Piano or Harpsichord SKU: BT.EMBZ20018 France 1. By Szilvia Elek_A...(+)
Piano or Harpsichord
SKU: BT.EMBZ20018
France 1. By
Szilvia Elek_Anikó
Horváth. By Szilvia
Elek. Classical. Book
Only. Composed 2020. 108
pages. Editio Musica
Budapest #EMBZ20018.
Published by Editio
Musica Budapest
(BT.EMBZ20018).
Hungarian-English-Germ
an-French.
This
brand-new series is
intended as a guide to
the keyboard music of the
16th to 19th centuries
for pupils of the piano
and the harpsichord, as
well as of other early
keyboard instruments.
Each volume contains
pieces by well-known and
lesser-known composers
from one country or
region. The main purpose
of the series is to
extend the repertoire and
stylistic knowledge of
both pianists and
harpsichordists while
also presenting fine
pieces and typical genres
based on original
sources. Our edition
retains the performance
indications of the
composers' manuscripts
and contemporary
editions. Each volume
includes:- suggestions
for stylistically
appropriate performance
bothon the piano and on
period instruments-
suggested elaborated
versions of some pieces
and excerpts- a fold-out
list of ornamentation
signs and the composers'
own tables of
ornamentation signs-
biographies of the
composers and the sources
of the pieces-
translations of
foreign-language
performance indications.
The two volumes devoted
to French keyboard music
includes close to 50
showy and relatively easy
works - preludes, dances,
suites, rondeaux, and
character pieces - from
the early 16th until the
late 18th century
(ordered
chronologically).This
publication is printed on
high-quality,
age-resistant paper that
is produced in an
environmentally-friendly,
climate-neutral manner
using renewable raw
materials.
Una nuova collana
ideata per offrire una
guida alla scoperta della
musica per pianoforte e
clavicembalo dal
sedicesimo al
diciannovesimo secolo.
Ogni volume include brani
di compositori di una
specifica nazione o area
geografica. L'intento
è amplicare la
conoscenza e il
repertorio di ogni
musicista. Inoltre in
ogni edizione sono
riportati fedelmente i
suggerimenti per
l'interpretazione e le
indicazioni presenti sui
manoscritti originali. I
due volumi dedicati alla
musica francese includono
circa 50 brani
significativi - preludi,
danze, suites, rondò e
altri - che risalgono
all'inizio del sedicesimo
secolo fino alla fine del
diciottesimo secolo,
rigorosamente inordine
cronologico.
Harpsichord; Early Music SKU: UT.HS-307 Composed by Antonio Valente. Edit...(+)
Harpsichord; Early Music
SKU: UT.HS-307
Composed by Antonio
Valente. Edited by Maria
Luisa Baldassari.
Paperback (Soft Cover).
Classical. Ut Orpheus #HS
307. Published by Ut
Orpheus (UT.HS-307).
ISBN 9790215327146. 9
x 12
inches.
Antonio
Valente blind,
Neapolitan since a
long time according
to the list of Neapolitan
musicians by Scipione
Cerreto and organist in
S. Angelo a Nilo in
Naples, is known in
modern times for his two
volumes of keyboard
music: Versi
spirituali published
in 1580 and, some years
before, the volume here
in transcription,
Intavolatura de
cimbalo, printed by
Giuseppe Cacchio in
1576. This volume has
many original features:
first keyboard tablature
ever printed in Naples,
itâ??s not written in
musical characters but in
a number-based system
never met, according to
the current studies, in
any other print or
manuscript both in and
outside Italy. The
dedication letter,
written by Fraâ??
Alberto Mazza, praises
Valente as the inventor
of this writing method,
so easy and effective
that everybody, even
uncouth youths that did
not know music and
keyboard, could attain
the result of playing
from it in two
months. The
Intavolatura presents
different genres of
music: a fantasia, six
ricercatas, a Salve
Regina on a cantus
firmus, four vocal
chansons
intabulated for keyboard
with more or less
diminutions,and nine
dances, variations and
dance/variations on
long-living tenors like
Romanesca or
Zefiro. There are
no liturgical
compositions, both
because unsuitable in a
collection for amateurs
and because Valente will
publish a new book of
sacred music in a few
years. The book is a
sort of compendium of the
keyboard genres of the
period, similar to some
older Spanish
publications and to the
later Neapolitan ones by
Trabaci and Majone. Other
contemporary volumes on
the contrary choose to
present a single type of
composition: this is the
case of the
Versetti by
Valente and the
Ricercate by Rocco
Rodio.
