka tuo esiin satulinnojen kaltaisten rakennelmien ilmaantumisen meren horisonttiin. Sävellys tuo esiin cembalon bas-sorekisterin pelottavuuden sekä diskantin kirkkauden ja käy niillä vuoropuhelua. Haltioiduin cembalon alarekisterin erityisestä soinnista, karakteerista ja voimasta, jos sitä käyttää hyvinkin ei-perinteisesti. Löysin myös erityisen hauskasti soivaa klusteri-mutaa ja ilmavaa kimallusta, jotka sointuvat yhteen, Pietilä kuvaa sävellystään. Kappaleen haasteena ovat rytmisesti yllät-tävät ja monitahoiset ideat sekä lyhyt improvisaatiojakso.

By Kenneth Gilbert. By Domenico Scarlatti (1685- 1757). Leduc. Classical. Softcover. 212 pages. Heugel and Cie #HE32121. Published by Heugel and Cie

Harpsichord

SKU: HL.48188417

Composed by Domenico Scarlatti. Edited by Kenneth Gilbert. Heugel. Baroque. Softcover. 200 pages. Heugel & Cie #HE32522. Published by Heugel & Cie (HL.48188417).

UPC: 888680866266. 9.0x12.0x0.53 inches.

“Ital ian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this second volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The second volume, comprising Sonatas 53-103, includes the popular and recognised Sonatas in F minor (K. 69) and B minor (K. 87). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre. ”.

By Kenneth Gilbert. By Domenico Scarlatti (1685- 1757). Le Pupitre - Heugel. Classical. Book Only. Heugel & Cie #ALHE32210. Published by Heugel & Cie

Volume 11, K. 507-555. Composed by Domenico Scarlatti (1685-1757). Leduc. Classical. Softcover. 195 pages. Heugel and Cie #HE32298. Published by Heugel and Cie

Harpsichord (Harpsichord)

SKU: HL.48188514

Volume 1, K.1-52. Composed by Domenico Scarlatti. Edited by Kenneth Gilbert. Leduc. Baroque. Softcover. 204 pages. Heugel and Cie #HE32645. Published by Heugel and Cie (HL.48188514).

UPC: 888680872649. 9.0x12.0x0.562 inches.

â??Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this first volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. This first volume, comprising Sonatas 1-52, includes the popular and recognised Sonatas in D minor (K. 9), E major (K. 20) and B minor (K. 27). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre. â?.

Harpsichord

SKU: BT.ALHE32201

By Kenneth Gilbert. By Domenico Scarlatti. Le Pupitre - Heugel. Classical. Book Only. 196 pages. Heugel & Cie #ALHE32201. Published by Heugel & Cie (BT.ALHE32201).

French.

Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this ninth volume is indispensable toperformers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much ofScarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The ninth volume, comprising Sonatas 408-457,includes many of the popular and recognised Sonatas in a variety of keys. Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of tworoyal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.