Harpsichord SKU: FZ.5834 Serie I - France 1600-1800. Edited by Phi...(+)
Harpsichord
SKU:
FZ.5834
Serie I -
France 1600-1800.
Edited by Philippe
Lescat, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5834).
ISBN
9790230658348. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in two books.
Anonyme - Jean-Henry
d'ANGLEBERT - Francois
COUPERIN (1-2) -
Jean-Joseph Cassanea de
MONDONVILLE - Michel
CORRETTE (1) - Jacques
Champion de CHAMBONNIERES
- Francois DAGINCOURT -
Jean-Francois DANDRIEU -
Louis Claude DAQUIN -
Jean II DENIS - Francois
DIEUPART - Louis-Antoine
DORNEL - Antoine
FORQUERAY - Antoine
FURETIERE - Charles
Alexandre JOLLAGE -
Nicolas-Antoine LEBEGUE -
Jean Leonor LE GALLOIS -
Gaspard LE ROUX - Marin
MERSENNE - Jean-Philippe
RAMEAU (1-2-3) - Pancrace
ROYER - Michel de SAINT
LAMBERT - Charles Joseph
VAN HELMONT. Table of
contents: Mersenne Marin:
Harmonie universelle -
1636. Denis Jean II:
Traite de l'accord de
l'espinette - 1650.
Chambonnieres Jacques
Champion de: Les pieces
de clavessin - 1670.
Anonyme: Tablature pour
le clavecin - s. d.
Lebegue Nicolas-Antoine:
Les pieces de clavessin -
1677. Le Gallois Jean
Leonor: Lettre de Mr Le
Gallois - 1680. Anglebert
Jean-Henry d': Pieces de
clavecin - 1689.
Furetiere Antoine:
Dictionnaire universel -
1690. Dieupart Francois:
Six suittes de clavessin
- 1701. Saint-Lambert
Michel de: Les principes
du clavecin - 1702. Le
Roux Gaspard: Pieces de
clavessin - 1705.
Couperin Francois: Pieces
de clavecin - 1713.
Couperin Francois: L'art
de toucher le clavecin -
1717. Rameau
Jean-Philippe: Pieces de
clavecin - 1724. Dandrieu
Jean-Francois: Livre de
pieces de clavecin -
1724. Rameau
Jean-Philippe: Nouvelles
suites de pieces de
clavecin - 1728. Dornel
Louis Antoine: Pieces de
clavecin - 1731.
Dagincourt Francois:
Pieces de clavecin -
1733. Corrette Michel:
Premier livre de pieces
de clavecin - 1734.
Daquin Louis Claude: 1er
livre de pieces de
clavecin - 1735. Rameau
Jean-Philippe: Pieces de
clavecin - 1736. Van
Helmont Charles Joseph:
Pieces de clavecin -
1737. Jollage Charles
Alexandre: Premier livre
de pieces de clavecin -
1738. Royer Pancrace:
Pieces de clavecin -
1737. Forqueray Antoine:
Pieces de viole (. . . )
mises en pieces de
clavecin - 1747.
Mondonville Jean-Joseph
Cassanea de: Pieces de
clavecin avec voix ou
violon - 1748. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from:-
Inguimbertine Library of
Carpentras (France). -
Municipal Library of Lyon
(France). - National
Library of Paris
(France). - Sainte
Genevieve Library of
Paris (France). - British
Library of London
(England). - Municipal
Library of Grenoble
(France). - Municipal
Library of Bordeaux
(France). - Gemmente
Museum of The Hague
(Netherlands). - In
Private collection. Anne
Fuzeau Classique propose
the complete theoretic
documentation, methods,
classical music scores on
the harpsichord.
Harpsichord SKU: FZ.5835 Serie I - France 1600-1800. Edited by Phi...(+)
Harpsichord
SKU:
FZ.5835
Serie I -
France 1600-1800.
Edited by Philippe
Lescat, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5835).
ISBN
9790230658355. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in two books.
ANCELET - Antoine
BEMETZIEDER (1-2) -
Jean-Laurent de BETHISY -
Michel CORRETTE (2) -
Denis DIDEROT - Jacques
DUPHLY (1-2) -
Encyclopedie -
Encyclopedie methodique -
Louis-Joseph le neveu
FRANCOEUR - Pierre Claude
FOUCQUET (1-2) -
Francois-Alexandre-Pierre
de GARSAULT -
Jean-Benjamin de LABORDE
- Philippe MACQUER -
Friedrich Wilhelm MARPURG
- Jean-Philippe RAMEAU
(4) - Jean-Jacques
ROUSSEAU - Simon SIMON.
Table of contents:
Corrette Michel: Les
amusements du Parnasse -
1749. Foucquet Pierre
Claude: Les caracteres de
la paix - 1749. Foucquet
Pierre Claude: Second
livre de pieces de
clavecin - 1751.