Harpsichord SKU: FZ.5835 Serie I - France 1600-1800. Edited by Phi...(+)
Harpsichord
SKU:
FZ.5835
Serie I -
France 1600-1800.
Edited by Philippe
Lescat, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5835).
ISBN
9790230658355. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in two books.
ANCELET - Antoine
BEMETZIEDER (1-2) -
Jean-Laurent de BETHISY -
Michel CORRETTE (2) -
Denis DIDEROT - Jacques
DUPHLY (1-2) -
Encyclopedie -
Encyclopedie methodique -
Louis-Joseph le neveu
FRANCOEUR - Pierre Claude
FOUCQUET (1-2) -
Francois-Alexandre-Pierre
de GARSAULT -
Jean-Benjamin de LABORDE
- Philippe MACQUER -
Friedrich Wilhelm MARPURG
- Jean-Philippe RAMEAU
(4) - Jean-Jacques
ROUSSEAU - Simon SIMON.
Table of contents:
Corrette Michel: Les
amusements du Parnasse -
1749. Foucquet Pierre
Claude: Les caracteres de
la paix - 1749. Foucquet
Pierre Claude: Second
livre de pieces de
clavecin - 1751.
Encyclopedie:
Encyclopedie ou
dictionnaire raisonne -
1751/1772. Duphly
Jacques: Troisieme livre
de pieces de clavecin -
1756. Ancelet:
Observations sur la
musique - 1757. Rameau
Jean-Philippe: Code de
musique pratique - 1760.
Garsault
Francois-Alexandre-Pierre
de: Notionnaire - 1761.
Simon Simon: Pieces de
clavecin - 1761. Bethisy
Jean-Laurent de:
Exposition de la theorie
- 1764. Rousseau
Jean-Jacques:
Dictionnaire de la
musique - 1768. Duphly
Jacques: Du doigter - c.
1769. Diderot Denis:
Manuscrit autographe - s.
d. Bemetzrieder Antoine:
Lecons de clavecin -
1771. Francoeur
Louis-Joseph le neveu:
Diapason general - 1772.
Macquer Philippe:
Dictionnaire raisonne -
1773. Laborde
Jean-Benjamin de: Essai
sur la musique - 1780.
Bemetzrieder Antoine:
Nouvelles lecons de
clavecin - 1783.
Encyclopedie methodique:
Encyclopedie methodique,
arts et metiers
mecaniques - 1788.
Marpurg Friedrich
Wilhelm: L'art de toucher
le clavecin - c. 1797.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from:- National
Library of Paris
(France). - Fitzwilliam
Museum of Cambridge
(England). - Bayerische
Staatsbibliotheck of
Munich (Germany). -
British Library of London
(England). - In Private
collection. Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the harpsichord.
Composed by Charles Dieupart (1667-1740). Edited by Andrew Wooley. For Harpsicho...(+)
Composed by Charles
Dieupart (1667-1740).
Edited by Andrew Wooley.
For Harpsichord. Playing
score. 30(xv) pages.
Published by Edition HH
Music Publishers
(Manuscrit autographe, 1702). By Bernardo Pasquini (1637-1710). Edited by Emer B...(+)
(Manuscrit autographe,
1702). By Bernardo
Pasquini (1637-1710).
Edited by Emer Buckley.
For Harpsichord solo.
This edition: Facsimile.
Collection Dominantes.
Score. 264 pages.
Published by Anne Fuzeau
Productions - France
Harpsichord SKU: BT.ALHE32629 Le Pupitre - Heugel. Book Only. 97 pages. H...(+)
Harpsichord
SKU:
BT.ALHE32629
Le
Pupitre - Heugel. Book
Only. 97 pages. Heugel &
Cie #ALHE32629. Published
by Heugel & Cie
(BT.ALHE32629).
French.
De La
Guerre's Harpsichord
Pieces was composed in
1687. The compilation
remains a favourite in
the Harpsichord
repertoire. Elisabeth
Jacquet de La Guerre
(1665-1729) was born into
an important family of
musicians in
Paris.Comprising four
Suites, de La Guerre
exemplified in her
compositions her own
skills on the
Harpsichord. Each of the
Suites begin with a
Prelude, Allemande, two
Courantes, Sarabande and
a Gigue. The following
movements include
aCannaris, Chaconne
Gavott and Menuet. Pieces
for Harpsichord is
essential to the
repertoire of aspiring
players of the
instrument.
Harpsichord SKU: FZ.5834 Serie I - France 1600-1800. Edited by Phi...(+)
Harpsichord
SKU:
FZ.5834
Serie I -
France 1600-1800.
Edited by Philippe
Lescat, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5834).