Encyclopedie:
Encyclopedie ou
dictionnaire raisonne -
1751/1772. Duphly
Jacques: Troisieme livre
de pieces de clavecin -
1756. Ancelet:
Observations sur la
musique - 1757. Rameau
Jean-Philippe: Code de
musique pratique - 1760.
Garsault
Francois-Alexandre-Pierre
de: Notionnaire - 1761.
Simon Simon: Pieces de
clavecin - 1761. Bethisy
Jean-Laurent de:
Exposition de la theorie
- 1764. Rousseau
Jean-Jacques:
Dictionnaire de la
musique - 1768. Duphly
Jacques: Du doigter - c.
1769. Diderot Denis:
Manuscrit autographe - s.
d. Bemetzrieder Antoine:
Lecons de clavecin -
1771. Francoeur
Louis-Joseph le neveu:
Diapason general - 1772.
Macquer Philippe:
Dictionnaire raisonne -
1773. Laborde
Jean-Benjamin de: Essai
sur la musique - 1780.
Bemetzrieder Antoine:
Nouvelles lecons de
clavecin - 1783.
Encyclopedie methodique:
Encyclopedie methodique,
arts et metiers
mecaniques - 1788.
Marpurg Friedrich
Wilhelm: L'art de toucher
le clavecin - c. 1797.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from:- National
Library of Paris
(France). - Fitzwilliam
Museum of Cambridge
(England). - Bayerische
Staatsbibliotheck of
Munich (Germany). -
British Library of London
(England). - In Private
collection. Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the harpsichord.
Piano or Harpsichord SKU: BT.EMBZ20018 France 1. By Szilvia Elek_A...(+)
Piano or Harpsichord
SKU: BT.EMBZ20018
France 1. By
Szilvia Elek_Anikó
Horváth. By Szilvia
Elek. Classical. Book
Only. Composed 2020. 108
pages. Editio Musica
Budapest #EMBZ20018.
Published by Editio
Musica Budapest
(BT.EMBZ20018).
Hungarian-English-Germ
an-French.
This
brand-new series is
intended as a guide to
the keyboard music of the
16th to 19th centuries
for pupils of the piano
and the harpsichord, as
well as of other early
keyboard instruments.
Each volume contains
pieces by well-known and
lesser-known composers
from one country or
region. The main purpose
of the series is to
extend the repertoire and
stylistic knowledge of
both pianists and
harpsichordists while
also presenting fine
pieces and typical genres
based on original
sources. Our edition
retains the performance
indications of the
composers' manuscripts
and contemporary
editions. Each volume
includes:- suggestions
for stylistically
appropriate performance
bothon the piano and on
period instruments-
suggested elaborated
versions of some pieces
and excerpts- a fold-out
list of ornamentation
signs and the composers'
own tables of
ornamentation signs-
biographies of the
composers and the sources
of the pieces-
translations of
foreign-language
performance indications.
The two volumes devoted
to French keyboard music
includes close to 50
showy and relatively easy
works - preludes, dances,
suites, rondeaux, and
character pieces - from
the early 16th until the
late 18th century
(ordered
chronologically).This
publication is printed on
high-quality,
age-resistant paper that
is produced in an
environmentally-friendly,
climate-neutral manner
using renewable raw
materials.
Una nuova collana
ideata per offrire una
guida alla scoperta della
musica per pianoforte e
clavicembalo dal
sedicesimo al
diciannovesimo secolo.
Ogni volume include brani
di compositori di una
specifica nazione o area
geografica. L'intento
è amplicare la
conoscenza e il
repertorio di ogni
musicista. Inoltre in
ogni edizione sono
riportati fedelmente i
suggerimenti per
l'interpretazione e le
indicazioni presenti sui
manoscritti originali. I
due volumi dedicati alla
musica francese includono
circa 50 brani
significativi - preludi,
danze, suites, rondò e
altri - che risalgono
all'inizio del sedicesimo
secolo fino alla fine del
diciottesimo secolo,
rigorosamente inordine
cronologico.
Gesamtausgabe. Originale Vorworte, Spielanweisungen und Verzierungstabellen. Fra...(+)
Gesamtausgabe. Originale
Vorworte,
Spielanweisungen und
Verzierungstabellen.
Franzosisch/deutsch/engli
sch - Complete Edition.
By Rameau, Jean-Philippe.
Edited by Jacobi, Erwin
R. For Piano/
Harpsichord. Playing
Score (paperbound).
Published by
Baerenreiter-Ausgaben
(German import).
Harpsichord SKU: BT.ALHE32649 Composed by Jacques Duphly. Le Pupitre - He...(+)
Harpsichord
SKU:
BT.ALHE32649
Composed
by Jacques Duphly. Le
Pupitre - Heugel.
Classical. Score Only.