ISBN
9790230658348. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in two books.
Anonyme - Jean-Henry
d'ANGLEBERT - Francois
COUPERIN (1-2) -
Jean-Joseph Cassanea de
MONDONVILLE - Michel
CORRETTE (1) - Jacques
Champion de CHAMBONNIERES
- Francois DAGINCOURT -
Jean-Francois DANDRIEU -
Louis Claude DAQUIN -
Jean II DENIS - Francois
DIEUPART - Louis-Antoine
DORNEL - Antoine
FORQUERAY - Antoine
FURETIERE - Charles
Alexandre JOLLAGE -
Nicolas-Antoine LEBEGUE -
Jean Leonor LE GALLOIS -
Gaspard LE ROUX - Marin
MERSENNE - Jean-Philippe
RAMEAU (1-2-3) - Pancrace
ROYER - Michel de SAINT
LAMBERT - Charles Joseph
VAN HELMONT. Table of
contents: Mersenne Marin:
Harmonie universelle -
1636. Denis Jean II:
Traite de l'accord de
l'espinette - 1650.
Chambonnieres Jacques
Champion de: Les pieces
de clavessin - 1670.
Anonyme: Tablature pour
le clavecin - s. d.
Lebegue Nicolas-Antoine:
Les pieces de clavessin -
1677. Le Gallois Jean
Leonor: Lettre de Mr Le
Gallois - 1680. Anglebert
Jean-Henry d': Pieces de
clavecin - 1689.
Furetiere Antoine:
Dictionnaire universel -
1690. Dieupart Francois:
Six suittes de clavessin
- 1701. Saint-Lambert
Michel de: Les principes
du clavecin - 1702. Le
Roux Gaspard: Pieces de
clavessin - 1705.
Couperin Francois: Pieces
de clavecin - 1713.
Couperin Francois: L'art
de toucher le clavecin -
1717. Rameau
Jean-Philippe: Pieces de
clavecin - 1724. Dandrieu
Jean-Francois: Livre de
pieces de clavecin -
1724. Rameau
Jean-Philippe: Nouvelles
suites de pieces de
clavecin - 1728. Dornel
Louis Antoine: Pieces de
clavecin - 1731.
Dagincourt Francois:
Pieces de clavecin -
1733. Corrette Michel:
Premier livre de pieces
de clavecin - 1734.
Daquin Louis Claude: 1er
livre de pieces de
clavecin - 1735. Rameau
Jean-Philippe: Pieces de
clavecin - 1736. Van
Helmont Charles Joseph:
Pieces de clavecin -
1737. Jollage Charles
Alexandre: Premier livre
de pieces de clavecin -
1738. Royer Pancrace:
Pieces de clavecin -
1737. Forqueray Antoine:
Pieces de viole (. . . )
mises en pieces de
clavecin - 1747.
Mondonville Jean-Joseph
Cassanea de: Pieces de
clavecin avec voix ou
violon - 1748. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from:-
Inguimbertine Library of
Carpentras (France). -
Municipal Library of Lyon
(France). - National
Library of Paris
(France). - Sainte
Genevieve Library of
Paris (France). - British
Library of London
(England). - Municipal
Library of Grenoble
(France). - Municipal
Library of Bordeaux
(France). - Gemmente
Museum of The Hague
(Netherlands). - In
Private collection. Anne
Fuzeau Classique propose
the complete theoretic
documentation, methods,
classical music scores on
the harpsichord.
Harpsichord SKU: HL.48188975 Composed by Richard Siegel. Leduc. Softcover...(+)
Harpsichord
SKU:
HL.48188975
Composed
by Richard Siegel. Leduc.
Softcover. 64 pages.
Heugel and Cie #HE33876.
Published by Heugel and
Cie (HL.48188975).
UPC: 888680948825.
9x12 inches.
French.
?Richard
Siegel won prizes for the
Harpsichord and Chamber
Music at the Paris
Conservatoire before
going on the win first
prize in the 1977
International Harpsichord
Competition. He has since
recorded over 30 CDs and
his passion for the
instrument has been
apparent further in his
production of Learn to
Play the Harpsichord. As
stated in the preface,
the study of the
Harpsichord has long been
reserved, frequently
dismissed as an
'old-fashioned'
instrument. However, a
recent rise in the
popularity of early music
has rekindled interest in
it. In Learn to Play the
Harpsichord Volume 2
being the second of two
helpful volumes to aid
student's learning and
progression, Siegel
enables Harpsichord
beginners to learn
through repertoire pieces
themselves, drawn from
the Keyboard masters of
the Baroque period. The
pupil will be guided
towards an understanding
of technique and style
suited to the
Harpsichord. Furthermore,
Learn to Play the
Harpsichord enables
adults who learnt the
instrument as a child to
return to the instrument
and have the instant
feeling of ??music
making??. andrdquo.
Harpsichord SKU: HL.14023645 Composed by Michael Nyman. Music Sales Ameri...(+)
Harpsichord
SKU:
HL.14023645
Composed
by Michael Nyman. Music
Sales America. Classical.
Book [Softcover].
Composed 2000. 56 pages.
Chester Music #CH61496.
Published by Chester
Music (HL.14023645).
ISBN 9780711983281.
9.0x12.0x0.162
inches.
These three
solo harpsichord pieces
are a collection of
recent compositions, each
with an individual theme
and idea. The first, The
convertibility of Lute
Strings, was first
performed at the Purcell
Room, London in 1992. The
second, Tango for Tim was
written in memory of a
friend and composer Tim
Souster, which was
composed and first
performed in 1994. The
third piece, Elisabeth
Gets Her Way, is an
extended version of the
cadenza which Elisabeth
Chojnacka persuaded
Michael Nyman to add to
his Harpsichord Concerto,
which includes material
from the first two pieces
in this album.
Chamber Music Harpsichord SKU: PR.110418390 Composed by Eric Ewazen. Full...(+)
Chamber Music Harpsichord
SKU: PR.110418390
Composed by Eric Ewazen.
Full score. 11 pages.
Duration 10 minutes.
Theodore Presser Company
#110-41839. Published by
Theodore Presser Company
(PR.110418390).
ISBN
9781491134603. UPC:
680160685158.
Eric
Ewazen’s THREE
INVENTIONS were inspired
by Bach’s Two-part
Inventions, yet they
sound thoroughly like
Ewazen. Composed for
harpsichord (with a piano
adaptation following
later), Ewazen’s
inventions maintain a
pure “one note per
hand†texture until
their final chord, with
strong-but-free imitative
counterpoint between the
two voices. While Ewazen
may be best known for his
wind music, he is a
pianist himself, and
composers’ works
for their own instrument
are a direct insight into
how they write for their
own performances. The
piano adaptation of THREE
INVENTIONS is also
available as a separate
publication. THREE
INVENTIONS was written
for my dear friend Maria
Rojas, who premiered the
work on a faculty recital
at Juilliard. Maria is
both a pianist and a
harpsichordist, and I
first met her when she
gave a demonstration of
the harpsichord for the
students in my theory
classes.I’ve
always been captivated by
Bach’s series of
Two-Part and Three-Part
Inventions. With the
Two-Part Inventions,
I’m amazed how
Bach could create such
wonderful intricacy and
counterpoint with only
two voices. I
consequently modeled my
inventions after the
counterpoint of Bach,
involving the traditional
contrapuntal devices he
used: imitation,
development, harmonic and
modal shifts,
fragmentation, and
sequence, essentially
creating a dialog between
two completely equal
voices conversing with
each other!Bach wrote 15
Two-Part Inventions (as
well as 15 Three-Part
Inventions, not to
mention the 48 preludes
and fugues in The
Well-Tempered Clavier!),
and that’s just
the start of his
voluminous repertoire for
the keyboard! I was happy
just to write
three!!!Each of my
inventions has a
distinctive mood. The
first is in a relaxed,
yet cheerful C Major
tonality (as a nod to
Bach’s Invention
No. 1 in C Major); the
second is heartfelt and
lyrical; and the third
invention (involving a
Gigue rhythm in the
compound meter of 12/8)
is energetic, and full of
life and spontaneity. The
third is primarily in a
minor tonality, resulting
in a feeling of drama,
bringing the THREE
INVENTIONS to an exciting
finale.
Harpsichord SKU: HL.48187911 Composed by Jacques Duphly. Leduc. Classical...(+)
Harpsichord
SKU:
HL.48187911
Composed
by Jacques Duphly. Leduc.
Classical. Softcover. 122
pages. Heugel & Cie
#HE31812. Published by
Heugel & Cie
(HL.48187911).
UPC:
888680907433. 0.33
inches.
French.
This first
volume of Harpsichord
Work by Jacques Duphly is
the first of a series of
two which includes the
two parts of Volume 1.
Featuring 19 pieces, this
work for Harpsichord was
reviewed and edited by
Francoise Petit. With a
preface in French,
English and German that
sets the context of the
work and presents the
composer, this first book
offers a set of pieces
for intermediate players.