188 pages. Heugel & Cie
#ALHE32649. Published by
Heugel & Cie
(BT.ALHE32649).
French.
Duphly's
Harpsichord Pieces is in
two volumes and the
compilation remains a
favourite in the
Harpsichord repertoire.
Jacques Duphly
(1715-1789) studied the
Harpsichord and Organ as
a boy, becoming a
virtuoso of both
instruments.Comprising
Gavottes, Menuets, and
other works, this second
volume of La Pupite's
collection of Duphly's
Harpsichord Pieces,,
exemplifies the
composer's skills on the
Harpsichord. The second
volume of Harpsichord
Pieces alsohelpfully
contains a table of
ornaments, demonstrating
how each should be
performed. Duphly's
Harpsichord Pieces is
essential to the
repertoire of aspiring
players of the
instrument.
Harpsichord SKU: BT.ALHE32440 Composed by Jean-Henri D'Anglebert. Le Pupi...(+)
Harpsichord
SKU:
BT.ALHE32440
Composed
by Jean-Henri
D'Anglebert. Le Pupitre -
Heugel. Book Only. 108
pages. Heugel & Cie
#ALHE32440. Published by
Heugel & Cie
(BT.ALHE32440).
English.
Jean-He
nri d'Anglebert
(1629-1691) was one of
the foremost composers of
Keyboard music of his
day. Therefore, the
collection of his works,
Pieces for Harpsichord is
essential to all players
of early Baroque Keyboard
music. D'Anglebert's
Pieces for Harpsichord
represents some of the
finest achievements of
the French Harpsichord
school and shows the
composer's mastery of
counterpoint as well as
his ability to experiment
with texture to
achieveorchestral
sonority. Moreover,
d'Anglebert's collection
contains a table of
ornaments which formed
the basis of those of J.
S. Bach and other
significant composers.
The first volume of
Pieces for Harpsichord
comprises fourHarpsichord
Suites composed by
d'Anglebert, each of
which consist of the
usual dance movements
together with
transcriptions from
Lully's operas.
Furthermore, the three
unmeasured preludes
included in Suites one,
two and three aretruly
remarkable examples of
their kind. With a
descriptive preface in
French, English and
German, volume one of
d'Anglebert's Pieces for
Harpsichord is a sublime
addition to the
repertoire of early
Baroque Keyboard
music.
Harpsichord; Early Music SKU: UT.HS-307 Composed by Antonio Valente. Edit...(+)
Harpsichord; Early Music
SKU: UT.HS-307
Composed by Antonio
Valente. Edited by Maria
Luisa Baldassari.
Paperback (Soft Cover).
Classical. Ut Orpheus #HS
307. Published by Ut
Orpheus (UT.HS-307).
ISBN 9790215327146. 9
x 12
inches.
Antonio
Valente blind,
Neapolitan since a
long time according
to the list of Neapolitan
musicians by Scipione
Cerreto and organist in
S. Angelo a Nilo in
Naples, is known in
modern times for his two
volumes of keyboard
music: Versi
spirituali published
in 1580 and, some years
before, the volume here
in transcription,
Intavolatura de
cimbalo, printed by
Giuseppe Cacchio in
1576. This volume has
many original features:
first keyboard tablature
ever printed in Naples,
itâ??s not written in
musical characters but in
a number-based system
never met, according to
the current studies, in
any other print or
manuscript both in and
outside Italy. The
dedication letter,
written by Fraâ??
Alberto Mazza, praises
Valente as the inventor
of this writing method,
so easy and effective
that everybody, even
uncouth youths that did
not know music and
keyboard, could attain
the result of playing
from it in two
months. The
Intavolatura presents
different genres of
music: a fantasia, six
ricercatas, a Salve
Regina on a cantus
firmus, four vocal
chansons
intabulated for keyboard
with more or less
diminutions,and nine
dances, variations and
dance/variations on
long-living tenors like
Romanesca or
Zefiro. There are
no liturgical
compositions, both
because unsuitable in a
collection for amateurs
and because Valente will
publish a new book of
sacred music in a few
years. The book is a
sort of compendium of the
keyboard genres of the
period, similar to some
older Spanish
publications and to the
later Neapolitan ones by
Trabaci and Majone. Other
contemporary volumes on
the contrary choose to
present a single type of
composition: this is the
case of the
Versetti by
Valente and the
Ricercate by Rocco
Rodio.
By Jean-Philippe Rameau (1683-1764). Edited by Philippe Lescat, Jean Saint-Arrom...(+)
By Jean-Philippe Rameau
(1683-1764). Edited by
Philippe Lescat, Jean
Saint-Arroman. For
Harpsichord solo. This
edition: Facsimile. La
Musique Francaise
Classique de 1650 a 1800.
64 pages. Published by
Anne Fuzeau Productions -
France