With simple rhythms, it
includes few accidental
alterations and some
arpeggios. Jacques Duphly
(1715-1789) was a French
organist who was living
during the period of
Jean-Jacques
Rousseau..
Harpsichord SKU: BT.ALHE31812 Composed by Jacques Duphly. Le Pupitre - He...(+)
Harpsichord
SKU:
BT.ALHE31812
Composed
by Jacques Duphly. Le
Pupitre - Heugel.
Classical. Book Only. 122
pages. Heugel & Cie
#ALHE31812. Published by
Heugel & Cie
(BT.ALHE31812).
French.
This
first volume of
Harpsichord Work by
Jacques Duphly is the
first of a series of two
which includes the two
parts of Volume 1.
Featuring 19 pieces, this
work for Harpsichord was
reviewed and edited by
Françoise Petit. With
apreface in French,
English and German that
sets the context of the
work and presents the
composer, this first book
offers a set of pieces
for intermediate players.
With simple rhythms, it
includes few accidental
alterations andsome
arpeggios. Jacques Duphly
(1715-1789) was a French
organist who was living
during the period of
Jean-Jacques
Rousseau.
Harpsichord SKU: HL.48188874 By Diana Petech. By Joseph-Hector Fiocco. Le...(+)
Harpsichord
SKU:
HL.48188874
By Diana
Petech. By Joseph-Hector
Fiocco. Leduc. Classical.
Softcover. 67 pages.
Heugel & Cie #HE33712.
Published by Heugel & Cie
(HL.48188874).
UPC:
888680873066. 9x12
inches.
French.
“Harp
sichord Pieces, LP. 78 is
a set of works for
Harpsichord, written by
Joseph Hector Fiocco and
edited by Diana Petech.
This edition includes a
really complete preface,
with comments and advice
to work through this book
and explanations of all
the symbols that can be
found in it. It features
24 pieces divided in two
suites, with the second
suite set in a more
traditional layout than
the first one. The name
of each piece is also not
especially appropriate
regarding their style.
First suite: - L'anglaise
- L'harmonieuse - La
plaintive - La
villageoise - Les
promenades -
L'inconfiante -
L'italienne - La
française -
L'adagio - L'alegro -
L'andante - La vivace
Second suite: -
L'alemande - La
legère - La guigue
- La farabande -
L'inquiette - La gavotte
- Les menuets - Les
sautèrelles -
L'agitée - Les
zéphirs - La
musette - La fringuante
Joseph Hector Fiocco
(1703-1741) is a Belgian
harpsichordist who had
Italian origins.He was
Deputy Choir Master at
the court and resigned to
become Choir Master in
another French city. He
composed numerous
religious music
works.&rdquo.
Harpsichord SKU: BT.ALHE33712 By Diana Petech. By Joseph-Hector Fiocco. L...(+)
Harpsichord
SKU:
BT.ALHE33712
By Diana
Petech. By Joseph-Hector
Fiocco. Le Pupitre -
Heugel. Classical. Score
Only. 67 pages. Heugel &
Cie #ALHE33712. Published
by Heugel & Cie
(BT.ALHE33712).
Harpsichord SKU: BT.ALHE32440 Composed by Jean-Henri D'Anglebert. Le Pupi...(+)
Harpsichord
SKU:
BT.ALHE32440
Composed
by Jean-Henri
D'Anglebert. Le Pupitre -
Heugel. Book Only. 108
pages. Heugel & Cie
#ALHE32440. Published by
Heugel & Cie
(BT.ALHE32440).
English.
Jean-He
nri d'Anglebert
(1629-1691) was one of
the foremost composers of
Keyboard music of his
day. Therefore, the
collection of his works,
Pieces for Harpsichord is
essential to all players
of early Baroque Keyboard
music. D'Anglebert's
Pieces for Harpsichord
represents some of the
finest achievements of
the French Harpsichord
school and shows the
composer's mastery of
counterpoint as well as
his ability to experiment
with texture to
achieveorchestral
sonority. Moreover,
d'Anglebert's collection
contains a table of
ornaments which formed
the basis of those of J.
S. Bach and other
significant composers.
The first volume of
Pieces for Harpsichord
comprises fourHarpsichord
Suites composed by
d'Anglebert, each of
which consist of the
usual dance movements
together with
transcriptions from
Lully's operas.
Furthermore, the three
unmeasured preludes
included in Suites one,
two and three aretruly
remarkable examples of
their kind. With a
descriptive preface in
French, English and
German, volume one of
d'Anglebert's Pieces for
Harpsichord is a sublime
addition to the
repertoire of early
Baroque Keyboard
music.